EDC Johnson found me on Twitter and asked me if I would be interested in reading her YA Fantasy novel “Moonflower”, even though it is currently undergoing a re-edit & re-launch. I was quite interested in the novel after I read about it on her website and agreed to treat this edition similar to an ARC. Therefore, going in knowing there would be certain errors and not hold that against the book in general. This is why I marked this as an “ARC” read rather than a finished copy. I received a complimentary copy of “Moonflower” direct from the author herself, EDC Johnson in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Interested in Reading:
Aside from the fact that the synopsis of the story perked a whisper of interest in my mind to read the story, the cover-art of seeing a wolf translucently pictured off-center with a piercing blue eye held my breath in absolute awe! It is true I never read a book simply because of what is featured on the cover, as I go to the heart of where the narrative is going to lead me through a synopsis of the plot itself, but there are times, like with Moonflower where the cover-art is a compelling interest for the reader! The artistry alone held my attention, especially considering how beautiful the wolf appears in this half portrait of his face! The compelling part is why is he translucent? And, what is he not telling us from behind that piercing stare that unsettles you as much as it comforts?
I love supporting Indie Authors (either published through an Indie Press, Publisher, or through a Self Publishing platform) as they are walking such a wonderful journey through the publishing industry! Taking their creativity to a heightened level by giving themselves the breadth of freedom to write their stories the way in which they wanted them to greet readers inasmuch as tackling the daunting world of publicity and editing without a net to catch them! I give my hat off to any writer who takes this journey as the Indies have long since captured my heart and my support! It is always a true honour for me to participate in the promotion of an Indie writer and I am twice blessed when an Indie writer finds me on Twitter! I try to get to each of their profile pages and scope out their websites if they are linked to the profile itself — as I am always curious who is following me and who is interested in my own joyfully bookish tweets and bookish blog!
On this level, I wanted to say that I feel genuinely humbled as a book blogger to be in a position to draw a light on the literary work of an Indie writer and to that extent I have a surprise I will announce at the bottom of this post where the Indies will a strong beacon of light shining on them in forthcoming weeks! Until then, I cannot wait to disclose what you will find inside Moonflower the first installment of a trilogy that winks at you to draw your attention inside it’s pages!
After Josephine Woods’ father dies of cancer, her mother up-roots the two of them and moves to the city. Josie hates her city life, but her teenage issues are of little consequence when they have a car accident and she wakes up in a strange land (reminiscent of Victorian Europe) alone. Lost, with her school backpack as the only connection to her world, Josie struggles to find her way home. She is found by Lucius Conrí, the son of a Marquess, who possesses royal blood and the gift to shift into a wolf’s form at will.
Can the kind-hearted Lucius help her find her way while winning her love, or will she fall for Donovan Conrí his older, more serious brother and heir to the Conrí wealth?
EDC Johnson grew up in the Midwest, graduating from Michigan State University with her BFA in Art Education and her MA in Art Education from Western Michigan University. She lives with her husband and daughter in Palm Harbor, Florida. Her decade of experience as a public school art teacher has inspired her to write fiction novels that will entice young readers. You may see some of her illustrations in Renee Mallet’s: Fairies, Mermaids, and Other Mystical Creatures.
Fantasy within the realm of the Modern World:
A new aspect for reading Fantasy for me is seeing how the modern world intercepts the fantastical, as previously in my teenage years I was drawn inside straight-up fantasy worlds which had no counterpart to our own. The element of placing bonefide modern era characters inside a world of fantasy proportions is a new concept for me and one that I am more than willing to continue to explore per writer’s vision for this branch of the genre. Inasmuch as my appreciation for certain story arcs which feature shapeshifter characters such as Lucius Conrí inside Moonflower. My first glimpse into this new attachment of mine for supernatural creatures and beings occurred whilst I was reading the second and third installments of the Leland Dragon series by Jackie Gamber. Followed closely by my discovery of A Beauty So Beastly by RaShelle Workman (read synopsis on Riffle) during the even #EuphorYA. A short while afterwards I was interacting with Ms. Johnson on Twitter and the current story alighted into my hands.
I realise this has been used as a directional tool for story-tellers for generations, but instead of soaking inside the world of C.S. Lewis by the novels themselves, I was wholly enthused for the theatrical releases at the box office instead. Therefore, my knowledge of how the balance of the modern era and the fantasy realms are achieved and carried out per each instance this avenue of fiction is explored is minimal. I am also in need of finishing my reading of Crown of Vengeance by Stephen Zimmer (read the synopsis on Riffle), which I believe fits well in this topic of discussion.
Part of my curiously intuitive mind was under the assertion part of Josie’s adventure might be explained by a near-death experience given how the situation of where she started this story began and where she travelled next. However I did not allow myself to qualm over the details, as I was being guided by a story-teller who held my attention with each page I turnt!
I am happily welcoming Cara Bertrand, the writer of the Sententia series to Jorie Loves A Story tonight as I decided to opt-out of reading her second novel “Second Thoughts” and host an Author Q&A instead — as if you read my ruminations on behalf of the first novel in this parapsychological series you will have noted my angst in finding such a confluence of frequency in regards to the strong words peppered throughout the text itself.
Take a moment to visit with us as we discuss the origins of the first novel as well as the parapsychological building blocks for the series overall! The topic is one that I have always keenly attracted to conversing about and therein lies the joy of hosting this Q&A!
She's going crazy. Everyone thinks she has severe migraines from stress and exhaustion. What she really has are visions of how people died - or are going to die. When doctors insist she needs a new and stable environment to recover, Lainey's game to spend two years at a private New England boarding school. She doesn't really think it will cure her problem, and she's half right. There is no cure, but she's not actually crazy.
Almost everyone at Northbrook Academy has a secret too. Half the students and nearly all of the staff are members of the Sententia, a hidden society of the psychically gifted. A vision of another student's impending death confirms Lainey is one of them. When she's finally getting comfortable with her gift of divining deaths, and with Carter Penrose, a recent Academy graduate and resident school crush, they uncover her true Sententia heritage. Now Lainey has a real secret.
Once it's spilled, she'll be forced to forget protecting secrets and start protecting herself.
Book Synopsis for Book Two of the Sententia Series:
The continuing adventures of an ordinary teenage girl with extraordinary mental abilities, perfect for readers who love books and series such as “Vampire Academy,” “Spellbound” and “Sweet Peril.”
Secrets, lies and looming deaths – all things Lainey Young deals with in a typical day of high school. In her senior year at Northbrook Academy – a New England boarding school where the majority of the students and nearly all the staff are members of the Sententia, a hidden society of the psychically gifted – Lainey has even more to worry about, things like classes, college, her boyfriend and, of course, the vision she glimpsed of her impending death. But to her surprise, Lainey finds one worry she can cross off her list, namely Sen. Daniel Astor, the leader of the Sententia.
After a shocking discovery when they finally meet, Lainey realizes maybe she was wrong to distrust the senator. She relaxes even further when he seems to accept her refusal to work for him after graduation. But with her secrets mounting and the time to solve them running out, there’s a final enigma Lainey hasn’t yet encountered: Daniel Astor doesn’t take no for an answer. Ever.
Author Biography:
Photo Credit: Vallarta Adventures
Cara Bertrand is a former middle school literacy teacher who now lives in the woods outside Boston with: one awesome husband, two large dogs, one small daughter, and lots of words. LOST IN THOUGHT is her first novel and was a finalist for the Amazon/Penguin Breakthrough Novel Award.
Your titling for ‘Lost in Thought’ is a bit of a play on words and eludes to the general notion that ‘thoughts are things’ and it is always a bit wise to be cautious where our thoughts can lead us. Especially when considering the differences between Light & Dark / Good vs Evil; did you originally seek out to have a title of a series start with a thought provoking impetus or did it naturally piece together as you wrote the story itself?
Bertrand responds: The title was, in fact, the most difficult and literally last thing I applied to the story. I wish I could say it was a grand design or an act of forethought (heh heh), but it was the product of a furious chat session with my best friend when I needed a title and didn’t have one. It’s an interplay of the concept of Thought—the power wielded by all Sententia—and a scene in the book where Lainey contemplates feeling lost in her new, unfamiliar world.
You have a very unique perspective on the parapyschological gifts your characters are given in ‘Lost in Thought’. Specifically what drew me into the background of how their gifts manifested was the consideration of whom the gifter of the gifts actually is. Did you intend to impart a sense of faith and centering on a celestially being to have an omnipresence in the background or was this a naturally line of thought woven into the sequences of how the story unfolded?
Bertrand responds: From the beginning, I knew the Sententia origins. What they can do is beyond science, but in the modern world we no longer call those things magic. There’s a higher power involved, something bigger and broader than all of us that connects all of us. The Sententia acknowledge this, but they don’t worship it. Sometimes they call this higher power God, but it’s semantic more than anything. The story is not rooted in faith in the Christian God or any particular god at all. Faith as a concept, however, plays heavily throughout the stories—faith in oneself, one’s choices, one’s abilities, faith in each other, faith in what we know of the world. Lainey’s faith in things is tested constantly, and she responds, sometimes well, sometimes not, to these tests. She learns.
Lainey has a very interesting take on the theory of the Grim Reaper, which I previously uncovered in a different spin in the BBC series Mulberry. I was curious how the plausible aspects of her talent for being in such a unique position was curated and if there was a lesson in of itself on the gift Lainey was given?
Bertrand responds: Being so intimately connected to death is a burden Lainey didn’t ask for and certainly doesn’t want. Throughout not just Lost in Thought but the whole series, she struggles to come to terms with what she can do. It’s a process, because that’s what life is. Self-acceptance is a tricky thing, and it can take years to accept parts of ourselves that we don’t like or don’t know how to focus. I wanted Lainey’s journey to reflect that. In Lost in Thought she makes a bold promise to use her abilities for good, and this is her struggle—to find a positive way to wield an ability that doesn’t seem to have any positive aspects.
What kind of research did you conduct for this novel as I was quite impressed with the accuracy of the parapsychological aspects of the backstories? Did you perchance contact the parapsychologists who are actively researching the same types of gifts featured in your novel? Or perhaps visit The Rhine (Institute for Parapsychology in Durham, North Carolina)?
Bertrand responds: The real question is will you be more or less impressed when I admit I did none of those things? Readers regularly ask me if I’ve had first-hand paranormal/parapsychological experience, and the answer is no. In fact, if pressed, I’d say that I’m barely even a believer. I think if I were, if I had been touched by the parapsychological, it would change my ability to write about it. I did very limited reading on different kinds of extra-sensory abilities, and the rest I let my imagination shape.
What was the impetus which gravitated you into writing? And, when did this occur? Who was your best cheerleader?
Bertrand responds: I wasn’t a creative writer until very recently, though I am a life-long reader and lover of stories. When I was young, I always thought being a writer would be great, but it was an idea not a goal. I never did anything more than dream about it. Instead, I did what so many lovers of words do—I became a teacher. Eventually I left the profession, but I never stopped reading. One day while in the car with my husband, telling him about whatever I was reading at the time—and I can tell you exactly where we were on the highway, though not what day it was, where we were going, nor even what book I was talking about—he said, “I’m surprised you never wrote a book.” I answered, “I don’t think I could finish one,” which, later, made me angry. See, I’d never tried writing a book, so how did I know if I could finish? So I set out to prove myself wrong. And I have, going on 4x at this point. That conversation was in the summer of 2010. Undoubtedly my husband was and remains my best cheerleader, but I couldn’t do this without the continued encouragement of my parents, my best friend and first reader, and the love and enthusiasm from the rest of my family and friends. And, of course, the readers.
What are your favorite tools to use whilst writing? And, where do you write to gain the most inspiration?
Bertrand responds: My tools for writing are: my laptop, a pair of wrist braces (an unfortunate necessity), and Scrivener. That’s it. Helpful additives are: sunshine, coffee, and time. I spend most of my writing time split between my home and my local coffee shop (where I pen this now!). I like to be by windows, so I can see outside. Or to be outside, if it’s nice enough. Lately, I write best first thing in the morning, though, honestly, that’s by demand not nature. For most of my life, I’ve been a night owl fighting to survive in a daytime world.
What do you foresee as the best takeaway a story set in this captivating world of ‘thought’ generating gifted souls could teach the minds of those who are seeking a different kind of adventure in Young Adult Fiction?
Bertrand responds: We spend a lot of time seeking adventure outside ourselves, or in books looking for mythical creatures and different worlds—and believe me, I’m no exception. So when I started writing, I wanted to go in a slightly different direction, to look inside rather than out, so to speak. There’s magic in us, too, hiding in our everyday world.
I found it beyond incredible to have learnt through this conversation with the writer herself that she is practically a skeptic of parapsychology and yet has such a curious ability to breathe truism into this aspect of her book series? It made me suspect that she is naturally aware of things that perhaps she has not yet chosen to accept as plausible because this was one part to the novel Lost in Thought that had me at ‘hallo’ as they say and pulled me into the theory of origins for the Sententia themselves. It was a very cleverly writ back-story and one that felt grounded and true to it’s own accord of perimeters to exist.
I was also struck with a bit of shock on the explanation of where the origins originated from for the Sententia, as I never read a story that evoked the name of God not to be a direct reference of whom we would all attribute the name to be referring to directly. I walked away with a different perception of understanding than what was revealed in this Q&A as I actually disagree with this as a reader from the point of view that I read something different in the pages of the book itself. Whether it was ever intended to have this reaction or understanding from a reader, I cannot comment on, but I can say, that where the book led me to alight my thoughts is now counter-current to where the writer intended me too. I also found it odd that it was referred that God is only related to Christianity whereas throughout all my readings of World Religions this is simply not the case at all. Nor was I referencing a connection to Christianity in my review, as faith and religion goes beyond denominations.
I think it was quite brilliant how her husband encouraged her to pursue something she did not entirely have the confidence to do without his inspiring words of motivation. We all need cheerleaders in our lives and people to rally behind us when our own confidence falters. I never fail to smile whilst reading the answers to this particular question I love to ask writers I interview!
I do agree with her sentiments on the last Question I asked, as sometimes the greatest journey we can all take is within us all along. I was simply a bit surprised by some of her replies, as I had alighted a different level of understanding on a few things, but I accept too, that she came from a different place of thought when she penned the stories. It is a direct instance of where once a story leaves a writer’s mind & heart, the readers who pick up the story will have their own interpretations of where the story takes them; even if where the reader’s mind goes is opposite of where a writer intended them to travel. Stories are constantly evolving experiences as they fuse and shape differently inside the mind of whom reads them and carries a different piece of their message as they are read.
I am thankful I could interview Ms. Bertrand and provide a bit of a back-story to the Sententia series for my readers & visitors alike! I do hope everyone has clicked through to the rest of the tour stops and enjoyed this introduction to Luminis Books!
I hosted two authors for the Luminis Books Blog Tour:
Happily click-through to visit each stop on the tour & leave a note behind for either myself or the two authors I happily hosted for Luminis Books! It was such an esteemed honour to have both of them on my book blog! It was a great experience to host a new Publisher I had not yet discovered and gathering a sense about the type of stories they are publishing under the umbrella of Children’s Lit!
Similar to blog tours, when I feature a showcase for an author via a Guest Post, Q&A, Interview, etc., I do not receive compensation for featuring supplemental content on my blog.
I positively *love!* comments in the threads below each of my posts, and as CommentLuv only requires Email to leave a note for me I cannot wait to see what starts to populate below! Kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon!
{SOURCES: The tour badge & Book Synopsis for “Second Thoughts” were provided by JKS Communications and used with permission. Book Cover Art for “Lost in Thought” & “Second Thoughts”, Author Biography & Book Synopsis of “Lost in Thought” were provided by the author Cara Bertrand and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Tweets are embedded due to codes provided by Twitter.}
I am a regular tour hostess for blog tours via Cedar Fort whereupon I am thankful to have such a diverse amount of novels and non-fiction titles to choose amongst to host. I received a complimentary copy of “Star of Deliverance” direct from the publisher Sweetwater Books (imprint of Cedar Fort, Inc) in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
I felt a hitching in my chest growing as I read the opening chapter to Star of Deliverance as the last YA Fantasy which held my attention with such a rapt fierceness and knowing awareness my ears would not singe as the context would be a clean read was whilst I read Uncovering Cobbogoth; the very first Sweetwater Books title I read in late Spring! Stepping forward into this novel after I was under the weather for a short spell was not the easiest of tasks, as I had attempted to read it a few times without a success of soaking into the vein of it’s narrative. What originally drew me to alight on this particular title when it came around for a blog tour is the simple fact that I am betwixt vexation and frustration to sort through the new world of Young Adult; as I expanded on recently here and here. I knew if I elected to read a title by Sweetwater Books I would know going in I was going to be greeted by an intensely lit world and a character who more than likely would need to embark on a quest that I could attach myself to rallying behind.
One of the reasons I love the Fantasy genre as much as I do is because it is a bit of a collection of coming-of age histories from various walks of life all alighting in fantastically original worlds where the boundaries of our realm and their’s are set to different rules and different cultural attachments; yet at the heart of fantasy and reality lies one true central thread: the pursuit of freedom and the choice to live a free life pursuing one’s dreams. I love the epic heart of Fantasy as much as I like digging into an imagined world left behind for us to unravell one layer at a time. Seeing where each new world represents it’s own kind and how they choose to interact with others who are different from their own race is part of the dynamic of discovery. Diplomacy and humanistic tendencies are generally front-runners but there are also causes for uprisings from oppression and a growing sense of urgency to come out from a ruler who attempts to repress the spirit of his or her nation.
This one felt to me to garnish a bit of a new nexus of plausible thought – to seek out a remedy of hidden truth to free your people from a sickness that is not yet disclosed. In that one flicker of a plot thread I found myself attracted to finding out what the illness was being caused by, of whom was responsible for not giving the people a method towards healing, and what was the greater good and/or darkness surrounding the world at large that drew such a measure of strength out of an unexpected heroine?
Fantasy is one thread of literature I always find inspiring on several levels, but the most enchanting part of reading Fantasy for me is the wicked adventures you get to take whilst riding coattail close to the principle characters and seeing what they see in quite an extraordinary sensory exploration! I will be expressing my love of this genre more during #RRSciFiMonth (Sci-Fi November) – for now simply know it was always at the heart of what I read as a child.
I marked this as a “Re-Told Tale” for Cinderella (The Little Glass Slipper) by Brothers Grimm as I found a reference to how this story took on the previous incantation of an enslaved girl who sought individual freedom as much as cared about others around her which led me to believe it could be a re-telling of the classic canon. Although I do believe it was intended as a representation of Esther’s life as her voice is quoted at the start of the novel itself.
Emi was born an outcast but raised as a healer. So when a young boy stumbles into her village with a rare disease, she knows that it's up to her to find the cure in the one place that abhors her people - the capital. But when Emi arrives, she's unwittingly thrust into a competition to win the crown prince's heart.
Staying in the game will give her time to search for the cure, but is it worth risking her life?
Get swept up in this epic teen fantasy that pulls you in from the very first page. Filled with intrigue, mystery, and romance, Star of Deliverance is guaranteed to keep you guessing.
Mandy Madson Voisin grew up reading fairy tales and knew from a young age she wanted to write them. She graduated from Bringham Young University with a degree in English and starting writing Star of Deliverance soon thereafter. She currently resides in Phoenix, Arizona with her husband Kevin.
The world of Deshan:
The ordinances of rule for the villagers who maintain the orchards for the High King fall under Feudal Europe or the rulers of 16th Century Japan (as parts of this story brought back happy memories of the Shinobi mysteries) inasmuch as I remembered the archaic control tactics for needing passes to move between territories and provinces to be a part of my beloved Leland Dragon series. There is a high level of security amongst those who are ordered to guard the commoners and those who are living at the palace – there is a disconnect between the two factions, as those who work in the orchards and outlying villages do not appear to receive news from outside their own living spheres.
The intricacies of knowledge of the world-building itself are clearly evident as Voisin has spent a considerable amount of time fine tuning the texture of her world as much as crafting the history of her people within it’s pages. I always appreciate the amount of time a writer takes to breathe such clarity of ‘time’ and of ‘place’ to their fantasy worlds – they are generally reminiscent of another time within our own known histories but even if they are completely created to stand on a unique ground of their own creation, it is how they can fuse to paper in such a way as to be ‘known’ as a truthful account that I credit the most in appreciation. Cobbogoth felt this way, Leland Province felt this way, even adventures of Father Mateo and Hiro felt viscerally real rather than obtusely created. The further I read into Star of Deliverance more of the world Voisin had created for us to find revealed itself in quiet whispers and it was an entreaty that delighted me.
My Review of Star of Deliverance:
A quick fire urgency is clearly evident as soon as you open the first pages of Star of Deliverance, as the inertia of how quickly the pace of the story is set consumes you as each new page is turnt. Emi is the adopted daughter of a village healer, gifted with a light of knowledge unseen of his kind and he bespoke of Emi to become his protégé years ago to save her from the enslaved life of their peers. Studying every facet of natural medicine Cen can etch into her memory, Emi grew inside the humble clinic as a nursing ground of nurturing the spirit of those who came to them as well as their physical wounds. Cen is an enlightened healer as evidenced by his methodology of practice and his approach to understand the whole of the person rather than by cluing into the symptoms alone.
There is a clear absence of law and order within the confines of truth, honour, and justice in this world – people are imprisoned without trial and without jury; taken from their families without fault of their own nor of any chance to recover a redemption of honour. They are erased as simply as extinguishing the lighted flame of a candle’s wick without consideration for their humanity nor their rights to live without the fear of being killed without prosecution. Despite the heaviness of the Dystopian world repressing the lives of those who work under arduous conditions to nib out a small living that doesn’t even give them a viable wage; Voisin creates a vacuum of light by the actions of the few who believe in keeping hope alive at all costs.
The closer Emi gains into the entrance of being wholly accepted at the palace the more my mind darted off to remembering why I loved watching Ever After; as she was a princess in the making as much as Danielle. Two girls who refused to live an ordinary life and who stood up for those who held no voice of their own to fix an accord against their circumstances. Emi has the cunning sense of knowing how to fudge her way through a unique turn of events that land her within ‘enemy walls’ so to speak and a spunky way of asserting herself without drawing her hand forward out of the lies she is spinning to covertly cover her real identity. The caste system is alive and well inside Deshan, as much as the fever of anxiety amongst those who work for the King and his family’s royal court. Everyone is vexed with concern over the growing disease that is taking root amongst both races of people: the Savian and the Brockan alike.
Before you even reach the centermost section of the novel, you realise you only know half of the story overall. What had felt like a revelation to understand the plausibility of the situation unfolding for those who need the cure and if the cure could be procured in time to save them; was not entirely what it first seemed to be at all. The curiosity for me was in following Emi’s lead as she continued to knit together the pieces of the expanding shroud of mystery tied into this mysterious disease and the origins of why it was coming back after being dormant for such a long time. The undercurrent thread of pursuing a royal honour is counter-center to the true beacon of where the ultimate hope lies for the people of Emi’s world. You cannot help to gather yourself into a comfortable spot to read her story whilst taking a respite from your own life and world to understand her own. To feel what she is feeling as she uncovers far more about her world than she ever felt she could dare hope to learn. And, to find the courage she needs at the moment it would mean the most to her people. This is a story to transcend out of history and inspire a new generation to stand for what is right even if there is a surge against what is true and where the light shines the brightest.
Mandy Madson Voisin has a historical voice curated out of the world of fairy-tales:
Reading Star of Deliverance if writ by another writer might have felt oppressively heavily with gutting emotions and an endless route towards a maddeningly cry for justice; however, with Voisin at the reins the opposite ended up being closer to the truth! You felt uplifted by how strong the oppressed were given their humble surroundings and the ache they had inside them whilst they fought for even the barest of necessities to live. They had a courage and a humility inside them to carry-on forward even if all they had to thrive upon was hope and the renewal of strength that comes from a promise of a better day still yet to be seen. Voisin carries this internal resolve through her characters and off-sets the stench of the darkness arising out of the command of those who would rather see the commoners expunged.
Voisin has a true gift for lending a historical voice whilst being curated out of the world of fairy-tales where anything can be conquered if self-confidence and self-belief is strong enough to overcome any hurdle that befalls you. She has entombed an incredible story inside her debut novel and I would find it remarkable if anyone does not feel lifted in spirit as much as strengthened by Emi’s resolve.
A very small spoiler:
View Spoiler »I had a twinkle in my heart reading the ending of this novel as much as I had whilst watching the end of Star Trek: Insurrection. Bravo, Ms. Voisin, bravo for giving such an incredible ending and an eclipse of where a story can take you from start to finish. « Hide Spoiler
Virtual Road Map of “Star of Deliverance” Blog Tour can be found here:
Click-through to mark your calendars for:
I positively *love!* comments in the threads below each of my posts, kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon!
{SOURCES: Author photograph, Book Cover of “Star of Deliverance”, the Cedar Fort badge, the Book Synopsis, and the Author Biography were provided by Cedar Fort, Inc. and used by permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Post dividers badge by Fun Stuff for Your Blog via Pure Imagination. Bookish Events badge created by Jorie in Canva. Tweets were embedded due to codes provided by Twitter.}
I was selected to be a tour stop on the “Second Thoughts” virtual book tour through JKS Communications: A Literary Publicity Firm. As this was the second novel in a book series, I was able to put in a request to receive the first novel Lost in Thought of which I received a complimentary copy of direct from the publisher Luminis Books without obligation to review. I received my complimentary copy of Second Thoughts direct from JKS Communications in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
I am a bit of a quirky bookish soul on the level of being attracted to a particular style of paranormal stories which may or may not fit into the norm as far as industry standard selections on a per annum basis might include. I am particularly particular in my choices of both vocal styling of characters within the paranormal genre and the nature of how the undertone of these types of stories will befall. I am a reader who has a penchant for light being a fuelled undertone to novels, and thus, I am forever and a half seeking out the few paranormal stories out there that match my idealistic impression of the genre and the reality of what is being written. I nearly tucked tail out of the paranormal genre completely due to my previous interactions with other Adult Paranormal stories which tipped the scale in an unfavourable way.
I decided to forego seeking Adult Paranormal titles for blog tours and/or off-tour reviews and focus instead on the YA portion of the selections being published quite readily. Even then, I find myself not attracted to the heavier end of the spectrum but rather the intuitive side of YA Paranormal Fiction. I have always amassed a certain propensity for parapsychological story-lines (in both books & tv series/motion pictures), but my inclination of what I elect to read or to watch are a far cry outside the ones you’d expect I would have been drawn to read OR watch. Part of my participation in Horror October (by Oh! The Books) will carve out the dance I walk on the fringes of a supremely popular genre.
What drew my eye immediately into this book series was the premise – as I have to admit I was the girl in the darkened front row of The Sixth Sense who had worked herself up into a bit of a panic frenzy of not being able to handle half of the film; untila kind-hearted young bloke next to me (of whom I never knew previously or had the chance to properly thank afterwards; he disappeared that quickly!) told me *exactly!* when to ‘watch’ and when to ‘duck your eyes’; he clearly had been a groupie of the film director’s having seen this particular release 10x within the first few days of it’s release! I, on the other hand was a causality of a last-minute duck & dive into the theater with my best friend and as ill planned as we were, the front seats were the very last available to be had. Aside from the wicked horror of seeing it too close to the screen, what I appreciated was the premise of the film (perhaps not the straight-up horror bits mind you!) as a thesis of a theory of what happens when people see the dead amongst us. It is a thematic I was attracted too most intrinsically as forementioned on my blog having a connection to a field close-to that of a medical examiner. (see review of Daughter of the Gods).
Death by nature is always presented either in the light of faith-based stories or the gruesome after effects of being newly deceased on medical examiner series and/or police procedurals or detective mysteries. It is quite rare to find offerings of where the dead are alongside the living in a way that is representative of who they are after they pass and in such a way as to honour the spirit of the person who had died. Hence why I positively love watching Ghost Whisperer via seasonal dvds I loan through ILL’ing at my local library. The curiosity was always perked to find stories and characters who walk amongst the dead and/or are in communication with the dead on a parallel plane of acknowledgement as I think it has a bevy of choice as to how to portray not only the characters speaking to the dead but how to illuminate the dead themselves.
Now imagine my excitement on having discovered the Sententia series!
And, the blessing to read the series from Book 1 straight into Book 2!
Lost in Thought : First Book of the Sententia
Lainey Young has a secret . . .
She's going crazy. Everyone thinks she has severe migraines from stress and exhaustion. What she really has are visions of how people died - or are going to die. When doctors insist she needs a new and stable environment to recover, Lainey's game to spend two years at a private New England boarding school. She doesn't really think it will cure her problem, and she's half right. There is no cure, but she's not actually crazy.
Almost everyone at Northbrook Academy has a secret too. Half the students and nearly all of the staff are members of the Sententia, a hidden society of the psychically gifted. A vision of another student's impending death confirms Lainey is one of them. When she's finally getting comfortable with her gift of divining deaths, and with Carter Penrose, a recent Academy graduate and resident school crush, they uncover her true Sententia heritage. Now Lainey has a real secret.
Once it's spilled, she'll be forced to forget protecting secrets and start protecting herself.
Cara Bertrand is a former middle school literacy teacher who now lives in the woods outside Boston with: one awesome husband, two large dogs, one small daughter, and lots of words. LOST IN THOUGHT is her first novel and was a finalist for the Amazon/Penguin Breakthrough Novel Award.
Teenagers are not naturally attracted to antiques?:
I was a bit surprised to read this sentiment being expressed in the opening bits of learning more of Lainey’s past, a smirk of a recognition seeing a bit of myself in Lainey, if truth be told. I fell in love with antiques as a young girl as I grew up in a home and family of whom appreciated unique pieces and aged eclectic finds. By thirteen I was attending auctions regularly and getting the feel for discerning what was worth bidding on and what was worth letting slide by. I always appreciated the subtle differences in glass, china, and dishware – not only for distinction of style but for the artistry of where the pieces originally came from. We even had a factory of sculpture straight out of Italy nearby from where I was attending high school, so you could say, I grew up not only surrounded by art, music, and cultural events but a proper sense of ageless curiosity about curios!
Wandering around emporiums of antiques in tucked away small townes is simply a day ‘out’ I can always drink in with a smile, a nod to the out-of-doors walking paths, and a happy spirit. I love the spontaneous conversations evolving around something I find my eye is drawn to learn a bit more about and how each antique shoppe has it’s very own unique way of putting everything on display. I love the photographs which are framed and hung on the wall as much as the shoeboxes stuffed to the gills with individual photos you can purchase in large batches or separately if you want to go for the ‘unfamiliar relations’ mosaic. The furniture of the 1800s is intermixed with pre-1950s and early 20th Century, and the moment of anticipation to check out the estate jewelry in the cases is always a bit of happenstance glowing excitement! Yet, it is the furniture and the kick knacks I personally adore the most (except for how my mind wanders about sorting through the ‘china’ room to percolate a personal style of ‘necessary items’ in the dining room), as you can find such an array of hand-crafted artisan quality separates! One of my favourite finds are the pull down drawer desks and of course, an armoire that can fit and bemuse a woman’s wardrobe!
Hmm, yes, I do suppose being into antiques is not fashionably akin to being a teenager, but then who says you have to lead a conventional life!? I love Lainey’s spunk and her individualism!
My Review of Lost in Thought:
Realising you have a gift (especially a parapsychological gift) is innocuous enough, but to fully fathom how to encompass the truth of how far your gift can take you is quite another matter entirely! The paradoxical internal conflict at the jump-start of Lost in Thought set me inside the head of Lainey and etched out a time vortex to be wholly absent from my own living hours for the duration of her story to be told. There is something alluring about murder mysteries and to have orientated her revelation to know the dead through an act of murder was quite an ingenious hook for a potential reader to find on page 1! Of course, to be truthful, the reader would have to be a life-long appreciator ‘of murder mysteries’ such as myself to become rooted in their chair!
We quickly shift directly into Lainey’s life as she starts to end her gypsy life with her Aunt and takes up residence at a boarding school to finish out her tenure of high school. We start to watch her blossom by being able to have a bit of a routine rather than an unorthodox existence of following her Aunt Tessa around as she tours the country as a professional artist. It is whilst she is starting to settle into the Academy as a student we start to see her develop more as a person who is not only curious about what caused her headaches originally but if there was any truth to the origins therein. Her doctors always felt she was living too much out of sync with the normalcy other teens experienced during adolescence but she was never quite certain if her doctors understood her as they never had the fuller truth of what caused her the most duress. Lainey is a girl on the verge of understand who she is and why she was endowed with the gifts she has inside her, but there is always a pinch of foreshadow inside the story — alluring to a bit of a darker truth outside of the light.
I appreciated seeing the central core of the Sententia having roots in spirituality and watching how ethically they were attempting to do what was right whilst walking the fine line between interference with free will and observation. The internal core of the novel reminded me a bit of the Prime Directive from Gene Roddenberry’s Star Trek and seeing theology discussed inside the novel was an unexpected surprise as I personally appreciated of whom the credit was given for having given the gifts to the Sententia. Each world is built differently inside the Fantasy genre, but what drew me to appreciate the Sententia is how humanistic they were whilst they understood a higher plane of existence. They are a bit advanced at discovering natural bourne gifts and how to wield them; yet they are a bit of a mystery to the outside world at large. This brought together an interesting proposition to the story’s central threads as they (the Sententia) are a unique sub-culture of humanity living on the fringes of ordinary society.
Lainey’s best friend Amy (who is also her roommate at the Academy) reminds me so much of Kit from Pretty Woman because she has her energetic enthused way of celebrating her roomie’s life that made me flash to mind her persona each time Amy walks into view or is wrapped up in a conversation with Lainey; which points closer to how this novel read more adult to me than high school teen; a bit more college than secondary school at least. Lainey never had a grounding of a friendship with a peer before due to all her expeditions but what she was truly gaining was further insight into who she was as an individual and how she wanted to proceed forward into her future. She is at the age where being given a gift came with certain responsibilities and certain consequences and I appreciated seeing how she was trying to align the balance she wanted in her life. Balance between trusting those who knew more than she did about the Sententia and trusting her gut instincts about everything else.
The only thing I was truly disappointed about aside from the strong language is that the story took an unexpected turn from what I had originally felt it was being projected as going towards — as far as the dead and the living are concerned. This is a story that is about the dead but it isn’t about helping the dead as I first had perceived but rather a unique bent on another vein of thought that walks alongside the dead and a bit on the level of the theory of the Grim Reaper if truth be told. Yet that isn’t entirely what it is about either. It is a very interesting story-line threaded through parapsychological phenomena that doesn’t allow you to fully guess where this novel is taking you; even when you think you understand everything you need to know about Lainey and her friends. Bertrand weaves in a twist or two that you are not expecting nor do you fully understand as this first installment ends on the tip of a cliffhanger; but not one that is hard to swallow but rather one that is most foreboding in where we shall enter Lainey’s life in “Second Thoughts”; because the title of the series itself is a leading clue to what lies within.
On the writing style of Cara Bertrand:
Bertrand excells at painting a story that feels real and is lush on descriptive narrative as much as sense of place for Lainey and the other students at the Academy; straight down to the local haunt of the bookshoppe. She has a knack for carving out a setting that feels as real as breathing and gives the YA genre a solid footing as far as how to paint the whole of the world whilst developing the characters inside it. The only flaw I found was the inclusion of a brass word early-on when Lainey met her roommate which not only felt out of step with the rest of the story but was a deep disappointment for me, as I was thinking I had finally found a writer who had curbed using strong language and left the genre to stand on the merit of the story and their characters without falling into the pattern of where modern YA is taking younger audiences.
I personally do not consider any novel YA or for an audience of Children if it is going to include strong language. I am going to start to talk more about this on my blog as I index my reviews, but what is disappointing to me is why there appears to be such a need to include the words at all? Despite my grievances for the language choices within this novel, I did appreciate the story as the words were flittered about like those flies I mentioned on previous reviews and not the total distractment they could have become. Evenso, I would not be recommending this to a teenager as the language for me puts this firmly in the Adult Lit category; similar to how I have felt each time I pick up a (supposed) YA title and find the same inside their pages.
I’m disappointed writers feel they have to add these words in order to find an audience because to me literature should stand as an example that improves our lives rather than detract from the causal way in which language has become outside literature and school. It is sad to me because when I find a wordsmith who breathes such a breath of positive narrative prose into her books, I am regrettably saddened to see words flicker onto the page that make me inwardly cringe. Their absence would not deflect from the message of the story but their absence would be applauded for carrying a story without abrasive words to narrow the audience the story could have had. I truly love the way in which Bertrand writes her stories, and the few intermittently brassier words do not reflect her writing as a whole.
Especially considering how much effort she put into having ‘cursing’ occurring ‘off-camera’ in some instances and/or finding unique phrases to ‘cover-up’ a stronger explicit phrase. I was a bit confused why more than half the book is writ with a young mind in consideration and the other half letting certain words erupt onto the page? It was quite confusing to me as like I said, she has a singularly strong strength in writing the voice of a teenager and in evoking what a teen’s mind, heart, and process of thought will entreat whilst dealing with a personal crisis and a revelation of identity. To say reading this story left me betwixt reactions is putting it mildly; especially considering when the coarse words started escalating in both frequency of appearance and the choice of which ones would be included.
Fly in the Ointment : is it me, or are there two versions of YA?
Is it me or has the book world gone upturnt crazy, lately!? Now, I have already established I purposely stopped reviewing Adult Paranormal novels for my blog with the express reason to avoid vulgarity in stories yet what curious little word did you think I found on page 18? It wasn’t the worst of the worst (of which I have absolutely positively no tolerance for at all) but it was still a word I wasn’t expecting to find in a novel branding itself as YA! I mean, isn’t the point of being a Young Adult novel to adhere to a certain ground rule of exclusion for explicit vulgarity and violence? Am I missing the boat OR is literature becoming so muddled these days it is growing harder to know which way is up? Sighs. And, here I was thinking this would be the one book series I would not be composing a Fly in the Ointment on!
I run searches on this topic every blue moon as I had tonight to check to see if my definition had miraculously changed since I first picked up Young Adult fiction as a young adult myself over a decade and a half ago! The results of which run the full gambit of if your not exclusively akin to reading vulgar words in literature you are either: too sensitive, too prudish, too religious, or too blind to see where society has taken our youth. I do not concur with any of the statements, because of the mere fact when I was in high school (and quite frankly elementary & middle too!) we had our own set of perimeters on language. If you heard foul words flying out of the mouth of a classmate you knew to give them a wide birth and they were never one to emulate. I admit to overhearing teens in my own towne sporting words out of their mouths which make me wonder what has changed since I graduated, but that aside, my main concern is the habit of finding there is no longer a ‘filter’ for Children’s Literature and the young minds of whom pick up the books.
I read a comment tonight from a concerned reader (who sounded a lot like me; open-minded but with a conscience) who lamented about how the ‘age’ of who regularly reads Young Adult novels are not teens but rather graduating elementary schoolers and run of the mill middle schoolers. The teens already graduating into adult fiction and/or pursuing interests outside of literature completely. As a future parent I am finding more angst in finding vulgarity in Young Adult fiction than as a reader who has appreciated YA fiction for most of her life. I never ran into any of this in the 1980s through mid-1990s which begs the question: what exactly has changed and why are certain words so rabid inside modern literature? As a book blogger — I never fathomed I’d have to find over 30 ways to Sunday to opine my discontempt for vulgarity in literature!
I’d never advocate for banning books but I do advocate for books to be marked with explicit content for language as a method of understanding what we will find inside and therefore start to curb our disillusioned disappointment. If they can mark books for science fiction & fantasy as much as lyrics in music, I am thinking it is time to start marking books with ‘strong language included’ and ‘explicit violence’ if the case might be as well.
What was more puzzling for me is the mission of the publisher (Luminis Books) is to curate books which are meaningful as they are thought-provoking, yet how can a novel be meaningful if the language is brought down by the commonality of cursing and using abrasive words where they could have been tempered and softly spoken by more creative means? I am not sure I am appreciating YA novels being overrun with language that parents and teachers alike are trying so very hard to discern them from using on a regular basis. Even on my own behalf in the not so far off future, I am not going to allow my children to talk with such reckless abandon; it was not how I was raised nor is it how I will be raising my children. Teens can feel anger and they can feel vehemently overwhelmed, as who didn’t feel that way as a teenager? The anguish and angst of growing up is always deeply wrought and felt, but we were always told to use our words and to express our emotions by choosing words which helped to douse the flames of the fires we felt surging inside us. To find better ways to express what we wanted to say and to own who we were without muddling our speaking voices with the words of sailors as the saying used to go.
I am not certain what has changed or why certain books are being found with such inclusions, but I personally will rally behind each writer of YA who doesn’t use language in a negative way but rather uses language to teach a more appropriate way to understand our world. The stories with stronger language I will advocate for adult readers only.
Stay tuned!
Next I will be hosting an Author Q&A with Cara Bertrand:
I positively *love!* comments in the threads below each of my posts, and as CommentLuv only requires Email to leave a note for me I cannot wait to see what starts to populate below! Kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon!
{SOURCES: The tour badge was provided by JKS Communications and used with permission. Book Cover Art for “Lost in Thought” & “Second Thoughts”, Author Biography & Book Synopsis provided by the author Cara Bertrand and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Bookish Events badge created by Jorie in Canva. Post dividers by Fun Stuff for Your Blog via Pure Imagination. Tweets are embedded due to codes provided by Twitter.}
Being into antiques is not fashionably akin to being a teenager, but then who says you have to lead a conventional life!? #SententiaSeries
— Jorie Loves A Story (@JLovesAStory) September 26, 2014
#amreading title of #newbook am soaking inside is aptly named: Lost in Thought, as this #bookblogger is EXACTLY that ‘lost in her thoughts’!
I was selected to be a tour stop on the “The Angel of Losses” virtual book tour through TLC Book Tours. I received a complimentary ARC copy of the book direct from the publisher Ecco, in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
Inspired to Read:
I am always seeking stories which will challenge my mind and take me somewhere completely outside of where I have travelled before in literature. I had a sense that this was a story that I would devour — a story which would alight inside the vast plane of my imagination and give me something hearty to chew on afterwards. It was a premonition of a reaction long before the ARC ever arrived by Post. Do you ever find yourself stumbling across an author or a novel that you simply ‘know’ will leave an etched impression on your mind?! This is what I felt when I read the premise of Feldman’s novel and as I read the final words cast on the final page of the last chapter, I knew my premonition was true.
A notation on the cover art design:
The cover art for The Angel of Losses is a mosaic of the visual representations and clues of where the story leads you to follow it’s epic conclusion and of whom you need to pay particular attention to as the story evolves. Pictorial stimulating clues that you will only recognise as you alight on the pages in which give you the insight to understand the circle of their presence. The story is nearly a riddle when all is said and told – a riddle of a theory and a puzzle of an ancient truth aligning forward out of history.
The Tiger’s Wife meets A History of Love in this inventive, lushly imagined debut novel that explores the intersections of family secrets, Jewish myths, the legacy of war and history, and the bonds between sisters.
When Eli Burke dies, he leaves behind a mysterious notebook full of stories about a magical figure named The White Rebbe, a miracle worker in league with the enigmatic Angel of Losses, protector of things gone astray, and guardian of the lost letter of the alphabet, which completes the secret name of God.
When his granddaughter, Marjorie, discovers Eli’s notebook, everything she thought she knew about her grandfather—and her family—comes undone. To find the truth about Eli’s origins and unlock the secrets he kept, she embarks on an odyssey that takes her deep into the past, from 18th century Europe to Nazi-occupied Lithuania, and back to the present, to New York City and her estranged sister Holly, whom she must save from the consequences of Eli’s past.
Interweaving history, theology, and both real and imagined Jewish folktales, The Angel of Losses is a family story of what lasts, and of what we can—and cannot—escape.
Author Biography: Stephanie Feldman is a graduate of Barnard College. She lives outside Philadelphia with her husband and her daughter.
Elements of Folklore, Mythology, & the Craft of Stories within a Story:
One of the most beautiful additions to a story I am reading is the otherworld presence of either folklore, mythology, or the craft of how stories are told as they are passed down from one generation to another; oft-times referred to by myself as ‘living histories’ as they truly are ‘the living history’ of a particular family. Inside Feldman’s novel, you gather a proper sense of time, place, and the stability of connection between the sisters and their grandfather was unified through the genesis of his art for story-telling. Their connective bond was untethered as they grew apart as they aged, but what I loved is seeing how the grandfather’s stories took such a central focus and method of shifting the story forward as I read deeper into the novel itself. To the level that his handwritten stories and prose scribbled into his notebooks were shared with the reader from one chapter into another. It felt very natural to go from an ordinary day out of Marjorie’s life, straight into a piece of this story she only had a peripheral knowledge of before finding one of her beloved grandfather’s notebooks.
My Review of The Angel of Losses:
Such a haunting and riveting opening of a Prologue for The Angel of Losses as we are caught inside of a memory of two sisters who are transfixed and spellbound by their grandfather’s tale of a land far away where a magician knows part of the truth of a missing son of a King. What implored me forward from there is this sense of foreboding, where did the tale leave off from the lore of the bedtime story and where did reality step forward out of the tale? I love feeling an undercurrent of suspense when I read a novel, and as this is my second Magical Realism with an under thread connection to Judaism (as the first was The Golem and the Jinni) I was mesmerized! Entering the story out of the Prologue, time has shifted forward for both sisters, as Holly (the one who was horridly afraid of her Grandfather’s story) switched religions and lived an orthodox life whereas her sister had grown into a bittersweet version of her younger self soured on how the loss of her sister has affected her heart. Her sister is still living, mind you, but the version of Holly as an adult is a far cry from the sister Marjorie knew as a child. The two are living worlds apart rather than mere blocks or cities separated by streets and the swirl of modern life between them.
I loved seeing the larger sense of their familial bond being tested by how one half of their connection is being shattered by the inability to have compassion outside of religious grounds. In this instance, I am referring to Holly’s husband is not accustomed to a non-Jewish family nor does he condone non-religious texts inside his home. A home that was inherited to Marjorie but on loan to Holly; the mere fact that Marjorie has to refer to Holly as Chava is another wrinkling thread of Marjorie’s disfavour of Holly’s choice in husband. You gather the sense at this point in the story where Marjorie is attempting to lock a hold of her past into her present, that the sister’s disconnection was already occurring long before Holly made her choice in marriage. There is an absence of words and an absence of sisterly compassion between both of them, and it points to a larger issue at hand that is slowly unfolding in the narrative itself. I like being caught up inside of a family drama, watching everything unravell as the story unfolds on its own timeclock.
Feldman has a gift for narrative voice stemming out of a wordsmith’s spirited soul for visceral imagery – she innately has gifted us with a special treat of a story, giving us a full-on adventure as we hug to the coattails of Marjorie as she pieces together the legacy and the history of a fabled Magician and the true meaning behind where the lore was always meant to take a believer; the latter of which she never felt she could ascertain on her own behalf. It is a true quandary of a problem – how to root out the history of a theory she has nibbling inside her own mind which other scholars were equally mystified about themselves? Her journey towards understanding edges her further into the mythes and pathos of ancient ruminations.
There are moments whilst I am reading I have gathered a proper sense on how each novel I consume is a building block for another yet to be known novel I will pick up in the future. As if I were stitching a tapestry woven exclusively with the threads and stitches of knowledge itself and of wisdom flowing out of the stories by which have enchanted my mind and enraptured my heart. Each story which slips into my mind’s eye has allowed me to grow, to transcend where I was before I read the story and to appreciate a bit more than I had already before the characters had lived their lives as a shadowy presence inside my own spirit. As I went deeper inside this story, I noticed little nuances of memory flittering through my internal memory files; automatically opening, closing, and filtering as I read Feldman’s prose. I had not realised I had amassed enough knowledge of the religious past to propel myself forward through this story at such an alarming clip of a pace! I cannot wait to re-read this novel when time is not extinguishing off the clock whilst a deadline was passed and overdue.
The researcher in me was happily appreciating the sections devouted to Marjorie’s attempt to research her thesis as much as research further into the legacy of her grandfather’s story. As she was always on the brink of realising that the story itself was much more than it first appeared to be. Being hunkered inside a library, piles of books atop of a table, and pages littered with bookmarks, post-it notes, and notebooks clotted full of scribbled ‘spur of the moment’ notes is what makes my own writerly heart go aflutter! Research is in part how I fell in love with writing, and it is research of another writer I treasure whilst I am reading their own stories cast out into the world for us to find. There is an electricity of excitement reading The Angel of Losses,…
At some point I started to read on autopilot, willing myself past sleep and choking myself a bit on exhaustion, but I simply needed to know how this story, this novel was going to end. I was a bit worried it might end on a cliffhanger, as I never take too kindly to ambiguous endings of stories; especially without the foreknowledge of a pending sequel. Two hours blinked off the clock and I’m at a loss for words — I’m so absorbed into this story, I feel as though I am the one pursuing the research to understand what is just outside of my own memory. This story is not like any other I’ve read and I will never quite forget it either. It is meant to be absorbed and illuminated inside the reader’s mind without revealing everything to the next reader who comes across it. For each of us has to read it ourselves and satisfy our own curiosity,… especially if we’re a seeker of stories and understand the greater meaning of what stories can give us all.
Stephanie Feldman gives her readers a window into a portal of time:
We are stepping through a veil slit into a portal of time made available through an opened window which is the novel inside your hands as your reading The Angel of Losses. Two stories came to mind as I started to read this fantastical journey: The Golem and the Jinni (novel) and The Neverending Story (film) as they are akin to how it feels to step through this world Feldman has provided us to discover. She gave us the same vehicle Bastian had in The Neverending Story, to become one within the story as it unfolded and to live as one with the character as she found where she was going herself. I loved this aspect of the novel because all of reality around me dissolved as I was wholly consumed by the voice of the evoking narrator and the clarity of Feldman’s vision for this unique novel which bent genre and illuminated the world half out of mystic history and half out of the truism of where faith can take anyone if only they were to believe in what is not yet seen.
On the footheels of consuming The Ghost Bride, I felt honoured to have had the chance to read Feldman’s tome of esoteric concentration of mystic Judaism cross-sected with religious ancient truths. The suspension of reality and the generous backstories of where the mytho origins of the story can be traced was a treasurement to fall in front of my eyes. I devourted this novel as readily as if I were astride a thunderbolt – even knowing I was outside my intended deadline (as the moon had long since waned and the midnight hours had tilted into a crescendo) I could not yield to sleep. I had to consume the text as quickly as I could process the words on the pages themselves, as my mind was lit aflame by the creativity and the ingenuity of how the historical arc was interlaced into the present of the character’s lives.
Fly in the Ointment:
I counted the words this time and there were less than a dozen splintered out across the whole of the novel. I wasn’t happy to find them; this is an intellectually stimulating piece of literary fiction and they felt misplaced amongst the rhetoric. I am not even sure why they were included in such a brilliant spec of literary voice. They degraded the quality in my eyes, as not only could this stomach their expulsion it was necessary to keep in tact the gift Feldman had writ.
A small explanation on my tardiness:
I had lost hours whilst being needed at the hospital in visitation of my neighbour (as previously disclosed here & here) as much as I was out of the house on another appointment that could not be detained. I attempted to revive the lost hours and run into my deadline without passing through it — but alas, I am quite human and not as immortal as the character inside this novel. Time can be bent but time cannot be recaptured once lost. I apologise for the delayed response, but my tweeting at least was a small clue at my enjoyment whilst I read. I am attempting to make the rest of my scheduled book reviews & tour stops to be alight earlier in the day / evenings from here on out; barring any further unexpected life emergencies, crises, or unplanned events such as lightning storms.
I positively *love!* comments in the threads below each of my posts, and although I had happily made sure that I could reacquire the WP Comments where you can leave me a comment by using: WP (WordPress), Twitter, Facebook, Google+, & Email a java glitch disrupted my plans to have these activated! Therefore, I had to re-instate CommentLuv, which only requires Email to leave a note for me!
Kindly know that I appreciate each thought you want to share with me and all the posts on my blog are open to new comments & commentary! Short or long, I appreciate the time you spent to leave behind a note of your visit! Return again soon!
Reader Interactive Question:
Have you ever alighted inside of a novel that you unexpectedly were swallowed up inside? Taken root inside the shoes of the character, where their life was full of emotional upheaval and partially an exploration of how to create a life shift that will alleviate their disillusion with where their life was heading; to find a different way of living and carve out their own little peace of happiness? Did you ever read a novel that surprised you?
{SOURCES: Cover art of “The Angel of Losses”, author photograph, book synopsis and the tour badge were all provided by TLC Book Tours and used with permission. Blog Tour badge provided by Parajunkee to give book bloggers definition on their blogs. Bookish Events badge created by Jorie in Canva. Post dividers by Fun Stuff for Your Blog via Pure Imagination.}
Moonflower
Lost in Thought : First Book of the Sententia
Star of Deliverance
The Angel of Losses
City and her estranged sister Holly, whom she must save from the consequences of Eli’s past.
