Tag: William Morrow

+Blog Book Tour+ Citadel [Book 3: of Languedoc Trilogy] by Kate Mosse

Posted Thursday, 20 March, 2014 by jorielov , , , , 5 Comments

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Citadel by Kate Mosse
Published By: William Morrow (@WmMorrowBks)
(an imprint of Harper Collins Publishers (), 18 March 2014
Official Author WebsitesSite | Twitter | Facebook
Converse via: #KateMosse, #LanguedocTrilogy, #Citadel, #FranceBookTours, & #HistFic
Available Formats: Hardcover and E-Book
Page Count: 704

Acquired By: I was selected to be a tour stop on the “Citadel” virtual book tour through France Book Tours. I received a complimentary ARC direct from the publisher William Morrow, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Encouraged to Read:

Mum has a foresight of knowledge of which books would whet my appetite for not only historical intrigue but deft story-telling, where the research slips past the reader’s eye, and allows one to insert one’s heart directly into the core of the narrative! I am always on the forefront of discovering ‘a genuine new voice in literature’ because I am always inspired and captivated by such an eclectically diverse sphere of writers! I like to seek out stories which not only challenge convention but the perceptional eclipse we might unintentionally tether ourselves too! I like to broach outside my comfort zones whenever possible, and sink into a portion of the historical past which is wholly unknown and unvisited previously! My literary adventures draw me one step closer to the world’s front door and a breath closer to empathy for the unsung heroes of a past fraught with drama, suspense, and intuitive souls who choose to lead rather extraordinary lives! In this intuited glimpse into my reader’s heart, Mum purchased Labyrinth for me whilst it was in paperback (as I recollect!?) release. I had oft meant to endow myself to the page, yet I never quite managed to broach into the novel. On the brink of a blog book tour in the bookish blogosphere, I find myself able to redeem my ill-wrought wanderings, bringing me full circle back into the realm of Kate Mosse! How fruitious it is that her name resonated with me whilst offered on tour!

Inspired to Share a Snippet of a Preview:

I originally intended to read the first two novels in the  series Labyrinth & Sepulchre ahead of my book review for Citadel via France Book Tours. However, as life can dictate and quite often predict, the plans we set in motion are occasionally derailed for circumstances which arise altering our reading adventures! Therefore, I am stepping into the world of Kate Mosse’s literary threshold without prior knowledge of her characters nor of the direction in which her style illumines the narrative for the avid reader of her works! I am quite eager to read the forementioned previous titles on the footheels of this installment, but for now, I am overjoyed I have the pleasure of ‘meeting’ a new author of whom has held my intrigue for the years between Labyrinth & Citadel releases!

Kate Mosse discusses “Citadel” & ‘Sisterhood’ via Orion Publishing

Book Synopsis:

From the internationally bestselling author of Labyrinth and Sepulchre comes a thrilling novel, set in the South of France during World War II, that interweaves history and legend, love and conflict, passion and adventure, bringing to life brave women of the French Resistance and a secret they must protect from the Nazis. In Carcassonne, a colorful historic village nestled deep in the Pyrenees, a group of courageous and determined operatives are engaged in a lethal battle. Like their ancestors who fought to protect their land from Northern invaders seven hundred years before, these women—codenamed Citadel —fight to liberate their home from the Germans.

But smuggling refugees over the mountains into neutral territory and sabotaging their Nazi occupiers is only part of their mission. These members of the resistance must also protect an ancient secret that, if discovered by the enemy, could change the course of history.

A superb blend of rugged action and haunting mystery based on real-life figures, Citadel is a vivid and richly atmospheric story of a group of heroic women who dared the odds to survive.

Author Biography:

Kate MosseKate Mosse is the multimillion selling author of four works of nonfiction, three plays, one volume of short stories and six novels, including the New York Times bestselling Labyrinth and Sepulchre. A popular presenter for BBC television and radio in the UK, she is also cofounder and chair of the prestigious Baileys Women’s Prize for Fiction (formerly the Orange Prize) and a member of the board of the National Theatre of Great Britain. In 2013, she was named as one of the Top 100 most influential people in British publishing and also awarded an OBE in the Queen’s Birthday Honours List for services to literature. She divides her time between England and Carcassonne, France.


A Prelude to Citadel:

An absolute blessing of mine in receiving an ARC (advanced reading copy) to read of a novel, is the inclusion of both the Editor’s Note (generally found on the inside first page!) and/or a letter from the publisher which gives a bit of a history of how the novel was created or a bit about the author herself! For Citadel, I was twice-fold blessed! Not only was the Editor’s Note included but so was the publisher’s! I am fascinated truly by the marketing and promotional campaigns by publishers to alert the readership of an author’s work! Even for new readers of Mosse’s stories like me for instance, cannot help but become caught up in the excitement and the reverence of honour she is bestowed by her dedicated readership! IF a sequel to her last tome took four years, can you imagine how long we shall all be willing to wait for her next treasure of literature?!

The best of stories have to soak into their creators, they have to wholly absorb the characters, the setting, the era, and the entirety of the story’s essence in order to fully bring everything to illuminating light. I celebrate writers like Mosse who cherish the ‘process of writing’ and allow themselves the full measure of grace to produce heart-stopping narrative time and time again! At least this is my presumption prior to broaching the pages!

I’m entering this particular review a bit blind to the knowledge of Ms. Mosse, as when I read her championing spirit for bookish culture, writers, and wordsmiths I must confess my heart did a bit of skip and a jump! Especially on noting I had already planned to make an appearance on a Blog Talk Radio podcast the night prior to this review posting in which I would be drawing to light a topical bookish interest: volunteer public libraries set on trains running through New York City and London! A kindred spirit, most indeed!

Dear hearts, do you know what William Morrow included as a ‘extra special’ surprise for this particular book blogger!? OR, should I clarify, it wasn’t placed inside for ‘me’ in particular mind you, but rather those who received the ARC! A full-on brilliant interview by Ann Patchett & Kate Mosse! A most delectable treat I held off reading until ‘after I had read Citadel’!

A proper Introduction to the novel by the author:

There is an amazing breadth of history pulled out of World War II, where brave souls stood up in our conjoined living history of a time in our world where nothing made sense and everything was turnt upside down by the cruelty and evil of a world war. Mosse examines the inter-dimensional connections of the trilogy against the intricacies of research of the historical past. Her passion for the South of France and for this particular window she’s served as a portal for her audience to endear themselves to the women who stand strong allowing their courage to bolster us a bit in the present. These are stories on behalf of women who perhaps never saw themselves as heroes but to every life they positively affected they were! Mosse has such an effervescent passion for writing, and giving her readers such a full embodied story which can wash over you and give you a living experience.

Kate Mosse Over Citadel via bol.com {she speaks in English; Dutch subtitles}


 

An archaeological bent of historical intrigue:

From the time I was quite young, I was always caught up in the annuls of history, seeking out remnants of the past which could be brought into the present through the art of story-telling! My passion for history led me to consider bunkering into a life pursuit of archaeological digs, hidden ancestral passageways into the living past, and a life’s sole intent of preserving the artifacts I’d uncover. Ever since my eyes lit up with the pure joy of ‘digging in the dirt’ by theory not practice, I have had a keen attention placed on historical details in novels. Including ancient symbolism,  dead languages, and the turnt of phrase fashioned centuries within the past where Old English was the everyday vernacular! Part of my interests in seeing the sociological perspectives in stories and the dynamics of a character’s action verse personality is rooted in my appreciation for archaeology’s introverted sister: anthropology which focuses on the study of societies and how people lived.

To find an author who has transmorphed an intricate range of research into a dense tome of historical fiction whilst remaining true to each era she’s brimming to life inside her narrative is nothing short of literary brilliance! I oft wondered if I could find an author who could fully immerse the reader’s senses into what I felt I had shared within my spirit whilst previously considering an entirely different lifepath! In Mosse, I do believe I have at long last found the writer, the wordsmith, and the story-teller I have sought so hard to find! And, I have my Mum to thank for this lovely discovery as my gratitude is hers forevermore!

My previous readings of Illuminations and A Study in Murder allowed me to understand the monk’s (Arinius) traditions of matins, sext, and nones! There is an entire pace to living whilst your sliding into a moment in history where tradition and ritual intersect and spirituality endeavours to give a calming balm to one’s day.

My Review of Citadel:

Oh, my oh dear my, such a delightful author who includes not only a full-on brilliant map to orientate the reader into the realm of the historical past she’s about to embark on visiting, but she is given an acute alacrity of the principal cast and characters in a proper pronouncement ahead of the beginning of Chapter I! Oh, my dear hearts, this reader was over the moon entranced by these short few pages,… wretched and jolted out of my reverie of an unsuspecting opening which would bring the level of brutality witnessed by survivors and members of resistance forces during World War II came startling into view as soon as I broached the Prologue. The recollections of my joyous heart can wait, the narrative cannot! I not merely ‘sense’ the urgency, I sense it! I am breathing it in with each drip of words formulating the paragraphs. A dire race is afoot and I am on the brink of understanding the fullness of its scope! The novel births unto the page with each delicate turnt page, words extending themselves into the edge-most sections of its published space; a murmuring echo of its story eager for the eyes of the reader to grasp its heart!

Mosse has a clever eye for evoking peripheral psychological hauntings of a world set askew by war. She invites you into the mind of her characters whilst they brace and bolt to live through a day of hell. Fraught with human anxiety and fears of what happens to those who are captured, the imagery is not a brutal one in totality but rather, a stark remembrance of the reality of being on the ground, running and scavenging for safety. I was quite startled to be pulled out of Southern France during World War II to arrive at the doorstop of AD 342, and yet, that is precisely where my timeclock registered me on the first page of Part I! I murmured to myself this might be a time slip, generational in-depth and millennia in scope!

Meeting Arinius as he made his journey to free the Codex text he believed to be absolute truth ahead of dipping into Sandrine’s world in 1942; the year she was eighteen, two years past her mother’s death was quite the unique place to enter both of their lives. Each were on the footfalls of reaching a new pathway in their lives which would transform their futures. Sandrine was not unlike her age of peers, where she was standing on the tipping stone of adulthood, eager to greet the morrow and make her way in life. She was thirsty for experience and for the sweetness of freedom outside the stagnant pattern of her days. Sandrine comes from an ethereal section of France, where murmurings of spirits and of divine knowledge echo out across the land and encroach on the open hearts and minds of those willing to listen.

I appreciated the symbolism of Sandrine’s thoughts being interwoven and threaded as a knitter’s skein of fiber! The observation is at the closing end of Chapter 7, but it simply warmed this knitty girl’s heart to see one of the clever turnt phrases to be a reflection of an interest held most dear! I can oft relate to how she felt; muddle yet unclear of the placement of the events and memories. Uncertain if memory is the fault or if memory is the key to understanding what happened. We can become caught up in ourselves to where we second guess our instincts and the intuition that is a constant guide.

Sandrine was still an innocent as her hometown of Carcassonne was evolving into a deadly sufferage of wills between those who first would commit harm to gain secrets within the arms of the war and those who would rally to bolster the shield around the innocents who died. Her older sister Marianne sheltered her younger sister too well, in not giving her the ability to see past the illusion of memory. Her spirit stirred and soared standing in the warming sea of voices raised high for the liberation of France. She was starting to put the pieces of the picture together, forming her own opinion where her life was leading her and how where she was living was all but directing its course. She was thrust into the throes of war without the foreknowledge to understand its intricacies. Yet. I mused if perhaps this was almost a better approach? To not be as self-aware at first in order to have the courage in the long-term to act without a thought for yourself but to act to protect and free people you might never know?

History has a unique way of imparting important acknowledgements out of the past, by finding the ways in which the words can travel through vessels of time. Words handed and passed down through generations, from family to stranger seeking a confidence of protection is one of the most reliable methods of keeping knowledge secret from eyes who would take the same words and twist them into harmful deeds. It’s how we as a society react and root out resilience in the face of our foremost dire fears and shake away the rootings of evil. Resistance from oppression and the strife of a regime bent against the welfare of the people is true courage lit aflame.

Sandrine, Marianne, their close friends, and French Resistant fighter Raoul are being shadowed by a thrilling chase against time. By the time my mind realised the full perimeter of the story, I was all but rushing to find my voice to shout-out a decree of bravery I was slowly losing sight of as I watched how their individual plights grew more dim. The hardest time in life to latch onto Hope is when every effort you make to walk out of the adversity you have lived through starts to unfold and uncoil around you. You fight as hard as you dare, you believe as willingly as you dream, but in the end, without the additional help of others acting on your behalf; you can find yourself truly alone betwixt a choice for flight, freedom, or the valor of saving lives.

Sandrine is an intuitive woman who was set apart from others; she could see past the veils of our reality and into the next life just beyond our focus. She was tuned into mystical truths which gave her a bolster of strength in the nanoseconds where her own inner resolve faltered. Her life was writ to be in service of others, and in of giving all of her mind, body, and soul to fighting for the sanctity of life, liberty, and freedom. Citadel is epic in scale, emotionally convicting, and powerfully written to leave you quite still at its conclusion retrospectively museful, and enlightened. Your heart shatters and aches in an indescribable way when you read the four sentences on page 673. With eyes too blurry and a heart too gutted to carry-on into the Epilogue.

 

Fly in the Ointment:

In this instance, it is more of a forewarning for a sensitive heart reading the book, as although I was quite thrilled to see Mosse tempering the harsh realities of war and giving us a proper sense of the danger, the blight, and the misery without fuller details which would make even a strong man gag; there are passages where naturally the narrative has to take a sharper intact of detail. Where the horrors of the war during World War II under the Nazi regime are represented for what they were and how they were elicited out through the ranks. Before I reached Chapter 14, I languished in the beauty of the words which felt like soft pebbles rather than hardened spikes of a war drama. I am not sure why, but Chapter 14 re-presented the reality for me, where Antoine is being tortured into submission. Except to say, Mosse holds back, she gives you the ease to breathe and to realise although your being led into one of the darkest corners of the past, inside history’s dark hours, you are going with a guide who respects what you can handle and the elements of which you cannot. And, how she maintains this balance between the evil darkness and the light is a credit to her as a story-teller.

The most sickening part though lies in the truth inside the torture for information: that there are certain people who feel that inflicting unimaginable pain is justified in the end if it yields a response they are searching to hear. Mosse gives you a lot to muddle over and ruminate about as this is a novel whose layers are half-hidden and seen throughout the action of where the story evolves into being. There is a greater message than a recollection of war-time horror, survival, and courage. We are never quite as alone as we fear we have been cast out from our protective spheres of love’s embrace. Always guided over and protected by the Ones we cannot see but sometimes can hear as our heart listens for the cues our eyes have forgotten to see.



Virtual Road Map for “Citadel” Blog Tour:

Citadel by Kate MosseBe sure to scope out upcoming tours I will be hosting with:

France Book Tourson my

Bookish Events badge created by Jorie in Canva


A parting glimpse behind the esoteric elements of the Languedoc Trilogy: 

Kate Mosse discusses Citadel, myths and fantasy via Orion Publishing

I must confess, I am always quite curious about how each of us selects which book we want to engage in. With Mosse, I feel as though I was always meant to be a reader of hers, but the timing hadn’t quite aligned for me to broach her writings until ‘this moment’ whilst I am participating on a blog book tour with France Book Tours! Do you ever find there is a particular time for you to soak into a narrative or an author? What do you think prompts the discovery to be a bit delayed from our initial moment of curiosity!? Also, have you read each of the Languedoc trilogy books as they released, or did you discover them out-of-order!? I’d be keen to hear your recollections and ruminations on behalf of either Citadel, Kate Mosse, or the trilogy! I do know, it will not be long from now before I am reading the first ‘two’ installments to have the richness of the tapestry expanded inside my mind!

{SOURCES: Cover art of “Citadel”, book synopsis, author photograph of Ms. Mosse, author biography, and the tour host badge were all provided by France Book Tours and used with permission. The book trailer by Orion Publishing had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets were able to be embedded by the codes provided by Twitter. Bookish Events badge created by Jorie in Canva.}

Copyright © Jorie Loves A Story, 2014.

Reading this book contributed to these challenges:

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Posted Thursday, 20 March, 2014 by jorielov in 20th Century, Biographical Fiction & Non-Fiction, Blog Tour Host, Bookish Films, Clever Turns of Phrase, Death, Sorrow, and Loss, Fantasy Fiction, Feminine Heroism, Fly in the Ointment, France, France Book Tours, French Literature, French Resistance, Geographically Specific, Haunting & Ethereal, Historical Fiction, Historical Thriller Suspense, Interviews Related to Content of Novel, The World Wars, Wordsmiths & Palettes of Sage

*Blog Book Tour*: The House Girl by Tara Conklin

Posted Tuesday, 12 November, 2013 by jorielov , , , 5 Comments

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The House Girl by Tara Conklin

The House Girl

Published By: William Morrow,

an imprint of HarperCollins Publishers (12, February 2013 [hardback]

Published By: William Morrow Paperbacks, 5, November 2013 [paperback]

Official Author Websites: Conklin on Facebook; Conklin on Twitter;

Personal Website and Contributor @ Popcorn the Blog.

Available Formats: Paperback, Hardback, and E-Book Page Count: 400

Converse on Twitter: #TheHouseGirl

Fun Stuff for Your Blog via pureimaginationblog.com

Acquired Book By: Book Browse First Impressions Programme: I received a complimentary ARC in exchange for my honest review on Book Browse, from the publisher William Morrow. The House Girl was amongst the offerings for November 2012, as this book was published in February 2013. I did not receive compensation for my opinions or thoughts shared therein or herein. Fun Stuff for Your Blog via pureimaginationblog.com On Being a Part of the Blog Book Tour: Whilst I submitted my application to work with TLC Book Tours, I had mentioned that I have read this particular book as I noted they were going to launch a blog book tour for it in November 2013; to celebrate the paperback release! I thought it would be nice to participate in a blog book tour on behalf of a book that truly not only captivated my imagination but is of a story that I have never fully let go of since I put the book down! I was thankful to be placed on the tour! Therefore, this is my second reading of this story based on the ARC I previously received. I will juxtaposition my original thoughts alongside my new impressions as they are revealed! I did not receive compensation for my participation on this book tour! Fun Stuff for Your Blog via pureimaginationblog.com Inspired to Re-Visit: As a reader there are always those particular books that stand out to us, stories and characters who have a way of transforming our perspective as much as endearing us to a particular time in history that was wholly different from the time we live in ourselves. These are the stories that challenge us to dig into the heart of the narrative to seek out the truth of which the writer is imparting to us. Through their words of choice, as much as the fingering nudges they urge us to open our eyes to, a portion of history that is hard to reconcile even today. They endeavour us to seek humanity and empathy as they seek to obliterate social prejudices whilst revealing a story that is not only multi-layered but dimensionally complex. This is one of those stories that leaves you ruminative as you close the book sleeves and sit pondering the greater message that has been revealed in its ending.

Fun Stuff for Your Blog via pureimaginationblog.com

Listen to an Excerpt:

The House Girl by Tara Conklin

Fun Stuff for Your Blog via pureimaginationblog.comSlipping Back in Time and Forward Again:

Conklin weaves her narrative forward and backwards between Josephine’s world in the mid to late 1800s, and Lina’s in the present day, given us the full force of each woman’s plight as their individual circumstances start to unfold. Josephine is not a free slave when the story begins, as she earnestly wants to run to freedom and enter into a new life she has dared not allow herself to imagine. Her sole friend and confidante was Lottie, a woman of passionate faith mixed with an indomitable spirit despite the hardship of loss she has suffered. The two women forged a friendship which consoled Josephine as the years waxed onward. Their lives were always interrupted by the absence of sold-off slaves, of whom they had grown attached too and suddenly never knew what had become of them next. The worst part of their lives was the broken connections between friends, family, and offspring. No living histories could be formed in other words, which led many to question and wonder what ever became of anyone they had ever known.

Lina on the other hand, is caught between where her life has led her and where her heart is leading her to go next. She is harbouring deep seeded anguish murmuring from her past into her present, as she attempts to break free once and for all. She has closed her heart to seeking out a way to let love back into her life as she has walled herself against being close to anyone who could bring her discomfort or loss. What she wasn’t realising is that a life without love is a sure way to live a half-fulfilled life which would only bring regret in the end. The ability to make two cornerstone eras reminiscent through narrative, dialogue, and elemental knowledge of the eras themselves is a nodding to how Conklin fuses the story within the time setting of The House Girl. She diverts your mind from realising there is a time slip happening as you shift further into the folds of the novel, soaking in the natural world through Josephine’s eyes and taking in the repulsive angst of a reparations case in Lina’s. Whichever setting you find yourself present in per chapter you’re not in your current time and place, but rather are living through the spirit and eyes of Conklin’s lead heroines. As for me, both Josephine and Lina are heroines in their own rights, having transcended everything that was holding them back.

My Review of The House Girl [one year later] for TLC Book Tours:

The story opens inside an ordinary day in Josephine’s, where she has to endure more abuse from her Master. Her eye is always attached to the outside world noticing the most insignificant details. It’s in these details her true freedom begins. She drinks in a piece of joy whilst walking barefoot in the grass, a moment for her that meant more than what could be observed in its simplicity. She was bourne into a world of unjust rules thrust upon her and those like her to live with the heaviest of burdens without the rights afforded to them. To live in a world where you had no say in what became of you is the hardest part of the story to drink in as a reader. Your heart starts to grieve as Josephine and Lottie’s intimate conversations paint the stark realities of their world. Where even the necessity of medical care was not given as an option. Her only resolve was to focus on the task at hand which gave her a purpose for the hour. It wasn’t enough to keep her thoughts away from running, but it helped to keep her focus off her nerves.

As time slips back into the present, Lina comes into view as a lawyer bent under the pressures of being on the fast track to success. A slave in her own right to the work load she is drowning inside. Lina suffers from lack of self-esteem and self-confidence in both her work ethic and her abilities to provide the services her clients are in need of most. She finds that her position at the law firm is all but redundant as the work she puts in is not even close to being necessary. She is finding that her role in life is being a cog in the wheel to where her fated course is up to someone else. She has missed the ability to feel as though she is making a difference rather than only doing what is expected of her. When she is assigned the reparations case to seek a living heir through the descendants of Josephine Bell and to provide proof of provenance for the artwork which was recovered (as there is an issue of who the artist actually was), she finds her true self. She starts to shed  the outer barrier that kept her at a distance from becoming close to others and starts to find her voice through following the path of Josephine; the house girl who dreamt of freedom in the Underground Railroad.

In direct comparison, here is my Original Review for Book Browse First Impressions:

Art Redeems the Soul

Josephine Bell is the catalyst that launches an inquiry into the historical past, to unearth the mystery of what happened to the artist who fashioned the artwork that survived time. Her story is not unlike others in her class and station, in the late 1800’s. A slave bound to her Master’s wife, as a house girl confined to their land and their rules. A life that would have gone unnoticed until an unsuspecting lawyer (Lina) in the 21st century (early 2000’s) is giving the task to unearth data on a case that would give back redemption to those who have all but been erased by modern history. This isn’t just a story that evokes the tragedy of those enslaved in the South, but rather a silver lining of Hope… that their lives took on greater meaning and purpose when their lives started to intersect with others. It’s through this intersection where the ripples of small kindnesses and hours of bravery, began to change the lives of others. I found that inside the secondary characters held within the House Girl, the simplest of truths to step forward. Peace with Self. Strength in Resolve. Determined Self Reliance. And the hope of freedom. Oppression comes in different forms, as even those who live free are not always free to do what their hearts desire.

I believe this would make an excellent addition to an Art History class or a Civil Rights class which focuses on slavery in the South. The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

My cross-comparison of my feelings separated by a year between readings:

Initially when I first read The House Girl, I had a lot of thoughts and feelings running through my head at the time I was reading the narrative, so much in fact, I nearly felt like I should have a blog to write everything down and share with other readers! Fast forward to when I was applying to be a tour hostess for TLC Book Tours, and the opportunity arose to re-read this lovely novel that never quite left my conscience since I originally read it! All those swirling thoughts started to re-surface, but I tried to keep them at bay, in order to best re-visit a book I had previously read! I liked the challenge of this particular book tour, as it would stretch me completely outside my comfort zone as I have never re-read a book for a tour beforehand! I liked the fact that I would have to not only challenge my heart to approach the story with a new pair of eyes but to keep myself focused on the hidden depths of the novel that I might have overlooked or missed during my first reading!

Therefore, I can attest that as I was musing about the message of The House Girl, I found myself a bit at a loss for words to purport it into focus in a clear and even paragraph. This is a novel that is best read by feeling the story by your heart and the evoking emotions that comes out of internalising the story you’ve just read. I was deeply attached to each character at different parts of the story’s thread, as you get to see different pieces of their souls shining through at different intervals. In my mind, there wouldn’t have been much to lament about on Lina’s behalf if Josephine Bell hadn’t been in her life; likewise, I feel as though Josephine Bell’s life was to give a living testament and tribute to her descendants once the provenance of her artwork was discovered. The greater truth I think is the perception we have of blood relations and the essence of who we are on the outside as a mirror image of who we are on the inside.

The House Girl challenges the perception of ancestral lines and blood ties as passed down through the generations from the original start of a hereditary chain. It seeks to point to the truth of who we are as a society and who we endeavour to become. I still stand by what I spoke about a year ago, as there is such a determined spirit to The House Girl, as far as taking bold steps to overcome your circumstances as much as being bold in your faith when you feel all hope has been lost. As you unravel the heart of the story, you start to see the other layers which were intuitively stitched into the tapestry of Josephine and Lina’s entwined story-lines. Even now, a full year later, I find that my final sentence in my original review is the key for me to think back upon this story with fond affection: The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

Empathy wrapped inside Sophisticated Prose:

Tara Conlin photo credit Mary Grace Long
Photo Credit: Mary Grace Long

Ms. Conklin has a wonderful ability for drawing empathy and compassion out of her narrative whilst wrapping her story inside sophisticated prose which speaks to a higher message. Her willingness to delve into the deeper levels of humanity and uncertainty for each of her characters’ lives, gives the reader a first-hand impression of where the story led her to go as she wrote it. I was struck by her honest way of writing the time slip between Josephine and Lina, to where neither century felt forced or conjectured. She uses words to paint the time eclipse of each woman on the cusp of a season of change arriving into their lives when they least expect a change to be possible. Each woman is seeking her own true self and a freedom of their past they were not expecting to receive. It’s in this honesty that Conklin performs the best visually, as she uncovers the nibblings of the human spirit as evoked through the emotional shiftings of her two protagonists. Reading through The House Girl you gather the sense that the story itself had an equally powerful effect on its writer. And, I suppose that begs to ask the question, “Are stories written by their writers solely, or are stories evoked out of a seed of a story that alights in a writer’s mind as needing to be told?”

Inspired to Share: Ms. Conklin talks about her journey towards publishing The House Girl, and how like Lina, she was a lawyer originally but technically still feels in her heart she is still a lawyer. Her novel started as a seed of an idea and developed into a novel. I must have tapped into this rather intuitively as it was true! I found it interesting how the slave doctor catapulted her muse to follow where the story was leading her. As you listen to her experiences as a litigator as it cross-compares to her life as a writer, she has a fascinating beginning to her writing career. Research and writing as a litigator was a natural progression for Conklin to become a novelist. I find this most intriguing, as I hadn’t realised how much research and writing goes into being a litigator! One of the more compelling things she discloses is how she became a wordsmith of the mid-to-late 1800s by keeping a journal of words she had read inside letters of the time. I appreciated her speaking about the aspect of ‘freedom’, as I have oft believed myself that true freedom lies in the simplicity. She loved the short story format but never thought she could create a novel! She happily surprised herself. I highly recommend taking the time to see the interview in full!

Fun Stuff for Your Blog via pureimaginationblog.com

Tara Conklin Interview by the Pacific Northwest Writers Association

on Bill Kenower [Author, Magazine Editor] Channel

Fun Stuff for Your Blog via pureimaginationblog.com

The “The House Girl” Virtual Book Tour Roadmap:

  1. 5 November: Review @ Read Lately
  2. 7 November: Review @ A Bookish Affair
  3. 11 November: @ Books in the Burbs
  4. 12 November: Review @ Jorie Loves a Story
  5. 13 November: @ Peppermint PhD
  6. 14 November: @ Lavish Bookshelf
  7. 18 November: @ Olduvai Reads
  8. 19 November: @ BoundbyWords
  9. 20 November: @ Book-alicious Mama
  10. 26 November: @ A Bookish Way of Life

I hope to be a regular tour hostess with:

TLC Book Toursuntil then, check up my upcoming Bookish Events Featured on JLAS!

[*NOTE: Any and all purchase links that are attached to SoundCloud are not affiliated with Jorie Loves A Story.]
{SOURCES: Cover art of “The House Girl” as well as Tara Conklin’s photograph, and the logo badge for TLC Book Tours were all provided by TLC Book Tours and used with permission. The author interview by PNWA / Author magazine as well as the audio excerpt of “The House Girl” by Tara Conklin via SoundCloud had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it.  Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2013.

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Posted Tuesday, 12 November, 2013 by jorielov in ARC | Galley Copy, Art History, Artist's Proof, Artwork Provenance, Author Interview, Blog Tour Host, Book Browse, Civil Rights, Debut Author, Debut Novel, Equality In Literature, Fathers and Daughters, First Impressions, Historical Fiction, Literary Fiction, Pre-Civil War, Soundcloud, The Deep South, Time Slip, TLC Book Tours, Underground Railroad