Acquired Book By: I was selected to be a tour stop on the “The Wharf of Chartrons” virtual book tour through France Book Tours. I received a complimentary ARC copy of the book direct from the publisher Open Road Media, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
A note on the publisher(s) & my inspiration to read the novel:
This is my first tour hosting a Publishers Square title in conjunction with Open Road Integrated Media, Inc as a direct translation text from the original French! What is more interesting than even relaying this news, is that Open Road is known for publishing e-books and generating interest on French Literature and French authors through their social media presence & active publicity through the e-book market. Ironically or not, they have found a ‘new’ reader in myself who has a preference for ‘print books’ over ‘e-books’ who happens to be an Anglophile who holds a strong foothold now as a Francophile as I’ve spent nearly a year reading French Literature through hosting tours for France Book Tours!
I am always curious about what will be included with an ARC, and this one did not disappoint me as there was a blurb in the Appendixes section about the connection between the companies as much as a nice paragraph about how Publishers Square is attempting to make a break-through to American readers who are striving (like I am) to read more French novels and literary fiction. As I may have spoken about previously, my attachment to France is strongly influenced by my ancestral roots therein. Each story that illuminates another portion of French history, I feel a bit closer to my ancestors and those who came before me along genealogical lines of connection.
Whilst reading the synopsis for The Wharf of Chartrons, the main thread of curiosity was needled into view due to the focus on vineyards and wine; as I have always had a keen eye on wine. My favourites of course are Cabernet Sauvignon and Merlot, of whose bouquet lends itself to a silky smooth taste and reverie. I prefer Red over White, but moreso, I prefer a wine which has been cured into its own unique essence, not too strong, tart, or sweet but a lasting impression on the one who consumes its eloquence. The history of wine from France has always intrigued me, and therefore, as a reader of World War dramas I could not pass up the chance to learn more about the region of Bordeaux!
As an aside: Each time I feel the name “Bordeaux” slip from my lips, it is flavoured a bit by a strong French sounding inflection! This coming from the girl whose French would cringe most ears! Perhaps in smaller doses, my dyslexia will not affect the sounds? I have always been able to express myself in French very “un peu!” I celebrate each new word!
The next tour I am slated to host for this unique partnership in publishing will be: I Looked for the One My Heart Loves by Dominique Marney which a dear friend and guest contributor of my blog (as time allows) will be reading for the same tour as I am! Christine recently became a tour hostess with France Book Tours, and I am thrilled to peaches we get to share in the joy of reading a translated work from a French author together! What a blessing to be able to compare notes and impressions after we’ve read the same novel! Reading is twicefold blessed when shared with a friend! In the past, I have been fortunate to share my reflections with another dear friend Lianne, who is a regular tour hostess as well. A close circle of two Americans and a Canadian sharing a passion for French Literature! La Joie!
Oy vie! Now I understand why I am being asked if my ‘name’ means “Joy!” I accidentally discovered the reason myself a moment ago whilst looking up translations for French words which would express the joy of having two friends as co-hosts on France Book Tours! There is only one letter variant between “Joy” in French and “Jorie”! Oy, oy! ‘le sigh’ Although, it is a bit of an apt choice: I am always mirthfully full of joy!
I have been enjoying using the enclosed flat card stationery sheet as a bookmark, as someone had hand-written a short note and enclosed it with the ARC. It served a ready purpose and I was in gratitude to have a memento of the publisher!
A family linked by wine and old rivalries sets out for new territory, during the turmoil of World War I.
David and Gaspard are cousins, bonded by family and their allegiance to their winemaking heritage. Parting with tradition and moving their vineyards near Bordeaux threatens to upset the family peace, but that’s only the beginning of their trouble. Short on funds, they are forced to team with a wealthy but morally corrupt engineer—though perhaps at a cost too high for the cousins…
Despite the odds, David and Gaspard succeed in making a successful wine, Clos-Marzacq. Along the way, they each fall in love, though not always in the best of circumstances. And now, to cement their successes, the cousins need to secure a stronghold on the Wharf of Chartrons, seen as the gateway to selling into England and America.
The Wharf of Chartrons exalts the passion of men who have a love of their land, and who are concerned about drawing the very best wine from it.
{: Author Biography :}
Jean-Paul Malaval was a journalist before turning to a career as a writer of local photography books and later fiction. In 1982, he began what would become a long-term relationship with the publishing house Éditions Milan, in Toulouse. To date, Jean-Paul Malaval has written ten works of historical fiction, mainly based in the region where he grew up, the Corrèze, which is near the Dordogne. Five of his ten novels have been published by Presses de la Cité. He is loyal to his home region and has been mayor of the town of Vars-sur-Roseix in Corrèze since 1995.
I was selected to be a tour stop on the “The Ghost Bride” virtual book tour through TLC Book Tours. I received a complimentary copy of the book direct from the publisher William Morrow, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
The reason I wanted to be on the tour:
I am always amazed at the journey we take as readers towards reading a particular book or becoming entranced by the words an author leaves behind for us to find. We (here refers to the collectively diverse readership of the world) all strive towards reading books when that leap of ignited joy and mirth of the discovery catalysts inside our mind and jumps out through our excited speech whilst we’re sharing the bits and bobbles of what we’ve just been blessed to discover with another bookish soul. Those wickedly delightful moments where you stumble across quite an extraordinary story during a more than ordinary hour of your life, and within that moment, you’re on the precipice of taking a journey to a place quite different from where you live and occupy your own murmurings on life; a place that will feel as though it bewitched you as it spoke to you to be read, to be devoured, and consumed.
When I first started reading a heap of recollections and ruminations on behalf of The Ghost Bride during the Autumn on 2013, I was a very new book blogger growing my wings and entering into the book blogosphere myself. I was sorting things out as I went along, and getting my feet wet with blog tours, reviewing books in a style that felt right for me, and gaining a bit of ground within the network of book bloggers in general who are as diverse as the four winds. I appreciate the fact that each of us who blogs about our reading lives takes on a different angle of insight as we read and review the books we want to share with the dear hearts who find us. It was during this particular exploration I came across a review where the blogger had not found the story was able to resonate with her but she had hoped others who appreciated everything that she felt did not work for her might work for someone else instead. Coincidently, I attempted to re-find the book blogger and my own comments therein, but it is lost out in the blogosphere at this point in time. She encouraged me in a way that other reviewers and bloggers hadn’t at that time to seek out the novel. I knew after reading her thoughts I could soak into The Ghost Bride.
I had not thought much about this at the time, but over the course of months since I have found that to read a negative or neutral review is quite an extraordinary thing; especially if you were like me, and took out such a positive take-away! I mused about that for a moment, and thought, but isn’t that why we blog?! Isn’t that why we read book blogs? To garnish a wider net of opinion, commentary, and muse filled thoughts of the readers behind the blogs themselves? To help us better articulate an idea of which novel might whet our palette of interest and encourage our own spirit to read the works of an author we’ve not yet become acquainted with?
In September of 2013, I also had the joy of contacting the author whilst she was hosting a bookaway through Shelf Awareness; I did not win the book, as my reply was received after the book was given away, however, these were my original thoughts on why the book captivated me in such a keen way:
Whilst I was participating in a bookish community event [Bout of Books], I was led to a variety of lovely blogs, whereupon I stumbled across a review of this book! Ironically, the reader wasn’t as enlightened by it as I would be, as they were not a keen fan of literary fiction, but its that review that earmarked this book in my mind to read! :) Isn’t that interesting!? It simply proves that there are as many diverse readers as there are books!!
Ever since then, I’ve had it in the back of my mind to make sure to see if my local library is going to be getting a copy of this lovely book, as I am a proud supporter of libraries!! I do love to buy books as much as the next person, but only when budget affords! What I wanted to say about your lovely book, is how heart-wretching and heart-aching the story sounds from afar! Talk about a character who has to undertake a journey that is not quite easy to understand, much less explain! I have watched documentaries on tv that showcase different traditions, not only for marriage but for a person’s life, as one draws to mind where in one country they select young girls who have the essence of the reincarnated deity and that that girl must live in confinement without the ability to communicate or speak, until she’s around 16!! She ‘ages out’ of the life, and is allowed to resume living, only to find that the available men are afraid that if they are with her in life and marriage that she would be a curse not a blessing! I wish I could draw to mind the exact details of the country & of this ritual, you’ll have to forgive me on this short-coming! However, the reason I drew it to mind, is because your character Li Lan is being placed into a situation that she didn’t choose and yet its a situation which custom and tradition demands!
Ms. Choo kindly replied back to me, and helped me remember that the documentary I had watched was about the “living goddesses” of Nepal! I am not certain why I had not had the proper chance to borrow this book from my local library, but as I have oft mentioned before, there are moments where we are meant to read certain books, and perhaps the time in which I was meant to read The Ghost Bride simply had not yet arrived! I am always very mindful of how coincidental certain moments are in life have turnt out to be quite serendipitous instead. It all depends on your perception of how life unfolds along your path.
Today is my blog’s official 1st birthday and it is an honour that I am celebrating it with a novel that quite bewitched me whilst it originally toured the book blogosphere! Today let’s celebrate the diversity of readers and the joy of selecting books that challenge us and dare us to always be willing to step outside our comfort zones and engage inside a narrative that is wholly different from our own cultural background yet grounded in a connective thread we can all relate too.
*a blog birthday is the day in which a blog goes live to the public whereas a blogoversary is the celebration of the day you created your blog
Note: The curious bit for me is that I travelled through the original blog book tour for “The Ghost Bride” last year (also hosted by TLC Book Tours), within the first months I was a book blogger with a newly launched blog! To look back on my reflections of wanting to read the novel whilst visiting other book bloggers who were reviewing it and now, a full year forward to where I have the opportunity to read the novel myself and post my own ruminations on my own book blog is quite wicked karma! I have felt as though I have travelled with the book before it reached my own heart and hands to read!
Book Synopsis:
A wondrous coming-of-age story infused with Chinese folklore, romantic intrigue, adventure, and fascinating, dreamlike twists
Malaya, 1893 Li Lan, the daughter of a genteel but bankrupt Chinese family, has few prospects. But fate intervenes when she receives a proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family’s only son, who died under mysterious circumstances. Rarely practiced, ghost marriages are often meant to placate a restless spirit. Such a union would guarantee Li Lan a comfortable home for the rest of her days, but at what cost?
As she reluctantly considers the offer, Li Lan is unwillingly drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities and vengeful spirits. There Li Lan must uncover the Lim family’s darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever.
Author Biography:
Yangsze Choo is a fourth-generation Malaysian of Chinese descent. She lives in California with her husband and their two children, and loves to eat and read (often at the same time).
The author had the honour of being selected to read her novel aloud for the audiobook version of The Ghost Bride, and after listening to Chapter 1, I can see why they selected her as she has a captivating speaking voice which brings the words off the page to life in such a lovely manner! Click to read the full story on her blog!
Yangsze Choo’s Introduction to “The Ghost Bride” via Yangsze Choo
Inspired to Share: I am always fascinated by the back-story revelations of an author’s work, as to me, to hear about the process of their inspiration towards writing a novel quite literally heightens the joy for me as a reader. I realise there are other readers who would disagree with me on that score, but I have always found something quite remarkable in how stories are written and the methodology of each writer who chooses to pen a story to give back to the world in the form of a book. I was struck by the joy of how a bit of knowledge and research into one particular vein of thought led Ms. Choo to not only expand on a seedling of an idea but gave it such a measure of a breath to illuminate it fully by the scope she took the story!
An Eastern Ghost Story and how it differs from the West:
The first main difference I found is an Eastern Ghost story is rooted within the relationship and interpersonal connection to the dead rather than focusing on the psychological thrill of having a ghost crossing into your lifepath. Western stories tend to focus on the shock and intensity of finding an ethereal presence in your life, an interruption of your hours, and a mindful sea of curious unknown questions and ramifications that are difficult to process and work through. There tends to be a lot of factors pulling the ties together for a Western ghost story, which parallel the leftover work of the deceased and a willingly earnest desire to see the work completed by a second or third party who was not particularly connected to the events or the deceased in life. From what I am gathering in The Ghost Bride the main concern is not unfinished business but rather a continuance of a life cut short of being lived. A way of progressing the life of the deceased to a fulfilling present; merely without their flesh and bone presence.
Elements of the story had me thinking back to my love of the South American and Latin American cultural celebration known as Day of the Dead in which family surround their loved ones’ graves and celebrate the life they lived whilst they were alive. It is a ritual influenced celebration and joyous one at that! Traditionally this has been a holiday centered around Halloween (All Hallow’s Eve) and All Saint’s Day (All Soul’s Day) in Mexico, and there lies the connection for me, as I was able to explore my love of the cultural heritage of Mexico whilst I travelled there as a teen. My furlough was in Summer, not Autumn, which was the only disappointment in regards to not seeing the festivities live in person.
The Ghost Bride: Western vs Chinese Ghost Stories via James Cham
To extend into this a bit more I felt it best to allow the author
I am a ChocLit reviewer who receives books of my choice in exchange for honest reviews! I received a complimentary copy of “The Road Back” from ChocLit via IPM (International Publisher’s Marketing) in exchange for an honest review! I did not receive compensation for my opinions or thoughts shared herein.
On my Connection to Ms. Harris & my inspiration to read this novel:
When I began reading this novel, I was already hosting #ChocLitSaturdays chats on a regular basis. Eleven in the morning of a Saturday, has become a favourite hour for me to exchange conversation and joy with everyone who shows up to participate in a chat centered around ChocLit novels and the Romance branch of literature in general. Ms. Harris and I had exchanged a few conversations ahead of the chats beginning, and during one of those lovely moments she had mentioned to me about how she met Mr. Dexter (the writer behind Inspector Morse). I had an inkling I would appreciate reading this novel ahead of her mentioning that story to me, but afterwards, I knew I wanted to read this sooner rather than later! The fact that this story centers around an adoption story solidified my interest, as I will be adopting in the future myself.
Similar to my previous thoughts I shared about Ms. Courtenay, I have come to appreciate chatting with Ms. Harris, either through #ChocLitSaturdays chats or privately. She is most giving of her time and I have appreciated the opportunity to know the writer behind the stories I enjoy reading! She always shares her happy spirit in the chats too, and her insights into why she enjoys writing the books that speak to her the most.
I am disclosing this, to assure you that I can formulate an honest opinion, even though I have interacted with Harris through our respective love & passion of reading inside the twitterverse whilst I host #ChocLitSaturdays the chat as well as privately; I treat each book as a ‘new experience’, whether I personally know the author OR whether I am reading a book by them for the first time.
Book Synopsis:
When Patricia accompanies her father, Major George Carstairs, on a trip to Ladakh, north of the Himalayas, in the early 1960s, she sees it as a chance to finally win his love. What she could never have foreseen is meeting Kalden – a local man destined by circumstances beyond his control to be a monk, but fated to be the love of her life.
Despite her father’s fury, the lovers are determined to be together, but can their forbidden love survive?
A wonderful story about a passion that crosses cultures, a love that endures for a lifetime, and the hope that can only come from revisiting the past.
Author Biography:
Liz was born in London and now lives in South Oxfordshire with her husband. After graduating from university with a Law degree, she moved to California where she led a varied life, trying her hand at everything from cocktail waitressing on Sunset Strip to working as secretary to the CEO of a large Japanese trading company, not to mention a stint as ‘resident starlet’ at MGM. On returning to England, Liz completed a degree in English and taught for a number of years before developing her writing career.
Liz’s debut novel, The Road Back, won a 2012 Book of the Year Award from Coffee Time Romance in the USA and her second novel A Bargain Struck was highly praised by the Daily Mail in the UK.
Geographically Specific: Ladakh (north of the Himalaya Mountains):
Ms. Harris has a way of capturing the scenery and the depth of locale in such a beautiful scale of visual fortitude! As I was reading the passages expressing the angst and anguish of Patricia’s life in London, England and then, juxtapositioned that life against the life of Kalden in Ladakh, and the imagery is quite startling! She gives the reader such a window into their everyday worlds as if to breathe in a piece of that scenery for the very first time and know that you’ve gone to the location rather than merely ‘visiting’ the locale off the printed page. For Ladakh, she even used local words which would make sense from the character’s point of view to be authentic and true to his identity, as much as writing in the everyday elements I have always appreciated which are stitched into the fabric of the background.
I love how through Kalden’s eyes we are seeing the lush beauty of the glaciers within the Himalayan mountains, as much as we see the stark isolating quiet of being present in a place that has more silence than sound. She gives you the essence of being in Kalden’s shoes, and for that I am celebrating ‘going somewhere’ quite different and alluring from what I have previously read. I love Eastern Religions and Spirituality, and having this story set in a mystical place as a backdrop to the enveloping story was a very special treat.
My Review of The Road Back:
Grabbing you in the heart with her opening bits of narrative to explain the journey Amy is about to embark on to seek out her birth parents now that her adoptive parents have passed on is gripping to say the least! The fact that I am reading this novel as a Prospective Adoptive Mum, of whom is planning to adopt children out of foster care in the future puts the story firmly in the forefront of my mind and heart. I have always had a strong empathic heart for children who either do not know their birth families if removed from their homes as infants or young toddlers, or children who know of their birth families but have been removed as school-aged children. The connective ties of family stitched together become fragmented memories and a heartache of ambiguous loss for the ones who never knew them at all. My heart went out to Amy as she’s on the brink of breaching back into her past, uncovering the secreted mysteries of her birth mother, and wondering if she is brave enough to handle what she discovers.
Patricia is the elder sister of a special needs brother, who was physically affected by the siege of war; her childhood is altered the day her father chooses him over her in his affection. For a young child to realise how a father can choose which child to adore, dot, and love more than the other, has ramifications as the child grows. I felt for her in the sequences where not even her mother was strong enough to stand against her father when he was in the wrong. And, how disconcerting it was to watch as he did not realise how he was affecting his daughter.
Kalden’s entrance into the story is heart-wretching as his position in his family is that of the fourth son, a designation that has him sentenced towards being a monk rather than a husband and father. In his culture, a fourth son cannot inherit land at least not in his family, where the land is divided by three and unable to be partitioned off into fourths. For such a young lad to enter the story, the weight of his heart bleds out of his scenes, giving us a heartfelt grasp of his reality despite the youth of his eight years.
The beautiful irony is that both Patricia and Kalden’s upbringings were a bit similar to each other, in that neither of their families elected to place their needs first or in any measure of importance. They were each self-reliant at a young age, and they each treasured their family’s affection but knew that for whichever reason, they were not the children in the family of whom theirs would consider had worth. Their lifepaths were already on a route towards convergence long before their encounter in Ladakh. Two souls from two very different worlds, and yet on the heart level, their spirits were entwined by the circumstances of their lives.
Tragedy affects people in different ways, and the unique twist in the story for me was in realising that out of the grief for her brother, Patricia turnt her full attention to her father rather than drawing closer to her Mum. Whereas Kalden’s world was tethered and tied to a missionary family whose only hope in life was to bring education to his village; yet the prejudice his village gave them in return shattered his hopes for a familial connection. Each of them were searching for something outside the tangible and outside the scope of what they fully understood. Life is lived forward and understood only in the hours in which we truly take a pause to resolve the angst of our souls.
An emotionally gutting story about two entwined soul mates who are magnetically connected to each other despite distance and circumstances attempting to separate them. My heart was full, my head was wrenched with a desire to know the ending, but it is not an ending you want to rush. You have to go through each step of the narrative, allowing their story (Patricia & Kalden) to absorb into you and become a part of you. Theirs is a love story that lifts up your own soul as you read the passages, and gives new meaning of hope through the transcendence of love set against the greatest odds two people could ever want to survive. This started out as an adopted daughter seeking her birth parents, but in the end, it is about a romance between two people who were forbidden from being together and found solace in their union.
Time Shift rather than Time Slip:
I appreciated the flow of the story being encapsulated inside of a ‘time shift’ rather than a ‘time slip’ sequencing, as it gave a strong sense of each character’s reality as the story was told. The start of the novel itself was with a proposition of unearthing information about Amy’s birth parents, yet it is where her journey takes her to find her birth mother & birth father that has such a confluence of drama and heart; you will find that you do not want to put the book down! The pacing is set to its own rhythm as each chapter unfolds a new piece of either Patricia or Kalden’s lives, taking us one step closer to understanding who they were as adults. The novel is also broken into two distinctive parts, where the latter of the two is the summation of the whole.
A Note of Appreciation on behalf of the writing style of Ms. Harris:
This is the second novel I have read on behalf of Ms. Harris, and it is her début novel! I am thankful that I have had the honour to read two of her novels now, as her writing style within the heart of the narrative is fully conjoined, as she is a writer who puts her heart into her pen. She writes her heart out, and I will always appreciate that style, as it mirrors my own. I even appreciate the fact that she can move and shift through locations, time sequences, and elements of distinction between where her characters and story are set alive. She has the ability to become a chameleon as she writes one story to the next. This is a quality that is appreciated because she gives us such an intense view of her worlds and characters, with a pulse on who they are and how they lived that each story becomes an experience your willingly thankful to have had afterwards.
*NEWSFLASH* : Each Saturday henceforth onward from here in July shall feature a new ChocLit book review! For the updated schedule, please visit my Bookish Events page! The next novel I will be reading & sharing my thoughts on will be “Flight to Coorah Creek” by Janet Gover!
For those who are unware of #ChocLitSaturdays, the chat, we meet regular @ 11am EST / 4pm London! I created the chat to encourage new readers to discover not only the ChocLit novels I am showcasing & reading through my blog feature of the same name, but to help draw a close knit group of Romance booklovers, writers, and appreciators together for an hour of solid friendship and wicked sweet conversation!
All are welcome to attend! Tweet me or leave a comment in this thread for further details!
{SOURCES: Author photograph, Author Biography, Book Synopsis, and Book Cover were provided by ChocLitUK and were used by permission. Book Review badge provided by Parajunkee to give book bloggers definition on their blogs. Jorie Loves A Story badge created by Ravven with edits by Jorie in FotoFlexer. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}
Acquired Book By: I was selected to be a tour stop on the “Daughter of the Gods” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the author Stephanie Thornton, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
My curiosity about Ancient Egypt started as a young child where my fascination with the Ancient Civilisation took a central focal point for aspiring to study Egyptology, as prior to realising I was a writer I felt I was being led into Archaeology. Part of the passion I had for Archaeology was my intense desire to understand the civilisations of the world as they were emerging into existence. I had not realised then, as I do now, that it was my keen interest in Sociological studies that led me more towards an awareness of Anthropological sites verse Archaeological. In full and equal measure, the desire to travel abroad to ancient ruins, temples, and sites of where the ancient’s drew breath and light was always an instinct of mine. The fact that I have already climbed four pyramids of the Mayans only encourages me to believe that I can still find the hours to uncover a way to keep this passion of mine throughout my next travel destinations.
The direct appeal is to bring History into the forefront of my living hours, to where walking and breathing where people lived so very long ago secures you in that setting, locale, and moment. I still recollect how I felt at a ruin in the Yucatán,… as Uxmal had this trance over me. I felt very interconnected to that city and the people who had lived there during its heyday, nearly to the brink I could see a bit past where the ruins still stood and how the city would have been the lifeblood of their era. Time and history are intertwined with one another, and there are certain places in this world where we can dip back into the vortex and draw back out a piece of what once was ‘the living now’.
Egyptology was one of the avenues of pursuit I once considered as a professional endeavour as I loved the aspect of venturing so far back into the living past as to nearly come face to face with one of the most dynamically original civilisations which set the bar for everyone else to follow. Ancient Egypt, Rome, and Greece are the sites of where most of us look back to gain insight into the present. I have carried this zest for the era into my motion picture wanderings as one of my favourite films is a classical one: Cleopatra (1934) starring Claudette Colbert. More recently, the trilogy of Mummy films starring Brendan Fraser took my mind away in imagined bliss of tempting the fates of tombs! To this day, I refer to the third film as “The Mummy in China” as it just made more sense to do so!
The extended trailer for “Cleopatra” (1934) starring Claudette Colbert on TCM! Introduced by Cecil B. DeMille, of whom is now one of the film-makers alongside Alfred Hitchcock and Frank Capra I admire most in the Golden Years of Hollywood. They each brought something genuinely unique to their style of motion pictures and were ahead of their years as far as where they took their stories.
Book Synopsis:
Egypt, 1400s BC. The pharaoh’s pampered second daughter, lively, intelligent Hatshepsut, delights in racing her chariot through the marketplace and testing her archery skills in the Nile’s marshlands. But the death of her elder sister, Neferubity, in a gruesome accident arising from Hatshepsut’s games forces her to confront her guilt…and sets her on a profoundly changed course.
Hatshepsut enters a loveless marriage with her half brother, Thut, to secure his claim to the Isis Throne and produce a male heir. But it is another of Thut’s wives, the commoner Aset, who bears him a son, while Hatshepsut develops a searing attraction for his brilliant adviser Senenmut. And when Thut suddenly dies, Hatshepsut becomes de facto ruler, as regent to her two-year-old nephew.
Once, Hatshepsut anticipated being free to live and love as she chose. Now she must put Egypt first. Ever daring, she will lead a vast army and build great temples, but always she will be torn between the demands of leadership and the desires of her heart. And even as she makes her boldest move of all, her enemies will plot her downfall….
Once again, Stephanie Thornton brings to life a remarkable woman from the distant past whose willingness to defy tradition changed the course of history.
Author Biography:
Stephanie Thornton is a writer and history teacher who has been obsessed with infamous women from ancient history since she was twelve. She lives with her husband and daughter in Alaska, where she is at work on her next novel.
“The Secret History: A Novel of Empress Theodora” is available from NAL/Penguin, and “Daughter of the Gods: A Novel of Ancient Egypt” will hit the shelves May 2014 and “The Tiger Queens: A Novel of Genghis Khan” will follow in Fall 2014.
A book for lovers of Egyptology:
Illuminated to life by the little details you would expect to find out of an etching of Ancient Egypt unite inside your mind’s eye as you drink in the words of Daughter of the Gods. The fragrances of Myrrh are nearly smelt as I read the opening pages, as Myrrh was regularly burnt alongside Frankincense, Sandalwood, and Patchouli Musk. I always loved the aromatherapy of earthy scents when I used to burn incense whilst creating the words inside my own manuscripts. I even have a bit of a hilarious story when I first attempted to cleanse the air with my first smudging! Laughs. Incense wafts into your nostrils and gives you a sense of calm whilst you create. I always found it a way to dip into the portal of creativity and allow my mind to cart me off to ‘somewhere other than here’ even more readily than listening to music as oft-times I did not always want the interference of chord and tone, but wanted to dig a bit into the internal space where a writer creates their most museful of thoughts. As I started to read Daughter of the Gods I nearly wished I could unpack my sticks of ancient scents and absorb into the story on a different plane! Thankfully, my nose has a long memory and as I happily drank in Thornton’s words (the blessing hand of a wordsmith) I drifted back in reflection of the scents that used to sit in the air and allow my mind to stir a bottomless well of possibilities.
The insertion of references of ka had me smiling as I reflected back upon my studies of Tai Chi Chaun and Qigong, as the elements of the discipline in which I studied is the pursuit of strengthening one’s spiritual energy known as ‘chi’ or ‘qi’. The energy which is quite vital to living and a well of life embedded into our fiber. I had always known the Egyptians were most intrinsically intuitive about elements of life that most cultures do not acknowledge or discuss in modern eras. They are one of the few cultures who attached their lives to their spiritual souls in a way where the transition of life and the afterlife were not merely viewed as passages the soul took in exchange for another life but rather they threaded life and death in a tangible way whilst they lived. They were able to connect and observe the threads of time’s tapestry in gentle observations which led them to have a larger scope of perception knitted into their hearts.
If you think on it a bit, the Egyptians called on their Gods as way of keeping their spirituality a living guide during their everyday lives, as a way of having a spiritual ‘checking’ for their conscience and their actions. In this way, they remind me of Catholics who relate to Saints and turn to the Saints guides to understand how best to proceed. I also had not known the women during Hatshepsut’s time oft walked bare-chested with only a sheath to cover them. This practiced reminded me of the aboriginal tribe featured in one of my favourite childhood films Medicine Man. So much in fact, I found cross-references between aboriginal tribes and Ancient Egyptians! Except to say the main difference here, is that Hatshepsut’s attire was her assertion of power as a woman who was not afraid to dress as a man in order to prove the point of her confidence as Queen.
Lest I bring up that I was most intrigued and deeply savouring the rites of funerals inside Daughter of the Gods? Mummification practices and rituals of death are most fascinating to me! A bit like how I appreciate studying the Day of the Dead as much as the different passages of life for death throughout different World Religions and cultures of whom honour their dead in different ways.
My Review of Daughter of the Gods:
Hatshepsut is a woman who approached life in a cavalier attitude prior to the violent death of her beloved sister Neferubity, whose kind heart and love of her younger sister befelled her fate. Neferubity took Hatshepsut’s place on the alter of death whilst a river bull locked a malicious maul of quavering alarm in Hatshepsut’s soul. The story of Daughter of the Gods begins at the very upturn moment in the future Queen’s life where she must decide on the kind of woman she is meant to be rather than the reckless one she was previously. A challenging beginning to insinuate a path of change and one of worth in a soul not yet tethered to a fate of honour, duty, and rule. In the quake of her anguish she took to self-harming and soul gutting sacrifices to resurrect an offering of peace and remorse in an effort to apologise to her sister resting in the Field of Reeds.
As Thornton describes the rituals of Ancient Egypt, I was drawn to noticing similarities to the Native American’s I’ve studied in the past (specifically the Lakotas), as they describe heaven as Happy Hunting Ground. Anubis is both the protector of the Dead as much as he is the equivalent of the Angel of Death in Christianity as he is the go-between guide from the living world to the afterlife. Part of what I loved about Thornton’s touch of giving us a strong representation of Ancient Egypt is that she allows the historical fact of the setting absorb into our bones as readily as drinking in the dialogue and narrative. She paints such a clarity of thought that your mind flickers forward along with the lead characters as they allow you the grace of spending a bit of time with them as they live their hours. I noticed that I did not have any difficulty in shifting into this timescape; which was a bit of a surprise, as I originally felt due to my lack of readings in this period I might falter to grasp it as strongly as I did. A credit to the writer!
Hatshepsut is like most women accustomed to being bourne into a role they do not wish to fill. She rebels against the convention of standard of her time, whilst plotting a way forward without being shackled to provincial roles befit a wife of a Pharaoh. It is how Thornton chose to portray her path I found most interesting, as I am uncertain how much is readily known about her through historical records. What I liked about this portrayal is its plausibility of being true. For a ruler known for her transformative view of her role as Queen, I would imagine she would take steps to ensure her position at all costs available to her. Yet. Her path towards the throne held an obstacle in that of her half-brother who was now her husband.
She is given a fleshing of character that makes you settle into her innermost thoughts as she chooses her next step alongside her fated path. Her life reminds me so much of the Royals in England, as they too, have destinies chosen for them prior to their ascension. To find happiness within the routine and to find joy within the process of the duties which are meant to be carried out of honour. She learnt a painful lesson along the way about how far a woman could carry her rebellion which had my mind reel back to my viewing of The Duchess (2008) starring Keira Knightley. Her husband Thut is a brute as much as the next man whose self-worth is hinged on perception rather than love. You ache along with Hatshepsut as she curls into an internal war of survival. She was betrayed as Caesar by those within her inner circle, as she kept company with a pack of jackals instead of seers.
As she would grow in her reign, so too would her ability to trust her own instincts as to what would be needed to be done. The greatest testament of her power given back to the world was her sincerity of protection and of wanting to ensure the sanctity of the ka of those she ruled. She knew of the depth of sacrifice but she also knew of the honour one needed to ascend through death. Her mind was oft a war-ground of internal conflictions. To lead was not good enough if she could not inspire prosperity through peace.
A notation on the writing style of Stephanie Thornton:
Thornton’s understanding on the metaphoric wordings to gain a reader’s attention in the heart of her story run counterpoint to the setting within Ancient Egypt, to where even the causal reader would acknowledge they were not within the walls of a the modern world! I loved how she could encapsulate the ‘time’ of Hatshepsut’s world with the flavourings of phrases which carved a deep stroke of Egyptian flair for everyday living! She had found a way to etch an eloquence out of the nuances and give us such a startling sense of their reality as to be able to breathe the same air! I loved feeling as though I had not only become transported but transplanted into the 1400s BC! This is not an easy feat and surely more difficult than the eras I am normally ensconced inside such as the Regency, Victorian, and Edwardian eras of England’s past! Within those eras, there is still a living sense of the day, of the regalia of the ton, and the essence of how the differences between the classes was set by station.
To step back into a fully realised realm of Egypt, when the first female ruler would set the foundation for Cleopatra and Queen Elizabeth I, is a triumph on Thornton’s research and her agile eye in knowing which details would be pertinent to share and guide us as we shifted forward in the story itself. I further applauded her ability to give the realism of Ancient Egypt its most coveted veil of truism! I oft find the writers who can breathe life into their novels to where we are in a lucid trance of where their novels are set give us the most joy to read. In this way, I cannot wait to read another novel by Thornton to see where my heart is led to traverse next! Although, part of me wonders, if Ancient Egypt will be re-explored or if there is another in her back-list I have not yet realised available?! It is most surely a realm I want to venture back into once more, for sure! And, now that the pendulum is set as it were, which author to yield to next to eclipse this wicked sweet story? As now that my palette has a taste for Ancient Egypt, I must yield to seeking out more stories to pacify my hunger! Such a happy thirst to have, eh?
Virtual Road Map of “Daughter of the Gods” Blog Tour is found here:
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Kindly know each post I include “Related Articles” those links were not selected by a computer, they were hand-selected by me! I read each one & felt it was necessary to include the links for reading after you had concluded my own blog post.
Reader Interactive Question:
Which books about Ancient Egypt have you become drawn into yourself!? What is it about the setting, time, and period of the Ancient Rulers that you find an appreciation of enquiry? What do you seek out whilst sourcing writers of the Ancient Times!? Do you like the drinkabliity of the narrative? The combination of a wordsmith’s vision against a researcher’s heart? Of whom is your favourite living history character to be explored in a fictional story!? Is there any Egyptian Ruler or lesser known person that you’d prefer to see come to life?!
{SOURCES: Book cover for “Daughter of the Gods”, Author Biography and Book Synopsis were provided by HFVBT – Historical Fiction Virtual Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. The documentary “Hatshepsut’s Egypt” via History Stories had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share a complimentary feature on the subject of the novel. Bookish Events badge created by Jorie in Canva.}
Hatshepsut: The Woman Who Was King – (discoveringegypt.com) I loved how this site gives further insight into her legacy as a woman ruler & how she inspired the women who followed her to succeed in ruling where men only dared to previously.
The True (And Sometimes Painful) Story of Publishing Daughter of the Gods – (stephanie-thornton.com) I am beyond grateful Ms. Thornton had a writing friend who championed her passion for Hatshepsut and inspired her to continue to find a loving home for this to become a printed book of which has alighted in my hands to read! A true blessing indeed! There is nothing more precious than a writer’s belief in their stories nor in the determined heart to see a dream realised!
Discover Hatshepsut’s Temple – (youtube.com) This is such a unique video perspective of a slice of her life that unless you travel to Egypt would not be able to see yourself. Gave a grounding of the setting for the novel ahead of reading.
Inspired to Share:I wanted to find a video I could share that could draw out the essence of who Hatshepsut was whilst inspiring a visitor to find a tangible connection to her such as the one I found myself attached to whilst reading “Daughter of the Gods”. I realise sometimes it helps to have a visual aide to lay thought and dimension upon a story, which is one reason I am always attempting to find book trailers to include with my ruminations on the stories I love discovering; however in lieu of that first choice, I settled on this video. There is something about the presenters euphoric joy in uncovering bits and bobbles about Hatshepsut that inspired me to share this with you today. Notwithstanding a few errors or non-clarifications of a few historical facts (as evidenced in the comment threads on YouTube), I felt as history is subjective and elusive at the same time, any person who can draw this much of an enthused response of someone who lived and breathed over 3,500+ years ago deserves a bit of a spotlight! I hope you enjoy it as much as I did!
Reading this book contributed to these challenges:
Acquired Book By: I was selected to be a tour stop on the “The Shadow Queen” virtual book tour through France Book Tours. I received a complimentary ARC copy of the book direct from the publisher Doubleday, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
First Impression of the Novel:
What appeals to me about this novel is the intense study of history during a time in France I do know anything about! I love well researched historical fiction stories and this one, appears to be one that I will have trouble putting down!
From the author of the beloved Josephine B. Trilogy, comes a spellbinding novel inspired by the true story of a young woman who rises from poverty to become confidante to the most powerful, provocative and dangerous woman in the 17th century French court: the mistress of the charismatic Sun King.
1660, Paris
Claudette’s life is like an ever-revolving stage set. From an impoverished childhood wandering the French countryside with her family’s acting troupe, Claudette finally witnesses her mother’s astonishing rise to stardom in Parisian theaters. Working with playwrights Corneille, Molière and Racine, Claudette’s life is culturally rich, but like all in the theatrical world at the time, she’s socially scorned.
A series of chance encounters pull Claudette into the alluring orbit of Athénaïs de Montespan, mistress to Louis XIV and reigning “Shadow Queen.” Needing someone to safeguard her secrets, Athénaïs offers to hire Claudette as her personal attendant.
Enticed by the promise of riches and respectability, Claudette leaves the world of the theater only to find that court is very much like a stage, with outward shows of loyalty masking more devious intentions. This parallel is not lost on Athénaïs, who fears political enemies are plotting her ruin as young courtesans angle to take the coveted spot in the king’s bed.
Indeed, Claudette’s “reputable” new position is marked by spying, illicit trysts and titanic power struggles. As Athénaïs, becomes ever more desperate to hold onto the King’s favor, innocent love charms move into the realm of deadly Black Magic, and Claudette is forced to consider a move that will put her own life—and the family she loves so dearly—at risk.
Set against the gilded opulence of a newly-constructed Versailles and the blood-stained fields of the Franco-Dutch war, THE SHADOW QUEEN is a seductive, gripping novel about the lure of wealth, the illusion of power, and the increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France.
Photo Credit: James Brylowski http://www.jamesbrylowski.com/
{: Author Biography :}
Sandra Gulland is the author of the Josephine B. Trilogy, internationally best-selling novels about Josephine Bonaparte which have been published in over seventeen countries. Her forth novel, Mistress of the Sun , set in the 17th-century court of the Sun King, was also a bestseller and published internationally. Her most recent novel is The Shadow Queen, also set in the era of the Sun King, published in April of 2014 by HarperCollins in Canada and Doubleday in the U.S.
The little extra inclusions within the scope of a novel is what set my mind aflame with gratitude for the author who gave us such a lovely little extra glimpse into their creative process. This comes to the reader in all different ways and mannerisms, but inside The Shadow Queen there are the delights of finding a Dedication to Ms. Gulland’s father who inspired character quirks to nestle inside the cast of characters; a lovely disclosure of contents set to the tone and pitch of a play on the stage; and a Historical Note to elude to the greater circle of knowledge we ought to realise about 17th Century France on the expeditious hour of our arrival in the story. A bemuseful quotation taunts us with a fevering of expectation of where we might be led.
In the back of the novel, one discovers An Author’s Note of which I hesitated to read ahead of the story and thus kept my curiosity at bay ever justly muted; a Glossary of Terminology & an index blueprint of currencies. A full list of the Cast of Characters replete with a biographical sketch on each of their behalf (I had to wink a smile seeing this section!) turnt out the Appendixes as my copy is a bound galley remiss of the Author’s Acknowledgement Notes and Author Biography.
And, here is what I happily discovered after the story absorbed into my mind’s eye and found a cosy place to occupy my wonton thoughts on its behalf. Each time young Gaston is portrayed, I could not help but notice he was either Down Syndrome or had a variation of autism. By all counts, Gaston teaches humility, pure joy, and an appreciation for kindness. He is written well for the era in which the story lives, but I wish I had found a bit more about him in the Cast of Characters Appendix. Gulland goes a step further to explain the differences between fictional accounts and the real-life histories of the main protagonists which I was thankful to see were included in the ARC!
My Review of The Shadow Queen:
We enter Claudette’s life at the turbulent hour of her family arriving on the larkspur hope of gaining a performance for the King as he is sequestered away from Paris. Her young heart is not only full of pride on behalf of her family’s innovative spirit of self-sufficiency but in her abilities to walk a line of honour as she has entered into a time of shifting away from her girlhood and into womanhood. Her maternal affection towards her dear brother Gaston is as honest as her approach to her theatrical craft of living. A girl her age is not oft full of grace towards a sibling nor one who has a bit of a disadvantage in how he observes and learns about the world. She draws out his innocent love of others and of life itself.
Gulland has stitched into the subtext a tone of 17th Century living, striving to give the modern reader a point-of-reference whenceforth to deposit them into the time and setting of where The Shadow Queen evolves into being. A bittersweet image of a dichotomy of difference between the caste sets of class and how the struggles of the commoners were out of alignment with the aristocrats who true to their nature did not feel empathy of their misfortunes. A barring of diffidence set against the rippling tides of mistrust from the Crown downward. Theatre in the 17th Century was such a curiousperiod of ingenuity, in how troupes brought stories to life and kept the audience animated by their efforts. Even the holiday celebrations of Mardis Gras were an elaborate display of theatrical masking of character performance! The only downside is how horridly misunderstood and mistreated the players of the stage were often attacked by those of the upper classes. Curiously to me, was the belief in their falsehood performance was a direct influence against faith and how being an actor was in some reference a defiance of God. Historical stories such as The Shadow Queen bring into light the superstitious ways of the past and how perception can alter a person’s ability to thrive or besotted by poverty.
Caught in a world of varying influences and consequences, Claudette finds that her best method of advancing is keeping herself hugged to the shadows of those of whom she’d envision walking alongside in full equality. It is in the shadows she starts to see how she can alter her stars and re-align her position to lead a comfortable life compared to her poverty stricken childhood, yet in order to do so, she has to shake off the disillusioned reality of not always being in agreement with the practiced actions of the aristocracy.
Gulland split her novel into separate acts as though we were attending a large production set to stage rather than walking through a portal leading to the court in 17th Century Paris! Her deft hand to illuminate the delicacy needed to make bold choices and daring a glimpse at the consequences, her story propels you forward into a world glinted by masquerade.The masks are both illusionary and tangibly real, as they belie the front of which the heart attempts to dis-sway.
The agility of theatre to be an elixir of reincarnated joy out of the sorrow acts of grief, and the metamorphosis of personality entertain the notion of not allowing our past to ever be a vindication of our future. The theatre heals the soul by igniting the spirit back into the caress of emotion and of humanity dignity. I found Claudette to be a woman who always tried to listen to her heart and to honour her family by standing by them at all costs. Her own life and dreams were put on hold in order to keep the balance. The position Athénaïsputs her in is not one that can be condoned because she was only thinking of her own selfish desires and not the welfare of her confidante. I applauded her small successes and moments of feeling truly free as herself, as she never could quite break out of the pattern her life had taken. The most happiness she always protected and yielded to were wrapped inside the cosy confines of family. As true freedom is always hinged to love and is set free on the wings of hope.
Claudette’s self-confidence was her best gift:
And, yet it was one of her virtues that nearly overtook her ability to perform, not merely on the stage, but whilst she was out with others. She faltered a bit when she was presented with a situation outside her comfort zone, but she rebounded by adhering to the lessons of her father and in the notion that even if your cast out from what is familiar, you can find common ground. I appreciated seeing how she was keen to find an anchoring with her father’s whispered truths and how these truths guided her throughout her life after he had long since passed.
Claudette has given me a pause and urge to speak the expression “mon dieu!” As it is quite a fitting expression for a variety of situations! Most especially a blessed way of showing exasperation! Gulland is most surely a wordsmith in arms, as she has given such wonderful forgotten words and phrases a shining light of candescence! Words you must allow soak into for a bit of measure and absorb back to a time when the spoken language was slightly more curling of eloquence than our modern dialect has befallen!
Virtual Road Map for “The Shadow Queen” Blog Tour:
Please take note of the Related Articles as they were hand selected due to being of cross-reference importance in relation to this book review. This applies to each post on my blog where you see Related Articles underneath the post. Be sure to take a moment to acknowledge the further readings which are offered.
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On Beginning to Write my Next Novel by Sandra Gulland via Sandra Gulland
{ of which I presume was the jump-start of “The Shadow Queen” }
{SOURCES: Cover art of “The Shadow Queen”, book synopsis, author photograph of Ms. Gulland, author biography, and the tour host badge were all provided by France Book Tours and used with permission. The book trailer by KnopfDoubleDay & personal video by Sandra Gulland had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Tweets were able to be embedded by the codes provided by Twitter. Post dividers by Fun Stuff for Your Blog via Pure Imagination. France Book Tours badge created by Jorie in Canva.}
Acquired Book By: I was selected to be a tour stop on the “The Wharf of Chartrons” virtual book tour through France Book Tours. I received a complimentary ARC copy of the book direct from the publisher Open Road Media, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
The Road Back by 
Acquired Book By:
