I had a delightful time reading the Lady Guide’s series of Cosy Mysteries recently to where I was overjoyed I would be able to bring an interview with the author to my readers. What I hadn’t foreseen of course was feeling under the weather for a week & having that week end on a tornado scare on a major highway – as journalled on my Twitter feeds almost immediately after I returnt home. To say I had delayed shock and was quite ill overnight would be putting it mildly – I will never forget that experience with my parents and I was never more grateful to be *home* with my cats as those are the moments where your tested in life if you can handle the crises and emergencies you never see coming. At the same time, it wasn’t just owr own well being I was thankful for – it was the entire *gridlocked traffic botttlenecked* on that highway…
Thereby, I apologise to my readers and to the lovely Ms Bruno & Ms Freeman for the delays in being able to bring this conversation to Jorie Loves A Story. I simply haven’t been myself lately and with this experience last night, I’ve spent the last twelve to eighteen hours trying to re-settle my nerves whilst living through prayer. It was definitely one of those defining moments where you lean hard on your faith.
Now – the joyful news is how lovely Ms Freeman was in giving me such a hearty conversation about her writing process & how she’s crafted these Cosy Historical Mysteries! I hope if you haven’t yet had the pleasure of reading the stories, this conversation might nudge your interest towards seeking them out – they are such a treat for the Cosy reader who is seeking something a bit more unique & different in their Historical Cosies.
Be sure to brew yourself a cuppa & settle in for some fun!
What I personally *loved!* about reading this series:
Part of the joy of reading this series are the layers of etiquette permeating into the fabric of the story-line – fitting for this debut of the series itself as it lends a certain view of the absurdity of tradition these lords and ladies were put through when their era was in its heyday! All the confining points of societal regulations and the fact, you couldn’t just remove yourself from the obligations as that would be lent to scandal and gossip; Freeman takes you through the motions of how frivolous the ton can be and how determined you must become to outwit them all the same! Frances shows this by her unwavering belief that if you lead with strength and a resolve to overcome whatever befalls you, society will either a) move on to the next lead story or b) forget you completely; which I felt was her preference. Frances wasn’t the kind who welcomed notoriety – quite the opposite, I believed she wanted to live a more ordinary life without all the pops and poms of the elevated class.
I was endeared to the plot long before I caught-on to the mysterious events happening in the background – for me, this series is wickedly driven by its characters – specifically everyone related into the personal orbit and sphere of Frances! You can’t help but feel caught inside her life – seeing how even the most ordinary of lives can suddenly become a feast of trouble yet with a sturdy circle of friends and family; any obstacle can surely become defeated! I must admit, by the time I unearthed the actual crime and the person behind it – I was quite somber! I hadn’t expected the villain in the story to be whom they were as I was expecting it be someone else completely! The way in which Freeman related those finer details of the whys and hows lead me to believe the rest of this series is going to be as charmingly cosy to read as its debut!
How far will some go to safeguard a secret? In the latest novel in Dianne Freeman’s witty and delightful historical mystery series, the adventurous Countess Harleigh finds out…
Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting—for birds or a second husband—and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.
Instead, she’s immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight—along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society’s elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits?
Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all—but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she’ll soon find herself among them…
After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Book By:
I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring.
It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
As this blog tour features a new Cosy Historical Mystery author I hadn’t yet read, I requested the first novel in the series to read in tandem with the latest release. I was blessed by the publisher to receive both novels in order to understand the continuity and sequencing of the Countess of Harleigh Mysteries series. Thereby I received a complimentary ARC copy of “A Lady’s Guide to Gossip and Murder” and a complimentary copy of “A Lady’s Guide to Etiquette and Murder” direct from the publisher St. Martin’s Press, in exchange for honest reviews. I did not receive compensation for my opinions or thoughts shared herein.
On why this series appealled to me:
There are two things I truly enjoy: Historical stories & Cosy Mysteries – when you find a serial which combines these two loves of my mine – you find yourself in the happy niche of *Cosy Historical Mysteries!* A discovery I made as a book blogger – wherein, authors are anchouring their Cosies into the historic past – moving us through different centuries of interest and giving us a wicked brilliant Historical Mystery to boot!
The main reason I wanted to read this series is because I liked the charm of it – a woman who was being encouraged to fit within high society & yet find herself not willing nor ready to take-on the duties that come with widowhood. She is quite the remarkable character – independent by nature & elevated to a certain seat of formality by the death of her husband, Frances has to re-invent herself & still be in a position of honour to raise her young daughter, Rose.
What I love most about Cosy Historical Mysteries though is the truer sense of how we can move through time but still find a happy place to reside whilst the amateur sleuths tackle their most curious cases and how each of us as readers find new authors to follow & lovely new series to capture our attention. These truly are my favourites to find and I am thankful that they haven’t yet gone out of style with the novelists who are endeavouring to write them!
I decided to play honour to the cover art – purple for the colour itself and a cheeky nod to how addictive Cosy Historical Mysteries are to me as a reader – you just can’t eat one of these French cookies without feeling the desire to grab more – and that is how Cosies are for me in this branch of the genre – once I settle myself into one installment, I can’t remove myself until I fetch after more and feel truly rooted in the author’s vision for her series!
my review of a lady’s guide to etiquette & murder:
Rather immediately, I found myself drawn into the life of Frances – not just because her husband was a cad and a louse of a husband but because of how Ms Freeman endeared us to champion her cause as a woman exiting her mourning period and getting on with her life! It was quite horrid for women in the 19th Century – still attached to that tradition of wearing dearly depressing hues of black and grey (in different increments which were rather strictly enforced!) for at least a year after becoming widowed. It was only then, where she could ‘re-emerge’ into her colours and start to make her presence more widely known in society. How those women managed it, I’ll never know not – as in the case of Frances, it most have truly become a chore knowing her her husband departed his life! Oyy, vie such a rat!
Her in-laws were quite typical – only out for themselves, more concerned with the affairs relating to their estate and less enthused to even entertain a thought of concern over Frances. For her benefit, she was made of stronger stock than they would have believed and she took her daughter (Rose) and herself off to the city to carve out their future elsewhere from the throes of the Harleigh family and the responsibilities therein. Freeman gave you such a hearty and joyful introduction to her character – part of her antics reminded me of why I have such cheeky joy in reading the Anna Blanc series and part of the exchanges also reminded me of my recent over the Discreet Detective Agency – there is something to be said for well-timed satire and humour in the Cosy Historical Mysteries your reading! The appeal of course is being able to burst into giggles alongside the allure of moving deeper into the context of the building mystery!
Of course, not all is ill for Frances – she has enough resources within her means to purchase a least outright for a house which still has eighty years to be lived inside! Imagine? She might have sparse furnishings and staff but something told me her and Rose would thrive here rather than having stayed on with the relatives at the estate. One of my favourite moments is when she bribes one of the maids not to spoilt her news by giving her the chance to make haste and away with her once she moves out. It was a ploy to cover-up the fact she had a bit of a rebellious nature inside her to where she did not like to leave things to fate if there was a loophole round the unknown! Smartly written, Freeman keeps you entertained from one chapter to the next to where it is just a delight to overhear what Frances will say next and what her next actions might be which become the new concerns of the family she’s left behind!
If it weren’t such a serious moment for Frances, you could giggle a bit more about it – as she recounted her discovery of her late husband and the goings-on shortly thereafter, you could tell she had a strong reason for not wishing to be next of doors to Mr Hazelton! And, yet, as life would have it – the things one wants and the things which happen to live a blight on a path towards newfound happiness are not entirely equal. Though I must admit, what was charming about this part of the story is how willingly she was helped by Hazelton and how he hadn’t broached the subject of that night since it occurred! Made you wonder – was her need of his services that night just a cheeky clever way of placing them on each other’s paths to where they could interact more down the road rather than of the concerns she had if he would hold it over her for a reason not yet known?
When Fi enters into the scene, you start to see Frances in her own element – as would be the case when your round your best friend who knows you better than you know yourself! Fiona surprisingly is the sister to Mr Hazelton – which I felt was a good bit of drama ontop of the fact the investigation into the death of her husband was becoming re-examined! Felt fitting in one regard but also entirely terrifying on the other hand as what could they find a full twelvemonths later? It left a curious note in your mind as you watched Frances continuing to build her life in the city. Curiously her mother seems to have found herself in wont of her daughter’s assistance in attempting to have a second daughter of the family wed to the London aristocracy. I, was in full agreement with Frances – wasn’t one marriage good enough? I was just thankful she had Rose – of all the grief she’d been put through, having a daughter of her own seemed to be the only bright light in her life especially as she was constantly attempting to be a better mother to her child than her Mum was to her growing up.
As fate continued to give Frances more headaches than smiles, you had to give it to her – she chose to set her attitude on the positive and despite the arduous circumstances alighting towards her at an alarming speed of haste from her brother-in-law, Frances wouldn’t let her resolve falter. There was much more at stake than inconvenient delays in the normality of her life – no, she simply turnt her chin up with a strength she might not have entirely felt but one which would see her through with the kindness of her friends. This was another instance where you could see how lovely it was for her to have Fiona in her life – the kind of huckleberry friend everyone needs and is blessed to have found.
Part of the joy of reading this series are the layers of etiquette permeating into the fabric of the story-line – fitting for this debut of the series itself as it lends a certain view of the absurdity of tradition these lords and ladies were put through when their era was in its heyday! All the confining points of societal regulations and the fact, you couldn’t just remove yourself from the obligations as that would be lent to scandal and gossip; Freeman takes you through the motions of how frivolous the ton can be and how determined you must become to outwit them all the same! Frances shows this by her unwavering belief that if you lead with strength and a resolve to overcome whatever befalls you, society will either a) move on to the next lead story or b) forget you completely; which I felt was her preference. Frances wasn’t the kind who welcomed notoriety – quite the opposite, I believed she wanted to live a more ordinary life without all the pops and poms of the elevated class.
As Lily becomes more convinced of her mother’s reasoning for sending her off to London (to fetch a husband!) the more protective Frances feels to guide her off that goal. For Frances learnt the hard way about what hard choices mean to a young woman whose caught up in the innocence of wanting to wed a man but without the proportional insight into what can go wrong if you act too impulsively and do not research a man’s character the level of knowing exactly what might be in your future if you were to wed. You felt for Frances in that scene – of wanting to be the sister who could spare another the same kind of misery she had faced herself but with the knowledge that despite her earnest hopes of doing that, it was truly left to Lily to take her counsel to heart and adhere to it.
What an incredible find in Mr Hazelton! Not only can this bloke handle himself under pressure but he continues to amaze me how much he will go to lengths to help Frances! Of course, in the back of mind, I was quite aware of the fact he could be smitten with her – as whom else would do all the tasks asked of him and on such short notice? It isn’t even the most typical of duties to be asked and yet, here his Hazelton – willing, able and happily lending his hand to Frances whenever she needs him, no qualms or questions asked! If anything, he is also her guiding sound board of advice – as sometimes she struggles to balance her own thoughts with the logic needed to re-assess things that are happening just outside her own control. He never fails to make me smile in other words because he’s such an easy-going bloke!
I was endeared to the plot long before I caught-on to the mysterious events happening in the background – for me, this series is wickedly driven by its characters – specifically everyone related into the personal orbit and sphere of Frances! You can’t help but feel caught inside her life – seeing how even the most ordinary of lives can suddenly become a feast of trouble yet with a sturdy circle of friends and family; any obstacle can surely become defeated! I must admit, by the time I unearthed the actual crime and the person behind it – I was quite somber! I hadn’t expected the villain in the story to be whom they were as I was expecting it be someone else completely! The way in which Freeman related those finer details of the whys and hows lead me to believe the rest of this series is going to be as charmingly cosy to read as its debut!
How far will some go to safeguard a secret? In the latest novel in Dianne Freeman’s witty and delightful historical mystery series, the adventurous Countess Harleigh finds out…
Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting—for birds or a second husband—and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.
Instead, she’s immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight—along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society’s elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits?
Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all—but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she’ll soon find herself among them…
Converse via: #CosyMystery OR #Cosy #HistoricalMystery
and #CountessOfHarleighMystery
Available Formats: Paperback and Ebook
About Dianne Freeman
Dianne Freeman is a life-long book lover who left the world of corporate finance to pursue her passion for writing. After co-authoring the non-fiction book, Haunted Highway, The Spirits of Route 66, she realized her true love was fiction, historical mystery in particular. She also realized she didn’t like winter very much so now she and her husband pursue the endless summer by splitting their time between Michigan and Arizona. She’s been nominated for an Agatha and the prestigious Mary Higgins Clark Award, and won the 2019 Lefty Award for Best Debut Mystery.
After launching this lovely new feature of mine during [Autumn, 2018] it is a pleasure of joy to continue to bring #SaturdaysAreBookish as a compliment focus of my Twitter chat @SatBookChat. If you see the chat icon at the top of my blog (header bar) you can click over to visit with us. The complimentary showcases on my blog will reflect the diversity of stories, authors and publishers I would be featuring on the chat itself. As at the root and heart of the chat are the stories I am reading which compliment the conversations.
#SaturdaysAreBookish throughout [2019] will be featuring the Romance & Women’s Fiction authors I am discovering to read across genre and point of interest. Every Saturday will feature a different author who writes either Romance or Women’s Fiction – the stories I am reading might simply inspire the topics in the forthcoming chats or they might be directly connected to the current guest author.
I am excited about where new guests and new stories will lay down the foundation of inspiring the topics, the conversations and the bookish recommendations towards promoting Romance & Women’s Fiction. Here’s a lovely New Year full of new authors and their stories to celebrate!
Acquired Book By: I originally crossed paths with Ms Fields several years ago on Twitter – before she was under contract with Lake Union and became a published author. We kept in touch off/on throughout her publishing journey and I had a delightful surprise in hearing from her earlier this year in January about how “A Lily in the Light” was publishing this Spring on the 1st of April. She enquiried if I would be interested in reading the novel and/or hosting her for a guest feature – to where I invited her to join me during @SatBookChat to discuss the novel whilst assembling a secondary interview to run on my blog to compliment a review before her #PubDay.
This was especially lovely considering this is the weekend I am celebrating my 6th blogoversary on Jorie Loves A Story – as the 31st of March, 2019 marks the sixth year I’ve been a book blogger and the day I first created what has become the blog you’re reading today. It is a pleasure of joy to look back at the authors whose paths I have crossed – either through being a book blogger and/or through my interactions on Twitter – I am humbled and honoured I get to take this journey with each of them whilst digging into the worlds they have illuminated through their stories.
I received a complimentary copy of “A Lily in the Light” direct from the author Kristin Fields in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
On why this story appealled to me:
I love stories about artists and dancers – in fact, I had planned to finish reading the duology by Nancy Lorenz – as I had previously read “The Strength of Ballerinas” and have for a few years now regretted that I haven’t had the chance to focus on reading the sequel “American Ballerina”. I will be reading this in April – as similar to this novel, there are some stories which ache to be read and to be known.
I wasn’t entirely sure what to expect out of the story itself – as I knew Esme was passionate about ballet and I knew she was a dancer at her core – dance was a balancing centre in her life. To where she could find a way to redirect her attention off the traumas in her life and find a new reason to focus outside of those adversities. Ballet was something Esme not only was gifted and talented to pursue but in many ways I felt ballet renewed Esme’s soul.
Those moments where Fields is taking us into the everyday routines and the internal thoughts of Esme whilst she is eleven years old is a great blueprint of understanding who she becomes at the age of nineteen. Her dedication and her fortitude to dance is what strengthens her throughout the story but it also a pursuit which gave her a purpose and a future.
The reason I first wanted to read this story is because of knowing the author on Twitter but what what appealled to me about the plotting of the story is how does a family shift through this kind of adversity – do they lose themselves? Do they lose each other? OR do they find a way to rally, to muddle through and stay together? These are questions I didn’t answer on my review as it goes to the heart of the story’s evolution for each reader who reads it – however, it is just as aptly important to mention that this is also a story about a girl who grows into the woman known as Esme. This is her story and has a firm grip on the emotional depths a Women’s Fiction novel can take the reader who is dedicated to reading these kinds of stories.
A harrowing debut novel of a tragic disappearance and one sister’s journey through the trauma that has shaped her life.
For eleven-year-old Esme, ballet is everything—until her four-year-old sister, Lily, vanishes without a trace and nothing is certain anymore. People Esme has known her whole life suddenly become suspects, each new one hitting closer to home than the last.
Unable to cope, Esme escapes the nightmare that is her new reality when she receives an invitation to join an elite ballet academy in San Francisco. Desperate to leave behind her chaotic, broken family and the mystery surrounding Lily’s disappearance, Esme accepts.
Eight years later, Esme is up for her big break: her first principal role in Paris. But a call from her older sister shatters the protective world she has built for herself, forcing her to revisit the tragedy she’s run from for so long. Will her family finally have the answers they’ve been waiting for? And can Esme confront the pain that shaped her childhood, or will the darkness follow her into the spotlight?
Follow Lake Union Authors (@LUAuthors) for updates on their releases!
Converse via: #ALilyIntheLight + #WomensFiction as well as #LakeUnionAuthors
Available Formats: Hardback, Trade Paperback, Audiobook and Ebook
About Kristin Fields
Kristin Fields grew up in Queens, which she likes to think of as a small town next to a big city. Kristin studied writing at Hofstra University, where she was awarded the Eugene Schneider Award for Short Fiction. After college, Kristin found herself working on a historic farm, as a high school English teacher, designing museum education programs, and is currently leading an initiative to bring gardens to New York City public schools. She lives in Brooklyn with her husband.
I have a lovely conversation to share with you this afternoon which is wicked brilliant as it comes shortly after I had the pleasure of reading The Girl from Oto – the first installment of an EPIC saga of Historical Fiction from the imagination & heart of Amy Maroney! This is a story which not only intrigued me but it is so dearly lush in descriptive narrative with a keen emotionally driven plotting that you will find yourself unable to extract yourself from its grip until you’ve concluded reading its chapters! I postively loved my experience within this realm – where I was slipping through time between the past and the present, eagerly awaiting word from both centuries to check-in on the characters who became so very dear to me and feeling pinges of worriment over how their lives would resolve!
If you’ve missed my ruminative thoughts earlier in the week during my #HistoricalMondays showcase(s) here is an excerpt from my musings about what anchoured me into Ms Maroney’s vision for her series:
I became entranced as soon as I read the Prologue – to be caught inside Zari’s footsteps during an electrical storm is one surefire way to feel rooted inside the opening pages of The Girl from Oto! There is something quite disconcerting about how lightning storms pop and sizzle through the skies – if your out in the thick of them, I’d much prefer a car than boots in a rain sodden meadow, however, you can respectfully understand why Zari is here and why this is an important moment for her to be in an area where she can verify a mystery.
When it comes to the children who can’t stay amongst their families and the people they have become bourne was an interesting turning of the tides; especially to see Mira was carted off into an abbey if only to keep her safe whilst she grew far away from her biological relations. There was a hinting of a a reason towards this end – of how her twin brother would be the preferred choice to stay with their parents and how getting her out as quick as a horse can canter was the best course of action for her own life. It is here we first find Elena – of whom is focused on in the prequel novella The Promise. Elena has the difficult job of having to handle the curiously hard situation where a daughter has to be secreted away from her family – an act of bravery on her part, as it is hinted at how her life is not as readily secured anymore than the infant in her keep. It was only after she reached her destination that we realised just how perilous this act was for her to take-on and how much is looming at stake over the choice to separate Mira from her family. The details were not yet readily known but there is enough psychological suspense in the under-threads of the narrative to elude to the fact this was the only way in which to ensure Mira would be ‘kept safe’ and in a place where she could thrive.
Beatrice struck me as a quite remarkable woman – at first I couldn’t get a good read on her person, not until we learnt more about her father and how she came to be set-up at the abbey itself. It was here where we find a sister (as her two sisters were wed at very young ages) who had a chance at freedom in a manner of speaking that her own sisters would never know themselves. She was meant to live her life amongst the nuns and although their spiritual home (the abbey) was protected there was a part of her nature which was non-conforming and non-traditional. She did as she pleased for reasons which made logical sense – not just to her but to anyone looking in on her life.
As Maroney re-settled us into the life and heart of Mira’s mother, Marguerite – we find a woman whose strength and resolve goes back to her childhood when she was a young girl of nine years taken from her family and brought to the Oto stronghold. She was destined to wed and to have children but her life was not her own. In some ways, I had wondered if this is partially why she had sent Mira away – to give her a chance she hadn’t had herself and to try to reset parts of the past she wasn’t able to resolve until now. There is a passage which explains the seashell and the importance of this necklace – it is an inheritance of its own right and the significance of its presence in her life is a remarkable one of faith.
Marguerite isn’t a woman who backed down when bad things happened; if anything she was re-inspired to dig deeper and to find a way to step outside the adversity to live for tomorrow. Not everyone around her was this strong in spirit nor in mind; she had to be the one others could look up towards when the unthinkable started to alight at her door. The fortitude it would have taken to deal with that at hand and to keep her wits about her as well when you could tell she wanted to wilt under the pressure of what that moment would mean for her and how it would change her life.
In this series, we are anchoured in the present by Zari, in the past with Mira and Elena. The ability to seek out the story through the voices of their characters is quite delightful as you are immediately drawn to Zari due to how adventurous she is in seeking out the truth and the proof of what was once thriving in the past but in the present is only a fluttering of a memory. As you enter Elena’s life as a mountain woman who finds comfort in her healing practices and being a midwife, you also start to see the complications of being a woman in her generation. She has to walk a fine line between her independence and the life which is expected of her to give to a kingdom which is quite unforgiving round the edges. And, then, there is Mira who was an innocent babe in this story – a daughter who was not wanted, an heir of the wrong gender and a twin bourne in secret where only her brother was the celebrated birth.
There is a lot riding the coattails of their lives – especially if you bring into the fray Beatrice who is a nun at an abbey which needs to find a way to financially stablise itself and the arrival of Mira was a welcoming grace as she brought with her a dowry they could not have hoped to have received otherwise. Elena I felt was the most changed by Mira’s birth and Zari is someone we are getting to know in smaller periods of revelation in the opening chapters of the story – to where, Mira’s young life is the central focus to help us align ourselves into their lives and better understand their motivations.
It isn’t often you find a story which stands out from others – by the way it was written, how it was assembled if it were a series and also, what makes it uniquely original. For me, as I read The Girl from Oto – I found a wonderfully Feminist driven plot, strong female leads and an atmosphere of introspective intuitiveness from the past. I found her style not just sophisticated in its scope but multi-layered as she tucked you close to the footsteps of her characters. You didn’t just re-live their lives as they are being depicted but you took a very emotionally connective journey with them.
-quoted from my review of The Girl from Oto
As you can see, there is a lot of layering to her style of Historical Fiction – she writes a fiercely passionate story with wicked brilliant Feminist Historical Fiction insight into the past whilst she encourages you to take this journey with Mira, Elena, Beatrice and Zari – for me, the story had five fierecely strong women inside it if you include Marguerite (Mira’s Mum) who in their own individual ways are leaving pieces of themselves imprinted on your memory.
I was thrilled to bits I could ask Ms Maroney questions about this story and the series as it is evolving whilst tucking close to the heart of her writing life and the process in which the stories alight in her heart to be written.
As your reading our convo I hope it will spark a keen interest in seeking out this series and if you’ve perchanced already started reading either the novella “The Promise” and/or have read “The Girl from Oto” – I would love to hear your reactions, thoughts and comments in the threads below this conversation! Let me know what drew you to this saga and why you love Historical Fiction series like this one – as it is champion to find fellow readers who are attracted to similar story-lines! Remember – brew your favourite cuppa before you begin!
A Renaissance-era woman artist and an American scholar. Linked by a 500-year-old mystery…
The secrets of the past are irresistible—and dangerous.
1500: Born during a time wracked by war and plague, Renaissance-era artist Mira grows up in a Pyrenees convent believing she is an orphan. When tragedy strikes, Mira learns the devastating truth about her own origins. But does she have the strength to face those who would destroy her?
2015: Centuries later, art scholar Zari unearths traces of a mysterious young woman named Mira in two 16th-century portraits. Obsessed, Zari tracks Mira through the great cities of Europe to the pilgrim’s route of Camino de Santiago—and is stunned by what she finds. Will her discovery be enough to bring Mira’s story to life?
The Promise (prequel) novella – about Elena (mountain healer, midwife)
The Girl from Oto (book one) } see also review
– where we are introduced to Zari, Elena & Mira
Mira’s Way (book two)
Ideally, I would have preferred to rad “The Promise” ahead of the first installment as I love reading series in order of sequence. Except it is not yet released into print and/or audio
– I loved Elena instantly in “book one”.
Converse via: ##TheGirlfromOto + #HistFic or #HistNov as well as #TimeShift and #HistoricalFiction
I’ve launched a new weekly featured concentration of book reviews on Jorie Loves A Story which celebrates my love and passion for the historical past! For those of whom are regular readers and visitors to my blog, you’ll denote a dedicated passion for reading Historical Fiction (and all the lovely segues of thematic therein) – I am a time traveller of the historical past every chance I get to disappear into a new era and/or century of exploration. There isn’t a time period I haven’t enjoyed ruminating over since [2013] and there are a heap of lovely timescapes I’ve yet to encounter.
This feature was inspired by the stories I’ve read, the stories I’ve yet to experience and the beauty of feeling interconnected to History through the representation of the past through the narratives being writ by today’s Historical Fiction authors. It is to those authors I owe a debt of gratitude for enlightening my bookish mind and my readerly heart with realistic characters, illuminating portals of living history and a purposeful intent on giving each of us a strong representation of ‘life’ which should never become dismissed, forgotten or erased.
I am began this feature with the sequel to a beloved historical novel I first read in [2013] – it was one of the first ARCs I received and it was the first year I was a book blogger though it was through a connection outside my life as a blogger. I celebrated K.B. Laugheed’s literature to kick-off this feature and hopefully will inspire my followers to take this new weekly journey with me into the stories which are beckoning to read their narrative depths and find the words in which to express the thoughts I experienced as I read.
Acquired Book By:I am a regular tour hostess for blog tours via Historical Fiction Virtual Book Tours whereupon I am thankful to have been able to host such a diverse breadth of stories, authors and wonderful guest features since I became a hostess! HFVBTs is one of the very first touring companies I started working with as a 1st Year Book Blogger – uniting my love and passion with Historical Fiction and the lovely sub-genres inside which I love devouring. It has been a wicked fantastical journey into the heart of the historic past, wherein I’ve been blessed truly by discovering new timescapes, new living realities of the persons who once lived (ie. Biographical Historical Fiction) inasmuch as itched my healthy appetite for Cosy Historical Mysteries! If there is a #HistRom out there it is generally a beloved favourite and I love soaking into a wicked wonderful work of Historical Fiction where you feel the beauty of the historic world, the depth of the characters and the joyfulness in which the historical novelists brought everything to light in such a lovingly diverse palette of portraiture of the eras we become time travellers through their stories.
I received a complimentary copy of “The Girl from Oto” direct from the author Amy Maroney in exchange for an honest review. I did not receive compensation for my opinions or thoughts shared herein.
On why this story appealled to me:
In truth, the trifecta of ‘time’ narratives (ie. time shift, time slip and time travel) are three of my favourite ways in which genre can become bent towards the will of a novelists pen. It never fails to ensnare a wicked curiosity about what I shall find if I were to dip into a narrative set in a duality of focus between the past and the present whilst what motivates me to seek out these stories is the fact I love being a time traveller of History. There is a benefit to reading Historical Fiction – as the writers who are curating their worlds for us to read are the ones who are re-illuminating the past in such strong strokes of colours and lives to give us a building of the past in our imaginations which befits the real persons who once lived.
When I first read the premise of the novel The Girl from Oto – I was rather charmed by the time shift narrative as reading dual timelines in stories is one of my favourite past-times! I like seeing how different writers handle the stories and how the duality of the focus is built through the distinctiveness of having two timescapes to disappear inside as we follow the central lead characters.
It is through this exploration of the human condition, of humanity’s progress and the journeys we venture forth into embracing through this portal of interest where we seek out the most hope for the future because we have a better foundational understanding of whence we’ve previously have travelled.
A Renaissance-era woman artist and an American scholar. Linked by a 500-year-old mystery…
The secrets of the past are irresistible—and dangerous.
1500: Born during a time wracked by war and plague, Renaissance-era artist Mira grows up in a Pyrenees convent believing she is an orphan. When tragedy strikes, Mira learns the devastating truth about her own origins. But does she have the strength to face those who would destroy her?
2015: Centuries later, art scholar Zari unearths traces of a mysterious young woman named Mira in two 16th-century portraits. Obsessed, Zari tracks Mira through the great cities of Europe to the pilgrim’s route of Camino de Santiago—and is stunned by what she finds. Will her discovery be enough to bring Mira’s story to life?
The Promise (prequel) novella – about Elena (mountain healer, midwife)
The Girl from Oto (book one)
– where we are introduced to Zari, Elena & Mira
Mira’s Way (book two)
Ideally, I would have preferred to rad “The Promise” ahead of the first installment as I love reading series in order of sequence. Except it is not yet released into print and/or audio
– I loved Elena instantly in “book one”.
Converse via: ##TheGirlfromOto + #HistFic or #HistNov as well as #TimeShift and #HistoricalFiction
Available Formats: Trade Paperback and Ebook
About Amy Maroney
Amy Maroney lives in the Pacific Northwest with her family. She studied English literature at Boston University and public policy at Portland State University, and spent many years as a writer and editor of nonfiction. When she’s not diving down research rabbit holes, she enjoys hiking, painting, drawing, dancing and reading. The Girl from Oto and Mira’s Way are books 1 & 2 in The Miramonde Series.
For a free prelude to The Girl from Oto, for the full scoop on the research behind the book, and for news about the sequel, please visit www.amymaroney.com.
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