Category: Civil Rights

+Blog Book Tour+ The Duel for Consuelo by Claudia H. Long

Posted Monday, 1 September, 2014 by jorielov , , , 3 Comments

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The Duel for Consuelo by Claudia Long

Published By: BookTrope (@booktrope)
Official Author Websites: Site | Blog@clongnovels | Facebook
Available Formats: Paperback, Ebook

Converse via: #DuelForConsueloBlogTour & #TheDuelForConsuelo

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Acquired Book By:

I was selected to be a tour stop on the “The Duel for Consuelo” virtual book tour through Historical Fiction Virtual Book Tours. I received a complimentary copy of the book direct from the author Claudia H. Long, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

+Blog Book Tour+ The Duel for Consuelo by Claudia H. LongThe Duel for Consuelo
by Claudia H. Long
Source: Author via Historical Fiction Virtual Book Tours

History, love, and faith combine in a gripping novel set in early 1700’s Mexico. In this second passionate and thrilling story of the Castillo family, the daughter of a secret Jew is caught between love and the burdens of a despised and threatened religion. The Enlightenment is making slow in-roads, but Consuelo’s world is still under the dark cloud of the Inquisition. Forced to choose between protecting her ailing mother and the love of dashing Juan Carlos Castillo, Consuelo’s personal dilemma reflects the conflicts of history as they unfold in 1711 Mexico.

A rich, romantic story illuminating the timeless complexities of family, faith, and love.

Genres: Historical Fiction



Places to find the book:

Series: The Castillo Family, No. 2


Also in this series: Invincible


Published by Booktrope Editions

on 2nd of June, 2014

Format: Paperback

Pages: 231

Author Biography:Claudia H. Long

Claudia Long is a highly caffeinated, terminally optimistic married lady living in Northern California. She writes about early 1700’s Mexico and modern day and roaring 20′s California. Claudia practices law as a mediator for employment disputes and business collapses, has two formerly rambunctious–now grown kids, and owns four dogs and a cat. Her first mainstream novel was Josefina’s Sin, published by Simon & Schuster in 2011. Her second one, The Harlot’s Pen, was published with Devine Destinies in February 2014. Claudia grew up in Mexico City and New York, and she now lives in California.

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The breadth of history knitted into the text:

I will admit, part of the reason I was drawn into reading this novel, is because although I have travelled to Mexico in my youth, I haven’t had the proper chance to seek out Mexican stories in fiction since the days I spent climbing pyramids and enjoying the local cuisine. I always appreciate stories whose characters are not only culturally diverse but religiously diverse as well – we live in such a beautiful melting pot of a world, that through literature we can all enlarge our compassion and empathy for others simply by picking up books whose characters have strong historically enriched backgrounds and are set during times in the world’s history that may or may not be highlighted in schools. I will admit, very little was covered about the Mexican history concurrent to the Americas time-line, outside of the more well-known events that are briefly covered. I was always a bit curious about our neighbour to the South, wondering about their own historical stories and the growth they had endured as their country grew through the centuries. I thankfully have started to make a bit of headway on my quest to seek out literature of Mexico and South America, as I previously read City of Promises.

I made an exception to read this novel out of sequence from its series, as when I read the full descriptions of the previous novel and cross-compared it with this novel, I felt this second novel was a better fit for me overall. I liked how the story was centered around a tumultuous slice of history with the family’s struggle for balance in a world that is fighting against their very will to find a measure of normalcy.

My Review of The Duel for Consuelo:

As soon as I opened the pages of The Duel for Consuelo, I was greeted by a passionate story-teller who wanted to not only impart the history of the time the story is set but to curate a connective thread to the family within the story itself. In the Prologue, there is a full sense of urgency to gain freedom on distant shores where both time and distance can help restore a blight on a family’s heritage moreso than staying where they have always lived. In this story, there appeared to be an issue of religious heritage that was giving the family a bit of grief, but as the next generation moved forward with their own life lived in the Americas, a sense of compassionate forgiveness was evident as was the hope for a new day for a family I had just barely begun to become acquainted with as the clock moved forward a century.

Yet, as I am settling into the story, the voice of Rosa’s granddaughter comes out quite strong as the narrative vehicle for which this story revolves; through her eyes it is evident that compassion and acceptance is still quite far away from being given. Through her maternal line of origin there is a history of Judaism, a reverence for Jewish culture and faith which is not aligning well for her family during the Spanish Inquisition. Her father comes across rather bearish as his ideal capitalistic pursuits are less shallow than his vain attempts to clarify his role in the community. Consuelo herself feels pulled through this duality of purpose – to be the daughter her father can be proud of and the caregiver of her mother, whose health is not as well as it had been in previous years. She is tied to the home, yet her dreams carry her outside the walls as she goes about her daily routines.

The most sinister moment was when it was revealed that despite her father’s efforts to quiet a blackmailer, his efforts were found out and his family was thus unprotected by the wrath of justice that would follow if he did not find a way to amend for his actions. This was a curious sideline of the opening structure of the story, as he barely agreed to the blackmail on one breath and he was found in the wrong on the next. I had almost felt that this might have carried forward as a dark secret for the duration of the story, but instead, it flickered and died.

Consuelo’s own gift was in her nurturing attentiveness to those who were ill and her maternal instincts to care for those who needed assistance. Although, I gathered she would have preferred to do more in her life than care for her mother, it was in so doing that she learnt her greatest gift was in the understanding of apothecarist healing practices and the strength of herbs. Her life was overshadowed by the forbearing presence of her father, a man who ruled his roost with a strong hand, and yet, never gave much consequence to his daughter or wife. He was much more interested in keeping up the appearance of who they were rather than being honest inside his relationships and business affairs.  How she found the strength to rise above each adverse and brutal moment of shocking distrust is a credit to her confidence in herself. She was not dealt an easy life nor one that aligned with how she believed her life would fall together – in life as in love, she was betrayed and it was through anguish she started to rise again.

Her father’s inability to forestall the Inquisition’s ransom and blackmail demands (although earlier I felt they were relieved of) played a larger part of the trials in which Consuelo found herself in the middle of succumbing. Her life was not necessarily her own, and her choices although valid in their own right, rarely had the light to shine on their own accord.  The most distraught part of the story is watching Consuelo attempt to right her stars only be dragged by through the mud carved out of her father’s transactions and misdirections of attempting to escape a worser fate. She was used as though she were a pawn, and despite that, she always had the hope for a future she could no longer envision probable. The acidity of rumours and insinuated falsehoods plagued her from the very start, as where truth and lies forged together as though welded in steel, it is within this nest of vipers Consuelo truly had to find a sword stronger than her entangled woes.

On the writing style of Claudia H. Long:

Long tells the story from different points of view which lately I am appreciating being given the opportunity to read with such frequency; as I originally only occasionally had come across this style of the craft. Each sequence is broken down into each of the character’s mindfulness of the events or the daily trials as they arise. As you shift through their connective chapters, you draw out more insight into how the family structure is maintained and who has the keener knowledge of what is actually going on. The ailing mother for instance is given reflective chapters where you are reading her internal thoughts rather than her spoken words in the moment. This is a bridge to understand and accept her husband and daughter, as she is revealing a bit of the unspoken truths that the other two leave amiss.

Long has infused her historical novel with such a breadth of history, you cannot help but acknowledge the dedication she had to researching this part of Mexico’s 17th and 18th Century past. She stitches into the everyday dialogue bits and bobbles of Spanish as well, and as I always lament, I appreciate when a native tongue can be included as it helps to strengthen the picture we have in our mind of the characters whose heritage is not only important to their identity but helps visualise who they are as they live inside the story.

The story is truly emotionally gutting in its intensity throughout the narrative arc, as the story is rooted in the historical knowledge of the time in which the events unfold. The brutal injustice and the prejudicial judgments of those who did not understand a different in faith and belief is quite shocking to read; even if the knowledge of the era is already known. The hardest part for me, was shifting through the more difficult passages to entreat back into the light and to see where Consuelo found her resolve and the strength to carry-on. I credit this to Long who gave her readers resolution even with the realisation that many might not have found the same in real life.

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Blog Book Tour Stop,
courtesy of Historical Fiction Virtual Book Tours
Virtual Road Map of “The Duel for Consuelo” Blog Tour found here:

The Duel for Consuelo Virtual Tour via HFVBTs

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see what I will be hosting next for

Bookish Events badge created by Jorie in CanvaHistorical Fiction Virtual Book Tours - HFVBT

and mark your calendars!

{SOURCES: Cover art of “The Duel for Consuelo”, author photograph, book synopsis and the tour badge were all provided by Historical Fiction Virtual Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Bookish Events badge created by Jorie in Canva. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2014.

Reading this book contributed to these challenges:

  • Go Indie
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Posted Monday, 1 September, 2014 by jorielov in 17th Century, 18th Century, Apothecary, Blog Tour Host, Christianity, Civil Rights, Cultural & Religious Traditions, Cultural Heritage, Domestic Violence, Equality In Literature, Family Drama, Family Life, Father-Daughter Relationships, Flashbacks & Recollective Memories, Geographically Specific, Good vs. Evil, Herbalist, Historical Fiction, Historical Fiction Virtual Book Tours, Indie Author, Judaism in Fiction, Light vs Dark, Medical Fiction, Mental Illness, Mexico, Psychological Abuse, Trauma | Abuse & Recovery, World Religions

*Blog Book Tour*: The House Girl by Tara Conklin

Posted Tuesday, 12 November, 2013 by jorielov , , , 5 Comments

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The House Girl by Tara Conklin

The House Girl

Published By: William Morrow,

an imprint of HarperCollins Publishers (12, February 2013 [hardback]

Published By: William Morrow Paperbacks, 5, November 2013 [paperback]

Official Author Websites: Conklin on Facebook; Conklin on Twitter;

Personal Website and Contributor @ Popcorn the Blog.

Available Formats: Paperback, Hardback, and E-Book Page Count: 400

Converse on Twitter: #TheHouseGirl

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Acquired Book By: Book Browse First Impressions Programme: I received a complimentary ARC in exchange for my honest review on Book Browse, from the publisher William Morrow. The House Girl was amongst the offerings for November 2012, as this book was published in February 2013. I did not receive compensation for my opinions or thoughts shared therein or herein. Fun Stuff for Your Blog via pureimaginationblog.com On Being a Part of the Blog Book Tour: Whilst I submitted my application to work with TLC Book Tours, I had mentioned that I have read this particular book as I noted they were going to launch a blog book tour for it in November 2013; to celebrate the paperback release! I thought it would be nice to participate in a blog book tour on behalf of a book that truly not only captivated my imagination but is of a story that I have never fully let go of since I put the book down! I was thankful to be placed on the tour! Therefore, this is my second reading of this story based on the ARC I previously received. I will juxtaposition my original thoughts alongside my new impressions as they are revealed! I did not receive compensation for my participation on this book tour! Fun Stuff for Your Blog via pureimaginationblog.com Inspired to Re-Visit: As a reader there are always those particular books that stand out to us, stories and characters who have a way of transforming our perspective as much as endearing us to a particular time in history that was wholly different from the time we live in ourselves. These are the stories that challenge us to dig into the heart of the narrative to seek out the truth of which the writer is imparting to us. Through their words of choice, as much as the fingering nudges they urge us to open our eyes to, a portion of history that is hard to reconcile even today. They endeavour us to seek humanity and empathy as they seek to obliterate social prejudices whilst revealing a story that is not only multi-layered but dimensionally complex. This is one of those stories that leaves you ruminative as you close the book sleeves and sit pondering the greater message that has been revealed in its ending.

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Listen to an Excerpt:

The House Girl by Tara Conklin

Fun Stuff for Your Blog via pureimaginationblog.comSlipping Back in Time and Forward Again:

Conklin weaves her narrative forward and backwards between Josephine’s world in the mid to late 1800s, and Lina’s in the present day, given us the full force of each woman’s plight as their individual circumstances start to unfold. Josephine is not a free slave when the story begins, as she earnestly wants to run to freedom and enter into a new life she has dared not allow herself to imagine. Her sole friend and confidante was Lottie, a woman of passionate faith mixed with an indomitable spirit despite the hardship of loss she has suffered. The two women forged a friendship which consoled Josephine as the years waxed onward. Their lives were always interrupted by the absence of sold-off slaves, of whom they had grown attached too and suddenly never knew what had become of them next. The worst part of their lives was the broken connections between friends, family, and offspring. No living histories could be formed in other words, which led many to question and wonder what ever became of anyone they had ever known.

Lina on the other hand, is caught between where her life has led her and where her heart is leading her to go next. She is harbouring deep seeded anguish murmuring from her past into her present, as she attempts to break free once and for all. She has closed her heart to seeking out a way to let love back into her life as she has walled herself against being close to anyone who could bring her discomfort or loss. What she wasn’t realising is that a life without love is a sure way to live a half-fulfilled life which would only bring regret in the end. The ability to make two cornerstone eras reminiscent through narrative, dialogue, and elemental knowledge of the eras themselves is a nodding to how Conklin fuses the story within the time setting of The House Girl. She diverts your mind from realising there is a time slip happening as you shift further into the folds of the novel, soaking in the natural world through Josephine’s eyes and taking in the repulsive angst of a reparations case in Lina’s. Whichever setting you find yourself present in per chapter you’re not in your current time and place, but rather are living through the spirit and eyes of Conklin’s lead heroines. As for me, both Josephine and Lina are heroines in their own rights, having transcended everything that was holding them back.

My Review of The House Girl [one year later] for TLC Book Tours:

The story opens inside an ordinary day in Josephine’s, where she has to endure more abuse from her Master. Her eye is always attached to the outside world noticing the most insignificant details. It’s in these details her true freedom begins. She drinks in a piece of joy whilst walking barefoot in the grass, a moment for her that meant more than what could be observed in its simplicity. She was bourne into a world of unjust rules thrust upon her and those like her to live with the heaviest of burdens without the rights afforded to them. To live in a world where you had no say in what became of you is the hardest part of the story to drink in as a reader. Your heart starts to grieve as Josephine and Lottie’s intimate conversations paint the stark realities of their world. Where even the necessity of medical care was not given as an option. Her only resolve was to focus on the task at hand which gave her a purpose for the hour. It wasn’t enough to keep her thoughts away from running, but it helped to keep her focus off her nerves.

As time slips back into the present, Lina comes into view as a lawyer bent under the pressures of being on the fast track to success. A slave in her own right to the work load she is drowning inside. Lina suffers from lack of self-esteem and self-confidence in both her work ethic and her abilities to provide the services her clients are in need of most. She finds that her position at the law firm is all but redundant as the work she puts in is not even close to being necessary. She is finding that her role in life is being a cog in the wheel to where her fated course is up to someone else. She has missed the ability to feel as though she is making a difference rather than only doing what is expected of her. When she is assigned the reparations case to seek a living heir through the descendants of Josephine Bell and to provide proof of provenance for the artwork which was recovered (as there is an issue of who the artist actually was), she finds her true self. She starts to shed  the outer barrier that kept her at a distance from becoming close to others and starts to find her voice through following the path of Josephine; the house girl who dreamt of freedom in the Underground Railroad.

In direct comparison, here is my Original Review for Book Browse First Impressions:

Art Redeems the Soul

Josephine Bell is the catalyst that launches an inquiry into the historical past, to unearth the mystery of what happened to the artist who fashioned the artwork that survived time. Her story is not unlike others in her class and station, in the late 1800’s. A slave bound to her Master’s wife, as a house girl confined to their land and their rules. A life that would have gone unnoticed until an unsuspecting lawyer (Lina) in the 21st century (early 2000’s) is giving the task to unearth data on a case that would give back redemption to those who have all but been erased by modern history. This isn’t just a story that evokes the tragedy of those enslaved in the South, but rather a silver lining of Hope… that their lives took on greater meaning and purpose when their lives started to intersect with others. It’s through this intersection where the ripples of small kindnesses and hours of bravery, began to change the lives of others. I found that inside the secondary characters held within the House Girl, the simplest of truths to step forward. Peace with Self. Strength in Resolve. Determined Self Reliance. And the hope of freedom. Oppression comes in different forms, as even those who live free are not always free to do what their hearts desire.

I believe this would make an excellent addition to an Art History class or a Civil Rights class which focuses on slavery in the South. The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

My cross-comparison of my feelings separated by a year between readings:

Initially when I first read The House Girl, I had a lot of thoughts and feelings running through my head at the time I was reading the narrative, so much in fact, I nearly felt like I should have a blog to write everything down and share with other readers! Fast forward to when I was applying to be a tour hostess for TLC Book Tours, and the opportunity arose to re-read this lovely novel that never quite left my conscience since I originally read it! All those swirling thoughts started to re-surface, but I tried to keep them at bay, in order to best re-visit a book I had previously read! I liked the challenge of this particular book tour, as it would stretch me completely outside my comfort zone as I have never re-read a book for a tour beforehand! I liked the fact that I would have to not only challenge my heart to approach the story with a new pair of eyes but to keep myself focused on the hidden depths of the novel that I might have overlooked or missed during my first reading!

Therefore, I can attest that as I was musing about the message of The House Girl, I found myself a bit at a loss for words to purport it into focus in a clear and even paragraph. This is a novel that is best read by feeling the story by your heart and the evoking emotions that comes out of internalising the story you’ve just read. I was deeply attached to each character at different parts of the story’s thread, as you get to see different pieces of their souls shining through at different intervals. In my mind, there wouldn’t have been much to lament about on Lina’s behalf if Josephine Bell hadn’t been in her life; likewise, I feel as though Josephine Bell’s life was to give a living testament and tribute to her descendants once the provenance of her artwork was discovered. The greater truth I think is the perception we have of blood relations and the essence of who we are on the outside as a mirror image of who we are on the inside.

The House Girl challenges the perception of ancestral lines and blood ties as passed down through the generations from the original start of a hereditary chain. It seeks to point to the truth of who we are as a society and who we endeavour to become. I still stand by what I spoke about a year ago, as there is such a determined spirit to The House Girl, as far as taking bold steps to overcome your circumstances as much as being bold in your faith when you feel all hope has been lost. As you unravel the heart of the story, you start to see the other layers which were intuitively stitched into the tapestry of Josephine and Lina’s entwined story-lines. Even now, a full year later, I find that my final sentence in my original review is the key for me to think back upon this story with fond affection: The tone of the book is uplifting, shattering past the blights of misery to yield a lens into how strong women can be in the moments that count the most.

Empathy wrapped inside Sophisticated Prose:

Tara Conlin photo credit Mary Grace Long
Photo Credit: Mary Grace Long

Ms. Conklin has a wonderful ability for drawing empathy and compassion out of her narrative whilst wrapping her story inside sophisticated prose which speaks to a higher message. Her willingness to delve into the deeper levels of humanity and uncertainty for each of her characters’ lives, gives the reader a first-hand impression of where the story led her to go as she wrote it. I was struck by her honest way of writing the time slip between Josephine and Lina, to where neither century felt forced or conjectured. She uses words to paint the time eclipse of each woman on the cusp of a season of change arriving into their lives when they least expect a change to be possible. Each woman is seeking her own true self and a freedom of their past they were not expecting to receive. It’s in this honesty that Conklin performs the best visually, as she uncovers the nibblings of the human spirit as evoked through the emotional shiftings of her two protagonists. Reading through The House Girl you gather the sense that the story itself had an equally powerful effect on its writer. And, I suppose that begs to ask the question, “Are stories written by their writers solely, or are stories evoked out of a seed of a story that alights in a writer’s mind as needing to be told?”

Inspired to Share: Ms. Conklin talks about her journey towards publishing The House Girl, and how like Lina, she was a lawyer originally but technically still feels in her heart she is still a lawyer. Her novel started as a seed of an idea and developed into a novel. I must have tapped into this rather intuitively as it was true! I found it interesting how the slave doctor catapulted her muse to follow where the story was leading her. As you listen to her experiences as a litigator as it cross-compares to her life as a writer, she has a fascinating beginning to her writing career. Research and writing as a litigator was a natural progression for Conklin to become a novelist. I find this most intriguing, as I hadn’t realised how much research and writing goes into being a litigator! One of the more compelling things she discloses is how she became a wordsmith of the mid-to-late 1800s by keeping a journal of words she had read inside letters of the time. I appreciated her speaking about the aspect of ‘freedom’, as I have oft believed myself that true freedom lies in the simplicity. She loved the short story format but never thought she could create a novel! She happily surprised herself. I highly recommend taking the time to see the interview in full!

Fun Stuff for Your Blog via pureimaginationblog.com

Tara Conklin Interview by the Pacific Northwest Writers Association

on Bill Kenower [Author, Magazine Editor] Channel

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The “The House Girl” Virtual Book Tour Roadmap:

  1. 5 November: Review @ Read Lately
  2. 7 November: Review @ A Bookish Affair
  3. 11 November: @ Books in the Burbs
  4. 12 November: Review @ Jorie Loves a Story
  5. 13 November: @ Peppermint PhD
  6. 14 November: @ Lavish Bookshelf
  7. 18 November: @ Olduvai Reads
  8. 19 November: @ BoundbyWords
  9. 20 November: @ Book-alicious Mama
  10. 26 November: @ A Bookish Way of Life

I hope to be a regular tour hostess with:

TLC Book Toursuntil then, check up my upcoming Bookish Events Featured on JLAS!

[*NOTE: Any and all purchase links that are attached to SoundCloud are not affiliated with Jorie Loves A Story.]
{SOURCES: Cover art of “The House Girl” as well as Tara Conklin’s photograph, and the logo badge for TLC Book Tours were all provided by TLC Book Tours and used with permission. The author interview by PNWA / Author magazine as well as the audio excerpt of “The House Girl” by Tara Conklin via SoundCloud had either URL share links or coding which made it possible to embed this media portal to this post, and I thank them for the opportunity to share more about this novel and the author who penned it.  Blog tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}

Copyright © Jorie Loves A Story, 2013.

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Posted Tuesday, 12 November, 2013 by jorielov in ARC | Galley Copy, Art History, Artist's Proof, Artwork Provenance, Author Interview, Blog Tour Host, Book Browse, Civil Rights, Debut Author, Debut Novel, Equality In Literature, Fathers and Daughters, First Impressions, Historical Fiction, Literary Fiction, Pre-Civil War, Soundcloud, The Deep South, Time Slip, TLC Book Tours, Underground Railroad