Gifted: I was blessed by being gifted a copy of this collection of poetry, which blessedly was in time to participate in the blog tour on it’s behalf via Poetic Book Tours. Even though I was gifted a copy of “The Jane and Bertha in Me” by someone who understood my passion for Brontë and my love of “Jane Eyre”, I was not obligated to post a review nor did it influence my opinions or impression of reading the collection. I chose to post my thoughts on this collection as a tie-in to my own celebrations this April on behalf of “Jane Eyre”; they reflect my honest impressions herein. Likewise, I did not receive compensation for my opinions or thoughts shared herein.
Why I was motivated to become involved with this blog tour:
Jane Eyre has become a part of my being – from the very first moment I learnt of the story, to the first time I took in the adaptation which forever changed my impression on behalf of the story and the manner in which the author penned her story originally. The adaptation I most appreciate (thus far along) is the 1996 version starring Charlotte Gainsbourg and William Hurt.
Let me share a bit more about why this adaptation touched my heart:
My initial introduction to Ms. Jane Eyre: Came during the early hours of a morning wretched by the plight of the sickly girl frustrated beyond hilt and despite to do something that could advert her misery! She plucked the remote control up off the nightstand and dared the tv to illuminate a movie that could curtail sleep and cast aside her anguish! She had to flip through several channels before stumbling across a seemingly British teleplay with gothic underpinnings! A few scenes in, she was not only hooked but she had abandoned the remote! A few scenes more and she deduced she was watching an adaptation of Jane Eyre! She felt betwixt with herself for even considering to watch this film knowing full and well that she had intended always to read this particular novel ahead of seeing its adaptation,… her eyes veered back to the discarded remote and her heart leapt out a response to qualm her furrowed brow. Her tired eyes moved back to the screen and she became fully entranced with Thornfield Hall!
– as quoted from my Books of Eyre Reading Challenge
Since the original Septemb-Eyre event in the book blogosphere [September, 2013] I have been attempting to re-enter Jane Eyre and the beautiful after canons: re-tellings and/or sequels thereafter. This is why I was so thrilled to bits to find there was an ‘Books of Eyre’ reading challenge – however, the time-frame was not a good one for me, thus I have extended it as a personal challenge outside it’s original scope. This parlays well as I’m a member of The Classics Club, wherein I am championing Classical Lit on as I’m quite keen to entreat inside the lovelies of literature I have not yet had the pleasure of reading!
I must confess – I had absolutely no foreknowledge that *April, 2016* was such a historic moment for readers who love Jane Eyre and respectively her author Charlotte Brontë! It’s a bit like how I missed the anniversary of reading/re-reading Pride and Prejudice a few years ago whilst the rest of the book blogosphere was well underway in their celebratory events. I seem to be on the fringes of knowing when certain bookish milestones are upcoming – not because I don’t have my ear to the rails but because, I think sometimes you get caught up inside your own life – not just the books on our shelves we’re constantly reading or hoping to read next – but the seasons of our lives which occupy our hours outside of this bookish reprieve, where we settle our thoughts and share our bookish lives through the output of our blogs (and/or tweets via the twitterverse; for me, it’s my micro-blog!).
Imagine then – my dearest joy in finding I could curl back inside Jane Eyre, pick up Wide Sargasso Sea for the very first time all the whilst finding two after canon writers who’ve put their mark on Eyre! The first author I have the pleasure of sharing with you dear hearts, is Rita Maria Martinez whose taken her pen to creatively fuse the characters we belove inside a hearty collection of poetry whilst Luccia Gray has given us a thrilling trilogy which is a curious splice between Jane Eyre and Wide Sargasso Sea!
I’ve determined my Eyre celebrations will be tagged #EyreApril to ring in ‘Eyre in April’ whilst everyone else is yielding to the established tag of #Bronte200. To whichever way we choose to share conversely our thoughts and murmurings on behalf of characters who have bewitched us for two hundred years, let’s be happy for the chance to revel in the fact Classical Lit is still relevant to today’s literary audience!
The Jane and Bertha in Me
by Rita Maria Martinez
Source: Gifted
This spring marks the bicentennial of Charlotte Brontë’s birth.
In her ambitious and timely debut, The Jane and Bertha in Me, Rita Maria Martinez celebrates Brontë’s classic novel Jane Eyre.
Through wildly inventive, beautifully crafted persona poems, Martinez re-imagines Jane Eyre’s cast of characters in contemporary contexts, from Jane as an Avon saleslady to Bertha as a Stepford wife.
These lively, fun, poignant poems prove that Jane Eyre’s fictional universe is just as relevant today as it was so many years ago. The Jane and Bertha in Me is a must-read for any lover of Brontë’s work.
Places to find the book:
ISBN: 978-0692543412
Published by Aldrich Press
on 12th January, 2016
Format: Paperback Edition
Pages: 89
Published By: Aldrich Press an imprint of Kelsay Books
Converse via: #JaneEyre, #Bronte200, #CharlotteBronte and #JaneAndMe*
*this is a celebration of showing photos of your books of ‘Eyre’ and/or reading ‘Jane Eyre’
About Rita Maria Martinez
Rita Maria Martinez is a Cuban-American poet from Miami, Florida. Her writing has been published in journals including the Notre Dame Review, Ploughshares, MiPOesias, and 2River View.
She authored the chapbook Jane-in-the-Box, published by March Street Press in 2008. Her poetry also appears in the textbook Three Genres: The Writing of Fiction/Literary Nonfiction, Poetry and Drama, published by Prentice Hall; and in the anthology Burnt Sugar, Caña Quemada: Contemporary Cuban Poetry in English and Spanish, published by Simon & Schuster. Martinez has been a featured author at the Miami Book Fair International; at the Society of the Four Arts in Palm Beach, Florida; and at the Palabra Pura reading series sponsored by the Guild Literary Complex in Chicago. She earned her Master of Fine Arts degree in Creative Writing from Florida International University.
The Scarlet Kimono
Death Sits Down to Dinner
The Buckskin Trail
The Wedding Cake Tree