Proposed Topic for Stephen Zimmer How did you create the world of Ave initially and did you foresee Ave being shaped into a full-on series? What is the back-story of the research you discovered as you went along &/or what were your methods of deciding the texture of the world? Was there a key moment which left the impression of which direction Ave was heading? How did everything evolve forward past conception of the idea?

As you might recognise, I asked Mr. Zimmer to return to Jorie Loves A Story by featuring an Author Guest Post to discover the early days of conceiving the idea for “Ave” the world in which the “Fires of Eden” series resides. I previously reviewed the “Chronicles of Ave: Volume 1” (the first anthology of the series) which served as my unorthodox introduction to the series! As you will see from that particular post, I was most intrigued by what I found inside! So much so, that it has led me to reading “Crown of Vengeance” of which will be brought to life in a review going live on Wednesday! Be sure to drop back to see my recollections! I also had the pleasure of interviewing Mr. Zimmer whilst participating in the Chronicles of Ave blog tour! Blessedly for those of you who are already wrapped up inside this world, there are many more stories yet to be revealed! Let us now yield to Zimmer who will provide the ‘genesis’ of how Ave was first created.

The Genesis of Ave

Ave is in my heart and has been from the beginning of the road of its genesis that began in the early 1990’s. The origin of this story and how it has grown comes from one of my own personal fantasies. I’ve always imagined and dreamed of what it would be like to go through the wardrobe, to use a Narnia reference, and enter a fantastical world such as the one found in my books.

The entire story involving Ave really did begin on that simple, singular premise, and the idea of an ensemble of characters, all with different backgrounds and circumstances, going into a new world moved it forward as far as a concept for an epic fantasy series. The question of why they are pulled into that world, and what their part is within it, led me to what became the core plot of the series. Before I started writing the first page, I knew the ultimate destination of the series.

I’ve always been drawn to the medieval period, especially the earlier period, including the so-called Dark Ages (I say this as there were a lot of places that continued on a course of progress, from the Byzantines to China, to name a couple). As such, Ave takes on a medieval texture, with a modest presence of magic, as I didn’t want magical or supernatural elements to be too overwhelming in this series (though both play a significant part).

Ave grew into my own personal playground, as far as having everything I would love to see in a fantasy world. It has a full range of cultures , lands, and geographies, with many inspired by historical periods in our own world, and some that are entirely inventive.

One of the challenges of writing this series has been making sure the organic realism of the fully original cultures like the Trogens and Unguhur resonate just as strongly as the ones reflecting a historical inspiration, like the Saxans, Midragard, Avanor, and others. They all need to have the same kind of depth and comprehensive portrayal.

With the historically inspired cultures, I wanted to be sure that there was a strong presence of societies and cultures not commonly reflected in epic fantasy. Readers will see that right from Book One, Crown of Vengeance, when they discover the Five Realms and the five tribes that comprise it. Based upon the Iroquois, the Five Realms and the story of the tribal people within it are a major part of the series.

To bring cultures like the Five Realms to life, research has become a very important aspect of this series. Interestingly enough, in the late 1990’s, when I had the first version of what would become Crown of Vengeance done, one of the biggest reasons I did not try to get an editor or publisher at that time was that I realized that I had not done enough in the area of research to give the books the kind of depth and organic realism that they deserved. It led to several years of immersion into research and rewrites, but at the end of that road I ended up with a book that I was confident in taking onward.

The extended research also honed my thinking and perspective when it came to developing an original culture like the Trogens. Subtle touches about their culture, beliefs, and history added a full dimension to my depiction of them, where before they were coming off as more fantastical than real. In ultimate effect, engaging in serious levels of research developed my thinking process, in a way that truly strengthened this series.

Writing a large-scale series such as this, one that has the kind of depth where I can do short story collections right alongside it, does require some structure, but at the same time I leave myself open to new ideas and adventures that can crop up during the writing of a new title. Having an idea of the core plot of the series, and its ultimate destination, keeps it on a track so that it does not drift or derail into a problematic situation.

Yet at the same time, Ave is truly a playground, and all manner of new creatures, lands, characters, and sub plots can emerge at any given time, and I do want to take advantage of those opportunities. The last thing I wanted to do was box myself in without any flexibility during the process.

I think this is what has led me to using a multi-threaded character-focused style for the Fires in Eden Series. Having multiple story threads does add some complexity to the series, but I also feel it adds a lot of texture and added dimension too. There are layers, there are all sorts of seeds being planted for future payoffs, and for the reader I give a trove of material to enjoy and savor with this kind of depth.

Granted, not all readers may enjoy this approach, and want something more simplistic and linear, but to use a rock band metaphor, there are those who like a more complex and layered musical act like Rush, and those who like a simpler and more straightforward act like ACDC, and there are those who like both. As a reader (and as a rock fan!) I happen to like both complex and straightforward approaches, being in the mood for one or the other at given times. Hopefully, the readers that like the kind of scope I offer will find their way to the world of Ave.

For those that do enjoy this, I have an entire world to explore, one that is being unveiled gradually in the series and in the short stories of the Chronicles of Ave collection. There is so much more ahead and I invite readers along for the grand adventure!

You can follow Stephen Zimmer’s continuous journey with Ave and other stories at: Stephen Zimmer’s website & blog.

Honestly, I knew a lot of thought had gone into Ave, from the moment I first stepped inside its dimension of space and time, it felt as though every inch of Ave had been thought about with care! You have a way of bringing the reader into Ave unaware of its origins and its history, by making the world itself accessible and visually stimulating! As those are what staid with me after I put down the Chronicles! I was quite curious what your method of process would be for creating the multi-layered universe in which Ave resides, and in this lovely Guest Post you have given myself and my readers alike something hearty to ponder! I knew too, there would be hidden depths to the reasonings behind why you elected to create certain classes of people in Ave as much as why there were certain names being used to express who they were. I love how you were studying ancient civilisations in order to have Ave thrive in the past way possible! And, the inclusion of using the Middle Ages as a staging arena for the world itself I think was a classic move on your part to give your world a rooting in our own timeline of reflection. It was especially a time where the world saw the most growth, change, and enlightenment coming out of a period of unrest, uncertainty, and ignorance.

As a writer of whom appreciates writing serial fiction herself, I can understand why you wanted to create a world in which would be limitless in regards to where to expand the threads of Ave’s tapestry and as far as how far you could take your audience! It’s always a lovely gesture to become so well acquainted with your own created world that you can see extensions of the original plot passages igniting new ones down the road! I must confess, although I see my own writings in full view of where I want them to go, I have not yet formulated the fullness of the worlds therein. As in reference of seeing the final destinations of where the characters and the story itself will be ultimately going towards. I give you credit for being able to focus on Ave in a way that befits the benefit of having such a clarity of mind in its creation! I, perhaps, might yield to the fact that my writings have been percolating for the better part of twenty years and have been writ at different intervals of time therein. One of these days I’d love to see everything fall together in a way that will honour my own story.

Your essay here on how Ave knitted together, I think will give all writers (regardless of genre preference) a lot of hope in what they will achieve in their own goals once the bones of what they want to write is out in the open. I can understand what you meant about the difference preferences of readers, where some might prefer the depth vs the low-key approach of subtle nudging, but I for one, tend to choose the complexities of a well-plotted story when I want to soak into epic sagas because it’s the layers in which I get caught up inside which bring me the most joy! They also provide endless hours of reading bliss in order to see how all the connections of lead and supporting cast make off in the installments that follow suit! I always get a kick out of remembering the wholeness of whom is residing in these wicked fantasy stories, because sometimes its nice when the layout is not limited to a cluster of a few but held together with the fullness of an army!

This Seventh Star Press focus week was brought together with the help of Tomorrow Comes Media, of which I am a blog tour hostess and book reviewer. To keep up to speed with which authors and books I will be featuring on Jorie Loves A Story in the near future via Tomorrow Comes Media, please check out my Bookish Events! Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.

This marks my fifth post in contribution of:

You can follow along on the official Sci-Fi Experience site!

Cross-listed on: Sci-Fi & Fantasy Fridays via On Starships & Dragonwings

{SOURCES: The 2014 Sci-Fi Experience was granted permission to use the artwork by Stephen Martiniere in their official badge for all participants to show their solidarity during the event! The Chronicles of Ave: Volume One cover art provided by Tomorrow Comes Media and used with permission. I requested an Author Guest Post on the topic of writing the back-story of Ave’s creation and received the essay direct from the author Stephen Zimmer. Post dividers badge by Fun Stuff for Your Blog via Pure Imagination. Blog News badge provided by Parajunkee to give book bloggers definition on their blogs.}

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