A Paris Apartment by Michelle Gable

Published By: Minotaur Books (@MinotaurBooks), (a Thomas Donne book)
imprints of St. Martin’s Publishing Group, which is now a part of MacMillian Publishers
Official Author Websites:  Site | @MGableWriter | Facebook

Available Formats: Hardback, Ebook

Converse via: #AParisApartment & #FranceBT

Acquired Book By: I was selected to be a tour stop on the “A Paris Apartment” virtual book tour through France Book Tours. I received a complimentary copy of the book direct from the publisher St. Martin’s Press, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.

Inspired to Read:

Somewhere in my wanderings on Twitter recently in the bookish realms I frequent, this particular novel came up in a conversation! Then, if I am remembering correctly it was broached in the book blogosphere (of which I am also a participant), so you could say, my interest has become piqued!

I believe I also came across this book not just in Shelf Awareness but on another bookish site recently, as I remember my musings when I first read the premise! To take a real-life mystery and purport it into a fiction telling of ‘what could have been’ I think was a smashing idea on your behalf! I love when writers dig into the realm between fact & fiction, as much as a mystery which involves around art and antiques. Within the silence and the hours in-between what is known and what needs to be found is good folly for a story to inhabit as it allows your lead character to grow and seek what they are intuitively striving to locate as well.

As you can gather from my initial reactions on behalf of A Paris Apartment, I was quite excited about the prospect of not only reading the story but in the realisation of what the story involves! I had contacted the author directly in April of 2014 as there was a bookaway through Shelf Awareness inasmuch as she was visiting #LitChat for a bookish topical discussion that I was quite keen on attending. This was one of those rare moments where everything felt as thought it were set to rights and serendipitously aligning to work out quite well. I have appreciated each and every writer I have become introduced too through #LitChat, as much as I appreciate the ability to write personal notes to the authors who host bookaways through Shelf Awareness, as I love making personal connections to the writers I am finding myself encouraged to read. It brings the book industry closer to home and it allows the writers to get to know their readers a bit as far as who is keen to see their books in print and who is itching to read them once they are released. I find it to be quite the lovely circle of positivity and creative acceptance of the living arts.

What struck me the most about this particular novel is how remarkable the backstory set within its perimeters truly sounded as you delve into the make-up of the circumstances of the ‘apartment’ in question. Or rather, I ought to be saying ‘the flat’ in question!

My singular regret is that I had to postpone my tour stop until I recovered from a horrid stomach flu and by having the hours dissolved off the clock, I had to forfeit my opportunity to interview the author. I was so chuffed it had worked out I could interview her and then, as the fates so happened to align I missed the chance afterall.

A Paris Apartment
by Michelle Gable
Source: Author via France Book Tours

THE NATIONAL BESTSELLER!

Bienvenue à Paris!

When April Vogt’s boss tells her about an apartment in the ninth arrondissement that has been discovered after being shuttered for the past seventy years, the Sotheby’s continental furniture specialist does not hear the words “dust” or “rats” or “decrepit.” She hears Paris. She hears escape.

Once in France, April quickly learns the apartment is not merely some rich hoarder’s repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there’s a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April’s quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It’s about discovering the story behind this charismatic woman.

It’s about discovering two women, actually.

With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan’s private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe’s life, April can’t help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she’s been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.

Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable’s A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

Read about Marthe de Florian

Places to find the book:

Published by A Thomas Donne Book

on 22nd April, 2014

Format: Hardcover

Pages: 384

Author Biography:

Michelle Gable is a writer and also a mom, wife, financial executive, sports-obsessed maniac (Go Chargers! Go Aztecs!), Southern California native, barre class fiend, tennis player, and card-carrying member of the Chickasaw Nation.

She grew up in sunny San Diego and attended The College of William & Mary, where she majored in accounting as most aspiring writers do. Throughout a career that started in public accounting and then moved to private equity, then investment banking, and ultimately to the head of FP&A for a publicly-traded software company, Michelle continued to write. And write and write. Her first novel {A Paris Apartment}was released on April 22, 2014, her second scheduled for Spring 2016.

Michelle currently resides in Cardiff by the Sea, California, with her husband, two daughters, and one lazy cat.

A catacomb cache of antiquity and art:

As we first cross the threshold of a locked away apartment in a section of Paris which begets instant recognition, we step properly inside April’s shoes — seeing everything her eyes drink in and with a deep appreciation for finding items of art once thought to either be lost or nonexistent altogether. As I lamented on my ruminations on behalf of Lost in Thought, I have always been a bit piqued in apt fascination for the history of antiques and the items from estates cast back into the world via emporiums and boutiques where everyone can find something they fancy to collect or gather for their own homes. There is a particular keen attraction to having a sense of a living legacy of a singular life attached to the item, as a vehicle of immortality in the sense that someone’s essence was entwined with the piece. Touch is a sense most convicting for our sensory perceptions – it allows us a tangible connection to what cannot be seen but rather felt and thereby internalised on a deeper level of awareness. There was a true catacomb cache of antiquity and art held within the walls of the apartment time and history were kept unawares in knowing about; and within that cache held a curiosity of a person not easily understood nor quenched once her life was brought out into the open.

My Review of A Paris Apartment:

As soon as April mentioned being in need of ‘catching a redeye’ my mind flickered backwards into my own past whereupon I stranded myself in the Pacific Northwest simply due to a mild curiosity over controlled rock climbing walls & a certain outdoors expedition store called REI. I daresay I was always an adventurous lass, but to forfeit my return flight and had to opt instead for the redeye — wells, there are times where I question my own sanity! My reverie continued whilst observing her ‘techniques’ to pinch out every spare inch of her suitcase for ‘necessities’ she’d need on her holiday; the memories of my own ingenuity of achieving the same impossible task left me inside of a smirk!

April’s fragmented life is in a reckless disarray filt with disillusion and an honest sense of being caught in flux; betwixt the present and the future whilst unresolved about the past. Her life is a fitting juxtaposition to the apartment by which she is hired to sort and recover what has been left behind to be found. Her emotional health is a frayed rope of nerves, and whilst she finds herself drawn into the legacy of Boldini and of Madame Florian, it nearly felt as though she were searching for a resounding clarity that would give credence and enlightenment to her own life.

The time shift sequences giving us a jolt of Madame de Florian’s life as she transcribed it down into her diaries was a rare and exquisite treat. Yet one of the surprising twists of everyday life for me in the modern area of the story, is when it was disclosed that dog walkers do not pick up after their animals have taken care of business. It is a well-known fact that no one can walk their dogs (or in some rare cases their cats) without the courtesy of removing what is left behind for someone not to unexpectedly walk through it. I had no idea that Paris has a problem similar to Venice as far as a stench of foulness emitting out of a situation that is containable. It gives a new dimension of awareness I had not yet stumbled across and had me left wondering how you can truly appreciate walking the streets if there are more little ‘surprises’ to be found along the sidewalks? I agree with April on this note on how indifferent it would be to have the joy of being in the city replaced by a bit of furrowed discontempt of such an everyday difference of living.

I felt the energy of the first half of the novel started to muddle towards the middle bits, as April’s suspicious nature towards her husband’s past infidelity was starting to grow a bit old as the old ‘dialogue’ continued to play out. I think it would have been best if she had been more honest with herself that she had already taken an exit out of her marriage. Although, truth to life, perhaps she was not yet aware of what she wanted and thereby had this disconnection growing larger between her and her husband simply due to distance and lack of direction to take next. Even Madame de Florian took a bit of a backseat, and the joy of the art discovered in the apartment ended up being bogged down by bureaucracy and red tape. The further I read into the story, the more crude the humour ended up becoming or rather the more crude the direct references were to the story’s internal threads. I was a bit aghast to find this happening, as foresaid the beginning had such a sprite of energy and sophistication, and watching everything start to derail before my eyes was not something I enjoyed. If I were to be honest, it felt as though there were two halves of a whole and they were not equally connected.

The cheeky humour and the intricacies of Michelle Gable’s writing style:

Gable has an intrinsic method of revealing the well-established stigmas attached to Americans whilst on holiday in France as much as she has a clairvoyant way of using cheeky humour to establish the short tolerance Americans feel in return. The French have always had a certain level of discontempt for Americans, as even I have found this to be threaded through conversations during intermittent connections I’ve had with them, yet what always struck me the most off-character about the whole absurdity of this tension between the countries is how genuine Americans love France and everything most decidedly French! And, for those of us who are of French descent directly, it is a curious stone to overturn. I honestly believe this is due to a disconnection between us: a break down in communication or at the very least an understanding of our different personalities and perceptions of how we live our lives.

Gable allows her American and French characters to respond and react within the perimeters of this well-established awareness between the two cultural divides, yet she always attempts to step out of the stigma and re-align a sense of forward progression.

Fly in the Ointment:

I am not sure why I felt I was awaiting the shoe to drop but call it reader intuition as I had a stirring sense of knowledge the strongest of words would start to trickle out into the enriched descriptive narrative like water snaking out of a busted drain. And, rather unsatisfying to me, of course by page 45 we had to see reveal the one word I despise amongst all others flaunted on display. I truly have yet to find a reason for such inclusions, but on this particular novel’s behalf what felt even more flat is the layers of depth Gable gave to her descriptions.

She breathes words which are not regularly found in Contemporary nor Historical Contemporary Fiction, and somehow the additions of vulgarity felt as though she were depreciating the level of sophistication she started the novel off with at the beginning. In the same sense where April felt vexed when a causal touch or disrespect for the pieces in the apartment were being unceremoniously contaminated by carelessness.

These strong words can be blinked out of today’s fiction for my own sake of sanity, as when I find wicked quality on behalf of the story-teller I am walking a line betwixt wanting to recommend the work for the level of literary quality vs shirking away from realising the recommendation is on a work that is inclusive of language I cannot fathom needing being included. I am as indecisive of knowing how best to augment my final thoughts as I had been after concluding “I Shall Be Near to You”.

I wish I could say the saving grace within this particular tome of narrative voice is that the vulgarity was as intermittent as a wayward fly at a baseball game, however, they were bent on making such striking appearances as to remind me why I do not appreciate the surge in love bugs during Autumn! The annoyance level is always on extreme high as try as you might you cannot outwit a love bug deluge.

On a separate note, I felt the French words writ straight into the dialogue sequences would have felt more second nature to the reader if there were (translated English words) running counterpoint to the French. I positively love when language is used as a vocal representation of setting and of a time of era, yet when all I have is a language opposite of the one I natively speak, all I can do at best is give a smile of a nod to the words themselves without a proper sense of what is actually being said. As a for instance, if one wanted to say “Autumn is such a proper renewal of spirited joy after a languishing of Summer.” Why not write it like this: (or a variant therein)

"L'automne est un tel renouvellement correct de joie vive après une langueur de l'été."  (Autumn is such a proper renewal of spirited joy after a languishing of Summer.)  she expressed in full measure of unexpected happiness.

I used an online French / English Translation app and thereby am not responsible if the French to English has acceptable loss of error. I simply wanted to convey how frustrated I felt whilst caught up in the French expressions without an English translation in-text. This is not a quote from the novel either – I crafted the entire exchange on the fly so to speak.

I also noted that whenever we were re-visiting Madame de Florian’s life through her diary of letters, the language of English she used was American rather than British, and that was a unique observation for me. I realise most works of American novels in historical fiction do not encompass British English in preference of historical accuracy but I am always struck at a loss to understand why they do not? She wouldn’t be using the spelling of ‘endeavor’ for instance as she would have writ it as ‘endeavour’. It is almost as though the historical points of view are translated yet the language bits are not; a bit of a wench in the wheel to me.

I would have given a celebratory nod of realism had the modern bits [focused on April] had solidified her speaking vernacular of American English with French in-text translations of English; fused counter-current with Madame de Florian’s diaries writ in British English with overlays of French (with in-text translations as well).

 Read an Excerpt of the Novel:

{Provided by Issuu.com}

Virtual Road Map for “A Paris Apartment” Blog Tour:

A special notation at the end of my post is dedicated to the writers like Ms. Gable & Ms. Alexander (of Dare to Kiss who supports a PTSD charity), who give proceeds of their novels to charity, in this particular instance Ms. Gable has a rotation of charitable organisations she is contributing towards each month there are net proceeds from A Paris Apartment. I found the list on her website and have linked the charities for easy reference to click-through & discover more about each of them.

MAY: The Chloe Nichols Foundation
JUNE: Wounded Warrior Project
JULY: Monarch School (San Diego)
AUGUST: Help4HD International
SEPTEMBER: Safe Horizon

I have been supporting the Wounded Warrior Project in small ways and one day hope to strengthen my support to make a larger impact, as I find it a difficult pill to swallow that we are not taking care of our returning servicemen & women. The crisis of our Veterans is knitted close to my heart and it is an on-going mission of mine to help find ways to improve their lives; not only through this charity but the outreach Hire Heroes USA as well. I have been supporting the troops through Soldiers’ Angels since 2011.

I was hoping to find an organisation and/or charity that would help the homeless stand stronger and put their lives together through positive hope and obtainable goals; seeking a footprint towards a stronger future. I am blessed to have found the Monarch School on this list as I think this is a concept that needs to be taken nationwide.

Likewise, through the 8 years I devouted to watching Law & Order in my twenties, I became especially keen on the charity of Mariska Hargitay : The Joyful Heart Foundation. As much as watching the mission behind No More flourish and take root. Women have always been rock solid innovators, and every step of the way the more we all choose to reach out to those in need of assistance, empathy, hope, and a bit of joy — we endeavour our own spirits to be lifted up in universal love.

Be sure to scope out upcoming tours I will be hosting with:

 on my Bookish Events page!

Please take note of the Related Articles as they were hand selected due to being of cross-reference importance in relation to this book review. This applies to each post on my blog where you see Related Articles underneath the post. Be sure to take a moment to acknowledge the further readings which are offered.

I positively *love!* comments in the threads below each of my posts, kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon! 

Copyright © Jorie Loves A Story, 2014.

Related Articles:

The Complete Works of Giovanni Boldini – (giovanniboldini.org)

Madame de Florian’s Abandoned Apartment – (anothermag.com)

House Tour the Secret Paris Apartment of Madame De Florian – (blog.decoratorsnotebook.co.uk)

Suspended in Time – (blogofthecourtier.com)

The ‘live reading’ tweets I shared as I read & reviewed “A Paris Apartment”:

{ favourite & Re-tweet if inspired to share }

#weekendreads on #JLASblog: A Stitch in Time by Amanda James (@akjames61) & A Paris Apartment by @MGableWriter #nextreads in #fiction :)

— Jorie Loves A Story (@JLovesAStory) October 4, 2014

#amreading my 2nd #WeekendReads selection: #AParisApartment by Michelle Gable, of which I cannot wait to dig into as I’ve itched to read it!
— Jorie Loves A Story (@JLovesAStory) October 5, 2014

I’m currently reading A Paris Apartment on @riffle. Have you read it? http://t.co/2RDYzCIsvx

— Jorie Loves A Story (@JLovesAStory) October 5, 2014

.@MGableWriter & @SBAlex_author #Authors who give proceeds of their #book to #charity are truly phenomenal philanthropists inspiring change
— Jorie Loves A Story (@JLovesAStory) October 5, 2014

#amreading #AParisApartment whilst appreciating ‘little touches of finesse’ in regards to ‘elemental designs’ of the styling of its pages :)

— Jorie Loves A Story (@JLovesAStory) October 5, 2014

@KylieKerosene Did you see the interior pages of #AParisApartment?! I was properly gobsmacked in euphoric happiness! It is ‘de chic’ :) <3!
— Jorie Loves A Story (@JLovesAStory) October 5, 2014

#amreading #AParisApartment continuing from whence I left off – heart of gratitude for spontaneity convos from last night; sparked by #book!

— Jorie Loves A Story (@JLovesAStory) October 5, 2014

♫ Scott Alan (@ScottAlanNet) Listen @cdbaby http://t.co/LJv4db4L92 | The song “Always/Goodnight” befit my reading of #AParisApartment Chap9
— Jorie Loves A Story (@JLovesAStory) October 5, 2014

♫ Air Review (@airreview) Listen @cdbaby http://t.co/hn20xcNTas | Track “America’s Son” infused me w/ hope as I cont’d w/ #AParisApartment

— Jorie Loves A Story (@JLovesAStory) October 5, 2014

Comments on Twitter:

@JLovesAStory @MGableWriter @SBAlex_author I do think this lovely and would like to write a novella for this purpose.

— Carol McGrath (@carolmcgrath) October 5, 2014

@carolmcgrath Stories have an evoking presence in the beauty of their visceral empowerment; twicefold w/charity @MGableWriter @SBAlex_author
— Jorie Loves A Story (@JLovesAStory) October 5, 2014

@JLovesAStory so now I shall have to do it when I finish The Betrothed Sister. I have a few long short stories I can develop into a novella.

— Carol McGrath (@carolmcgrath) October 5, 2014

@JLovesAStory @SBAlex_author thank you so much! I’ve loved doing it…surprisingly fun when I get to calculate at month end. :)
— Michelle Gable (@MGableWriter) October 5, 2014

@MGableWriter@SBAlex_author I wrote a special s/o paragraph about your #charity work attached to #AParisApartment on my #review#amreading

— Jorie Loves A Story (@JLovesAStory) October 5, 2014

The best blessing for me tonight as I read A Paris Apartment is the beautiful happenstance conversation I had with a British Historical fiction author, Ms. McGrath who is a close personal friend to two lovely story-tellers I have not only featured on Jorie Loves A Story but cannot stop talking about their stories to anyone who fancies the same types of narratives as I do! I am referring to Ms. Liz Harris (A Bargain Struck & The Road Back) and Ms. Jenny Barden (The Lost Duchess). Our conversation is inside my feeds on Twitter as I stopped copying them over as they became our own convo independent of Ms. Gable’s novel. I was wicked happy in another regard – now that I have my landing page set up, I can start commenting once more on the English Historical Fiction Author’s Blog as oft as I can the Heroes, Heroines, & History Blog! Champion! All is never quite as lost as we first fear!

I truly believe in what I tweeted just shy of 2am:

@carolmcgrath Yes, truly — I believe #writers have a way of finding each other & the twitterverse & book blogosphere helps unite us all :)
— Jorie Loves A Story (@JLovesAStory) October 5, 2014